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CONCLUSION<br />
8<br />
CONCLUSION<br />
The ‘common’ and the ‘noble’ bandit as<br />
literary stock themes<br />
Over the preceding seven chapters I have attempted to analyse all available<br />
prosopographical material concerning <strong>latrones</strong> in order to determine who<br />
the Romans considered to be a bandit, and why they did so. Such analysis<br />
has enabled me to observe that, while Roman writers report run-of-the-mill<br />
banditry only in exceptional circumstances, they make very frequent metaphorical<br />
use of the concept. This suggests a definite purpose. Taken in<br />
conjunction with a specific convention of Roman historiography, that ‘it is<br />
not fitting to spin out a history with insignificant details’ (Ammianus 27.2.11:<br />
nec historiam producere per minutias ignobiles decet), it confirms the suspicion<br />
voiced at the start of this volume and developed as its theme: that the<br />
Roman writers’ latro should be regarded not as a social type but as a literary<br />
topos. In other words, the latro is a construct, a product of the imagination,<br />
characterised by invented traits appropriate to his condition. On this basis,<br />
my treatment of his reported appearances has sought primarily to establish<br />
the function of the bandit figure in the literary perspective of the authors<br />
concerned.<br />
Having confirmed my original proposal to my own satisfaction, I believe<br />
that it is possible to finish by presenting a range of important points. This<br />
can be done fairly briefly, since I have anticipated my basic thinking in what<br />
I have said in my Introduction and in remarks at the end of each chapter.<br />
The <strong>latrones</strong> of the Roman tradition are historical personalities who, by<br />
virtue of their social origin, represent the full spectrum of ancient society:<br />
slaves and freemen, citizens and foreigners, soldiers and civilians, simple folk<br />
and people of high status. No class or group dominates. The servile herdsman<br />
who played the robber; the soldier who deserted; the native resistance<br />
leader who found himself a guerrilla general; the Republican magistrate<br />
who made political enemies; the imperial rival who became a usurper; the<br />
slave who avenged his master: all could be treated as <strong>latrones</strong>. Clearly, it was<br />
possible for people of every level to descend in the eyes of (the rest) of society<br />
to that of the ‘bandit’. This broad conclusion is the only one to be drawn<br />
from the fact that the term latro is applied not just to apolitical thieves and<br />
footpads but also, and in particular, in a metaphorical sense to a wide variety<br />
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