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Appendix 6 - International Music Council

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e) Thirty three countries in the world belong to the Coalition for Cultural Diversity.<br />

Nine of them are Latin American: Uruguay, Perú, México, Ecuador, Chile,<br />

Colombia, Brazil, Argentina and Venezuela. In Paraguay and Bolivia there are<br />

two coalitions about to be formed. Coaliciones en Movimiento. Un boletín de las<br />

coaliciones para la diversidad cultural. Vol. 4, No. 1, Enero 2006.<br />

http://www.cdc-ccd.org/Espagnol/bienvenido_2005.htm<br />

Nicaragua: In opposition to the Nicaraguan abstention from the vote, the Garífuna<br />

community from Corn Island asks for the ratification of the Convention to protect the<br />

Intangible Cultural Heritage.<br />

OFRANEH. Organización Fraternal Negra Hondureña.<br />

http://rds.hn/index.php?documento=4130<br />

Montevideo, Uruguay - 24 th MERCOSUR Summit: President Lula da Silva from Brasil,<br />

Néstor Kirchner from Argentina, Ricardo Lagos from Chile, Hugo Chávez from<br />

Venezuela, and other MERCOSUR´s assistants (Paraguay) and Associated States<br />

(Bolivia, Chile, Perú, Colombia and Ecuador) announced a Declaration with their<br />

promise to ratify and strongly support the Convention. Coaliciones en Movimiento. Un<br />

boletín de las coaliciones para la diversidad cultural. Vol. 3, No. 8, Diciembre 2005.<br />

http://www.cdc-ccd.org/coalition_currents/Dec05/coalition_currents_sp_dec05.html#3<br />

6. The manner in which musical diversity is addressed by music workers and<br />

expressed in various forms or musical creation; the relationship to identity.<br />

• Cite examples of cultures in which musicians and/or the various participants in<br />

the music business (producers, presenters, record companies etc) are interested in<br />

musical diversity – in the sense of the simultaneous practice or presentation within a<br />

society of many forms of music.<br />

§ In general, artists and non-governmental promoters of culture concentrate their efforts<br />

within the specific areas of their own interest. Governments, through legislation, intend to<br />

sponsor multiple forms of diversity, even though some expressions remain always on the<br />

fringe.<br />

Within recording companies there are some interesting proposals, for instance, those<br />

concerning alternative music, supporting diverse genres and traditional expressions. An<br />

example: in México, Fonarte Latino and Ediciones Pentagrama.<br />

http://www.fonartelatino.com.mx; www.pentagrama.com.mx<br />

Samples of musical identity expression through diversity:<br />

Argentina: a) Leon Gieco works with Indigenous and Creole musical instruments,<br />

generating fusion music. b) Alejandro Iglesias Rossi and other young composers present<br />

a contemporary innovative music language combining ethnic instruments from diverse<br />

regions. c) Foreign festivities like “Saint Patrick Party” (emphasis on Celtic music), have<br />

a place in performed music. Consejo Argentino de la Música / CIM.<br />

412

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