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Appendix 6 - International Music Council

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1 The link between human rights and musical diversity<br />

HUMAN RIGHTS AND PROTECTION OF MUSICAL DIVERSITY<br />

All European countries have a legislation that determines the freedom of opinion and the<br />

freedom of cultural expression. In most of the countries these laws are in force and<br />

enforced. In some countries laws are not enforced or their enforcement is problematic<br />

(Turkey, Belarus). In general, there is hardly any information about limitations on artistic<br />

freedom in Europe.<br />

Most of the European countries do not have official bans of music,<br />

though there may be cases of self censorship. Major violations of Human Rights and<br />

freedom of cultural expressions are predominantly found in other parts of the world, though<br />

there is a tendency in Western and Middle Europe to increasing police violence, racists'<br />

attacks, violence against women and the worsening of the situation of refugees as well<br />

as a<br />

certain threatening of the protection of Human Rights by anti-terrorism-legislation.<br />

(http://hrw.org/doc/?t=europe; http://web.amnesty.org/report2006/2eu-summary-eng)<br />

There are restrictions of the freedom of cultural expression and freedom of opinion through<br />

policies against harassment and the protection of moral principles. Freedom of speech can<br />

be limited by regulations<br />

of the protection of minors and personal dignity. Almost all states<br />

have titles that are not allowed to be aired. This is mostly due to violation of moral<br />

standards concerning sexuality, violence and bad or offensive language. Freedom of speech<br />

can also be limited through regulations concerning propaganda especially of the extreme<br />

right. This is especially important for Germany and Austria.<br />

In some migrant communities, especially Muslim communities, there seem to be hard<br />

debates about the issue, if music is allowed at all. (http://freemuse .org/ )<br />

Albania<br />

Since 1992, Albania's form of government is officially democratic. Whereas after the<br />

Second World War there has been a strong Russian influence, which stopped in 1960 when<br />

the alliance with the Soviet Union was breached, today, there are no more strict regulations<br />

concerning the musical life. Quite the contrary, Albania has opened itself to the outside<br />

world which results in a great cultural and musical diversity. Until 1992 Albania was a<br />

strictly secular state, today there are three officially recognised<br />

religious groups. The<br />

situation appears<br />

to be calm, moderate; there are no reports about conflicts. (Report of Peter<br />

Inkei)<br />

Balkan<br />

The Balkan countries are multiethnic, multireligious, multicultural and multi-lingual.<br />

Though tensions and hostilities still exist, most minorities are able to speak their own<br />

languages and express themselves in their own forms of cultural expression largely<br />

unchallenged. A lot of them even operate their own media. There are problems concerning<br />

education in native languages. All Balkan countries have problems concerning the<br />

integration of Roma in their societies.<br />

Because the idea of different Balkan states on their own was launched in 19 th century and is<br />

based on central-European ideas of "nation", the nationalization was as well accompanied<br />

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