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Appendix 6 - International Music Council

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These suggestions are intended only as guidance and do not exhaust the possibilities.<br />

27. Bring to light those good practices and actions that need to be strengthened and<br />

widely practised in this field.<br />

This will follow from the previous analysis.<br />

Please write this section according to<br />

your perceptions of the situation. The following ideas are intended only as<br />

suggestions.<br />

The study could list the states that actively support musical diversity within<br />

their<br />

own borders. It might develop<br />

a typology of approaches, considering inter alia<br />

support to musical diversity within the school music education curriculum, in<br />

music subsidies, in music broadcasting,<br />

in special support to indigenous music, in<br />

measures to encourage cultural production by non-profit and for-profit<br />

organisations, in support to public cultural institutions and broadcasters?<br />

RESPONSE: Within the school system,<br />

schools are now encouraged to offer within the<br />

music curriculum the traditional music of Singapore and<br />

other music of the world.<br />

The National Arts <strong>Council</strong> is able to provide project grants for local arts companies for<br />

various projects and this include music ensembles.<br />

You migh t seek examples of initiatives such as these:<br />

• programs<br />

to support local at-risk indigenous musics<br />

• state support for local participation in internationally viable genres – e.g.<br />

western popular music, western classical music<br />

• state encouragement for free exchange of music across their borders<br />

• state encouragement for importation of music from developing<br />

countries<br />

Which states would more<br />

actively promote musical diversity were funds available?<br />

Which states intend to or are likely to contribute to the <strong>International</strong> Fund for<br />

Cultural Diversity?<br />

246

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