07.01.2013 Views

Appendix 6 - International Music Council

Appendix 6 - International Music Council

Appendix 6 - International Music Council

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

eceived tuition in composition from John Lambert and Tristram Carey. A<br />

meeting with György Ligeti led to an invitation to join his class in<br />

Hamburg. His use of contrapuntal devices and tone colour proved a major<br />

influence. Zaidel-Rudolph also specialised in piano performance; her<br />

teachers included Goldie Zaidel, Philip Levy and Adolph Hallis in South<br />

Africa, and John Lill in London. Zaidel-Rudolph returned to South Africa<br />

and became the first woman in the country to obtain a Doctorate in<br />

Composition, in 1979 at the University of Pretoria under Stefans Grové.<br />

Zaidel-Rudolph's compositional output is considerable, covering most<br />

musical genres, ranging from the large scale symphony to chamber,<br />

choral, ballet, rock opera, film and solo instrumental music. Her works<br />

are regularly performed in Africa, Europe and America.<br />

Zaidel-Rudolph has been the recipient of many awards. In 1974, she was<br />

the first South African composer to be awarded the prestigious Cobbett<br />

Prize for composition at the Royal College of <strong>Music</strong>. In 1986 she won<br />

the first prize in the first-ever Total Oil (SA) Competition in South<br />

Africa. In 1988 the first complete commercial recording of the works of<br />

a South African art music composer featured her music on an EMI album.<br />

She was also commissioned to write a work (Oratorio for Human Rights)<br />

for the Atlanta Olympics in 1996.<br />

In 1995 she arranged a composite version of South Africa’s erstwhile and new National<br />

Anthems at the request of President Nelson Mandela. She also composed a song<br />

(Hewalked to Freedom) for his honorary doctorate ceremony in 1997.<br />

Zaidel-Rudolph has been working at the School of <strong>Music</strong> of the University<br />

of the Witwatersrand since 1975, where she is currently Professor of<br />

Composition. She is frequently invited to lecture on indigenous African<br />

music at international music festivals.<br />

Roelof Temmingh (born Amsterdam, 28 September 1946)<br />

Roelof Temmingh was born in Amsterdam, and moved to South Africa when<br />

his family emigrated there in 1958. He obtained his BMus, BA and MMus at<br />

the University of Cape Town between 1965 and 1970, thereafter studied<br />

composition in Germany, and was appointed to teach at the University of<br />

Stellenbosch in 1973. In 1976, he obtained a PhD in <strong>Music</strong>ology and in<br />

1979 he studied computer music at the University of Utrecht in the<br />

Netherlands. Temmingh has established himself as one of the leading<br />

composers in South Africa. Initially he aroused some controversy with a<br />

number of experimental works. From circa 1985 onwards, these tendencies<br />

became less notable, as may be observed in his three operas:<br />

• EnochProphet of God (premiered in Cape Town in 1995),<br />

• Sacred Bones (Cape Town 1997) and<br />

545

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!