Appendix 6 - International Music Council
Appendix 6 - International Music Council
Appendix 6 - International Music Council
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throughout the world. The <strong>Music</strong> Exports Group (MEG) – a joint cross-<br />
Government/Industry Forum - has been established.<br />
http://www.culture.gov.uk/creative_industries/exporting_the_creative_industries/creative_e<br />
xports_groups.htm<br />
The Department for Culture, Media and Sport has funded a research project, undertaken by<br />
Kingston University's Small Business Research Centre, to look at the problems faced by<br />
small business in the music industry in accessing finance. The report aims to identify the<br />
finance options available, the barriers to accessing these options, and ways in which<br />
industry and Government might best overcome these barriers.<br />
http://www.culture.gov.uk/global/publications/archive_2001/banking_on_hit.htm The<br />
department maintains a living document that serves as <strong>Music</strong> Money Map, which can help<br />
small and medium enterprises<br />
with finding funding.<br />
2.3 Use of music to alleviate poverty or the conditions<br />
contributing to poverty (Projects)<br />
In Europe, the use of music to alleviate poverty can mainly be found in single projects and<br />
private initiatives of businesses or persons. We didn't find any explicit<br />
big governmental<br />
projects or actions instrumentalizing music in the fight against poverty in Europe.<br />
The transition between<br />
question 2.3 (the use of music to alleviate poverty) and 3 (links<br />
between musical diversity and the promotion of peace) is floating. Actually, any evaluation<br />
on the impact<br />
and the use of music to alleviate poverty and social inequity or injustice<br />
should take into consideration church musics, amateur musics as well as music therapy and<br />
the integration of music in health care, social and youth work, which is, of course, a wide<br />
field and a detailed report of these sectors<br />
would take too much space in this report.<br />
There are a lot of tribute concerts for the benefit of the most diverse persons, groups,<br />
regions and organizations, and on the most diverse occasions, reaching from tribute<br />
concerts for the<br />
victims of the Tsunami catastrophe in Asia to the release of CDs for a good<br />
purpose at Christmas or on other occasions, or just think about the new edition of "Live<br />
Aid" as "Live 8" in July<br />
2005 (s. below).<br />
So, in the following, we present an arbitrarily chosen small selection of very diverse<br />
projects that could be seen as typical examples for a lot of similar activities.<br />
HIP HOP MOBIL, GERMANY<br />
Hip Hop Mobil is a youth project of the Arbeitskreis Medienpädagogik e.V. (working<br />
group media education) in Berlin, supported by the Berlin City Administration's Education<br />
Section for youth and sports, founded in 1993. The Hip Hop Mobil does not make open<br />
youth work; the artists pass on their knowledge and skills. They see the advantage of their<br />
activities in the fact that they are not social workers, which eases the approach to the<br />
youngsters. The artists of the Hip Hop Mobile give workshops in DJ-ing, break-dancing,<br />
rap and graffiti arts in public schools. They also provide a small mobile sound studio for<br />
recordings of young rappers as well as recordings in schools and youth centers. The Hip<br />
Hop mobile cooperates with several crossover projects in- and outside Berlin and on<br />
international level, it is led by active performing MDs, DJs and breakers "from the scene".<br />
Despite the fact that rap music today is accepted as<br />
a contemporary form of black music,<br />
hip hop remains a minority culture that attracts particularly youngsters with a foreign or<br />
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