07.01.2013 Views

Appendix 6 - International Music Council

Appendix 6 - International Music Council

Appendix 6 - International Music Council

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Addendum 3<br />

MITT Recommendations<br />

LEGISLATION: COPYRIGHT<br />

Needletime 17<br />

Under the current legislation, performers enjoy no copyright protection – this right is<br />

confined to composers and authors. The lack of protection for performers is out of<br />

keeping with international trends in which needletime regulations are increasingly the<br />

norm. South Africa’s non-accession to the Rome Convention is similarly anomalous.<br />

The absence of needletime legislation is one of the key obstacles to the development of<br />

local music and the music industry. 18<br />

Recommendation 1:<br />

The draft amendment of the Standing Committee on Intellectual Property regarding<br />

needletime should be implemented without delay. The MITT has agreed that no further<br />

public consultation on the needletime issue is required.<br />

The MITT is unanimous in its concern about the length of time that this issue has been<br />

under discussion. It recommends that time frames be incorporated into the amendment of<br />

the Act 19 , providing for negotiations between the broadcasters on the one hand and the<br />

producers and performers on the other hand, regarding the establishment of the<br />

appropriate rate. Should agreement not be reached within the stipulated time period, the<br />

Minister of Trade and Industry is asked to intervene.<br />

The Minister of Trade and Industry is asked to appoint a permanent Copyright Tribunal<br />

that would be essential to the ongoing wellbeing of the industry. The Copyright Tribunal<br />

should be asked, if necessary, to arbitrate the initial negotiations between broadcaster and<br />

17 Needletime is also referred to as the broadcast right. It gives musicians (in their capacity as performers)<br />

the right to receive remuneration when their repertoire is either played on radio or performed live<br />

amounting to a Public Performance Right. This right can impact on income for musicians and expenditure<br />

for broadcasters both domestically and internationally. It was removed from South African Copyright<br />

legislation in 1965. Amendments to relevant legislation is currently under review by the Department of<br />

Trade and Industry in Government Gazette No.21156, published on 10 May 2000 .<br />

18 No broadcaster made a submission to the MITT. The National Association of Broadcasters (NAB) was<br />

approached to make a written submission or to present at one of the five regional hearings. The NAB<br />

declined on the grounds that its views had been communicated through the needletime-related hearings of<br />

the DTI.<br />

19 There is a minority view that the time restriction should be at the discretion of the Minister rather than<br />

written into the Act.<br />

490

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!