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Appendix 6 - International Music Council

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The links between musical diversity and economic<br />

development and the fight against poverty<br />

2.1 <strong>Music</strong> Assisting in Non-<strong>Music</strong>al Development<br />

We understood this question in the following sense: music assisting in non-musical<br />

development that means in non-cultural development, ergo economical development.<br />

We don't know of any explicit governmental programs in Europe that use music to assist in<br />

non-cultural development. <strong>Music</strong> is, of course, used broadly, in the widest sense "to attract<br />

people" – in commercials, advertising campaigns and in tourism. E.g. Festivals form very<br />

important attractors of money and dynamic motors for local economies, and are seen as<br />

such (we don't report festivals in question 2 in detail, for more information see question 6).<br />

2.2 Government or Agency Action to Develop the <strong>Music</strong><br />

Industry<br />

or Aspects of it<br />

There are several governmental support programs for the music industry throughout<br />

Europe. The extension and intensity as well as the financial equipment of these programs<br />

differ a lot from country to country.<br />

The general tendency is that there is more awareness of the music industry being an<br />

important economical sector in Western and Northern European<br />

countries like France,<br />

United Kingdom and Sweden.<br />

One of the problems that often obstruct actions and initiatives to develop the music industry<br />

is the fact, that the actors – governments, music business, music workers and the economies<br />

– do not agree on whether music, particularly non-classical music, is to be seen as cultural<br />

expression, or as commodity or service. Whereon depends how the music industry is<br />

treated, e.g. if it is seen as part of the "normal<br />

economy", which does not need any special<br />

support apart from the usual economy policies. The lack of clarity in this question or the<br />

unwillingness to agree on the fact, that music can be both – cultural expression AND<br />

commodity as well as service - can lead to a standstill or a neglect to deal with the special<br />

challenges of the music industry on the part of the national government (as is the case in<br />

Germany).<br />

ALBANIA<br />

There is an Albanian music industry since 1992, but no governmental promotion. There are<br />

no actions or measures to support tourism or other non-musical economic sectors by the<br />

means of music. There is almost no information about the music market. There is no youth<br />

work that employs music.<br />

AUSTRIA<br />

IP ImpulsProgramm creativwirtschaft is a recently initiated support program funded with<br />

3.8 million € up to the end of 2005. It focuses on music, multimedia and design. It is part of<br />

a national strategy that aims to encourage the innovation potential<br />

and competitiveness of<br />

Austrian enterprises in the CI-sector as well<br />

as increasing the number of enterprises and<br />

jo bs in this field. (http://www.impulsprogramm.at/ )<br />

In 2005, the Austrian Fund for <strong>Music</strong> (Österreichischer Musikfonds) has been funded. This<br />

is a public-private partnership initiative between the Arts department of the Federal<br />

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