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CONCLUSION<br />

8<br />

CONCLUSION<br />

The ‘common’ and the ‘noble’ bandit as<br />

literary stock themes<br />

Over the preceding seven chapters I have attempted to analyse all available<br />

prosopographical material concerning <strong>latrones</strong> in order to determine who<br />

the Romans considered to be a bandit, and why they did so. Such analysis<br />

has enabled me to observe that, while Roman writers report run-of-the-mill<br />

banditry only in exceptional circumstances, they make very frequent metaphorical<br />

use of the concept. This suggests a definite purpose. Taken in<br />

conjunction with a specific convention of Roman historiography, that ‘it is<br />

not fitting to spin out a history with insignificant details’ (Ammianus 27.2.11:<br />

nec historiam producere per minutias ignobiles decet), it confirms the suspicion<br />

voiced at the start of this volume and developed as its theme: that the<br />

Roman writers’ latro should be regarded not as a social type but as a literary<br />

topos. In other words, the latro is a construct, a product of the imagination,<br />

characterised by invented traits appropriate to his condition. On this basis,<br />

my treatment of his reported appearances has sought primarily to establish<br />

the function of the bandit figure in the literary perspective of the authors<br />

concerned.<br />

Having confirmed my original proposal to my own satisfaction, I believe<br />

that it is possible to finish by presenting a range of important points. This<br />

can be done fairly briefly, since I have anticipated my basic thinking in what<br />

I have said in my Introduction and in remarks at the end of each chapter.<br />

The <strong>latrones</strong> of the Roman tradition are historical personalities who, by<br />

virtue of their social origin, represent the full spectrum of ancient society:<br />

slaves and freemen, citizens and foreigners, soldiers and civilians, simple folk<br />

and people of high status. No class or group dominates. The servile herdsman<br />

who played the robber; the soldier who deserted; the native resistance<br />

leader who found himself a guerrilla general; the Republican magistrate<br />

who made political enemies; the imperial rival who became a usurper; the<br />

slave who avenged his master: all could be treated as <strong>latrones</strong>. Clearly, it was<br />

possible for people of every level to descend in the eyes of (the rest) of society<br />

to that of the ‘bandit’. This broad conclusion is the only one to be drawn<br />

from the fact that the term latro is applied not just to apolitical thieves and<br />

footpads but also, and in particular, in a metaphorical sense to a wide variety<br />

161

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