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Appendix 6 - International Music Council

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SWEDEN<br />

As Sweden is the third biggest music exporting country in the world and Swedish pop<br />

music is a successful export article, there is no direct governmental subsidy or promotion of<br />

the Swedish music industry. It is only indirectly promoted by business development in<br />

general. This is an important new notion in the Swedish policy. Swedish "music workers"<br />

are integrated in this program, e.g. in the context of advertising.<br />

Export <strong>Music</strong> Sweden (ExMS), the Swedish music export office, was formed in 1993 by<br />

the major bodies within the music industry (IFPI, SOM, SAMI and STIM) who also<br />

finance the "every day activities". The office was formed for initiating, assisting and<br />

facilitating the promotion and marketing of Swedish popular music world wide.<br />

http://www.exms.se<br />

TURKEY<br />

In Turkey, music is as well employed to promote a positive image of the country as to<br />

promote tourism. In all provinces and a lot of villages local traditional festivities are<br />

celebrated, though they tend to have lost their original sense and are broadly integrated into<br />

cultural tourism industry, e.g. in the context of the Istanbul Festival<br />

http://www.iksv.org/english Turkish music industry is broadly supported and not very<br />

much regulated.<br />

UKRAINE<br />

In the Ukraine the practice of involving musicians in political processes<br />

is wide spread.<br />

This is an important aspect of the development of the music industry in Ukraine since much<br />

money is spent<br />

on election campaigns.<br />

In 2005, the Eurovision song contest took place in Kiev. In its context, special Visa<br />

regulations were in power as EU and Swiss citizens were allowed to enter the country<br />

without visa.<br />

UNITED KINGDOM<br />

UK's music industry is the third largest music market in the world, it is estimated, that<br />

British music sales represent 15% of the global music market. The subsidised sector is<br />

mainly supported by funding through the Arts <strong>Council</strong> of England.<br />

There is a government's work program for the music industry which focuses on four key<br />

areas: Creative Growth, Increasing Exports and Exploiting World Markets, Finance, and<br />

Removing Barriers to Small and Medium-Sized Enterprises. The Department for Culture,<br />

Media and Sport (DCMS) works with the industry helping to encourage the development of<br />

new talents, which is recognized to be essential for the further development of the music<br />

industry. Therefore in 2003, the Live <strong>Music</strong> Forum was established following the passage<br />

of the Licensing Act 2003. The Forum includes representatives from the music industry, the<br />

Arts <strong>Council</strong>, grass roots music organizations, local authorities, small venue operators and<br />

Government.<br />

It aims to promote the live performance of music and works towards the<br />

implementation and monitoring of reforms relating to live music. It will commission and<br />

consider research on live music in Great Britain and make recommendations to the British<br />

government based on this research and expertise.<br />

h ttp://www.culture.gov.uk/creative_industries/music/livemusicforum.htm The government<br />

aims to sustain and develop the country's position in existing and emerging markets<br />

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