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Appendix 6 - International Music Council

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What does one do when 40 to 50 learners come streaming into the<br />

classroom for a possible chance of having a lesson that afternoon, while<br />

others are already practising under the trees? This is the average number<br />

of learners who attend the recorder classes daily.<br />

At first I tried to schedule lessons according to a timetable, but soon found<br />

that it was impossible to follow. The young learners do not have any<br />

concept of time. However, a few of the senior learners do have watches and<br />

manage to arrive at a specified time for their lessons.<br />

My next attempt was to teach them in groups. Although it seemed to be the<br />

answer, the fast-learners were soon bored. The other problem was that<br />

learners still kept arriving in their own time, for various reasons, and<br />

therefore an 18 year old would sometimes attend a group lesson with much<br />

younger learners.<br />

I desperately needed some assistance to create order and structure in my<br />

classes. I approached some of my advanced music students from the more<br />

privileged areas and they willingly agreed to assist me. They are enjoying<br />

this challenge and some of them are now working once a week on a regular<br />

basis to lighten the workload.<br />

Fortunately we have even come to the stage where the more advanced<br />

Mamelodi learners can assist with teaching the less advanced. Currently I<br />

work with a day-by-day timetable where learners choose a lesson time as<br />

they arrive.<br />

Instruments<br />

Another challenge has been to obtain recorders, since the GDE did not<br />

provide any. Instruments were donated, but we are still in need of many<br />

more. At least some learners are now able to take recorders home to<br />

practise while others still need to share instruments. To keep it hygienic,<br />

we have to wash the recorders after use. The wear and tear on the<br />

instruments is extremely high, and therefore it is part of the educational<br />

process to teach the learners to respect their instruments.<br />

Kgotatso and Busisiwe took up the challenge to play the <strong>Music</strong><br />

Performance examination in September 2005. They only started in July<br />

2004, but with all their diligence and enthusiasm they have managed to<br />

advance, in one year, to Grade V level.<br />

PIANO, VOICE TRAINING, TRUMPET AND CHOIR (GRAHAM DIESEL)<br />

Piano<br />

520

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