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Appendix 6 - International Music Council

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esources restricts usability and exploitation. Therefore, eContentPlus tackles key issues in<br />

the digitalization of European heritage with its budget of € 149 million<br />

(http://europa.eu.int/information_society/activities/econtentplus/index_en.htm).<br />

EXAMPLE 4: IST<br />

In the 6 th framework of the Information Society Technologies (IST) program IST<br />

contributes to the realization of European policies for the knowledge society as agreed at<br />

the Lisbon <strong>Council</strong> of 2000, the Stockholm <strong>Council</strong> of 2001, the Seville <strong>Council</strong> of 2002,<br />

and as reflected in the e-Europe Action Plan and in the i2010 initiative. Objectives are<br />

among others:<br />

• an accelerated transition to a competitive and dynamic knowledge economy capable of<br />

sustainable growth, with more and better jobs and greater social cohesion.<br />

• broader availability and an extension of IST applications and services in all economic<br />

and public sectors and in society as a whole.<br />

• ensuring European leadership in generic and applied technologies at the heart of the<br />

knowledge economy.<br />

• increasing innovation and competitiveness in European businesses and industry and to<br />

contribute to greater benefits for all European citizens.<br />

The focus of IST is currently on the future generation of technologies in which computers<br />

and networks will be integrated into the everyday environment, rendering accessible a<br />

multitude of services and applications through easy-to-use human interfaces. This vision of<br />

'ambient intelligence' places the user, the individual, at the centre of future developments<br />

for an inclusive knowledge-based society for all (http://www.cordis.lu/ist/).<br />

CONCLUSION: NEW TECHNOLOGIES AND MUSICAL DIVERSITY<br />

The internet and new digital technologies are new and highly successful. They change and<br />

replace old channels of communication and trade. Possibly conventional analog<br />

broadcasting services will be affected or even abolished by this technology generation in<br />

the near future. The sudden success of services such as Voice-Over-IP shows how fast<br />

conventional media can be replaced by the new technologies. If one takes such drastic<br />

changes into account it is paramount that the same regulations and standards are applied to<br />

the new media as to the old ones. Else one has to suspect the effective ablishment of the old<br />

structures by the replacement of new technologies (comp. discussion about GATS and the<br />

audivisual sector in section 7).<br />

Insisting on the principle of technological neutrality laid down, for example in the GATS,<br />

the European Community defends the concept that all products delivered electronically<br />

should be classified as services. With this argument the Community accounts for the<br />

definition and implemention of cultural and audio-visual policies for the purpose of<br />

preserving cultural diversity. This is an argument in favour of the existing system of public<br />

broadcasting services aiming for the preservation of this system in the digital age.<br />

The first observation in this context is that most of experts interviewed for this report did<br />

not know about developments in the domain of the new media.<br />

Without the support of the European Union in the domain of the new technologies with<br />

programs such as Information Society Technologies (http://www.cordis.lu/ist/)<br />

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