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BANDITS IN THE ROMAN EMPIRE<br />
supernatural potency. 33 It may, therefore, be simply fortuitous that both<br />
slave leaders bore names that had an attractive ring. On the other hand,<br />
given the symbolic baggage carried by each of these, it should not be ruled<br />
out that our sources unwittingly recorded both leaders under names which<br />
their bearers assumed just as deliberately as they later did the regal names<br />
Antiochus and Tryphon.<br />
Salvius-Tryphon was active in eastern Sicily. In the west, Athenion and<br />
his rebels put themselves under his general command. Athenion 34 is never<br />
expressly termed latro in the sources, but this would have been redundant<br />
given Diodorus’ statement that he was a Cilician, complemented by Florus’<br />
assertion that he was a herdsman ( pastor). 35 As in the case of Cleon, either of<br />
these characteristics could, from the Roman point of view, be synonymous<br />
with latro; together, they amounted to a representation of a particularly<br />
fearsome bandit. It suited this picture that Athenion was presented as ‘a<br />
man of outstanding courage’, 36 who had killed his master, freed his fellow<br />
slaves from their prisons (ergastula), recruited and trained a slave army,<br />
crowned himself king and then proceeded to take villages, cities and fortresses.<br />
37 Thus Athenion did not embody the pure form of latro like Cleon.<br />
Rather, he amounted to a combination of Eunous and Cleon. The Cilician<br />
pastor likewise legitimised his position in the eyes of his followers by calling<br />
on the gods. 38 He also laid claim to supernatural powers and wore a diadem<br />
as a sign of his royal authority. 39<br />
All usurpers were of course characterised by their anxiety to lend credibility<br />
to their elevation by means of external trappings. What Diodorus relates<br />
could therefore be dismissed out of hand as sheer invention. The occurrence<br />
of close similarities – sometimes down to the smallest detail – between his<br />
reports of Eunous-Antiochus and Cleon on the one hand and of Salvius-<br />
Tryphon and Athenion on the other, makes it more or less certain that he<br />
was using literary stereotypes. 40 The two ‘chiefs’ are portrayed as divinely<br />
sanctioned monarchs bearing Hellenistic names and are portrayed as representatives<br />
of a decadent eastern ruler-type. By contrast, Cleon and Athenion,<br />
the two ‘lieutenants’, both Cilicians, are made out to be <strong>latrones</strong>. Common to<br />
all four was that, as <strong>latrones</strong> or as rulers, they represented the population of<br />
the Hellenistic world in the Roman West, in both instances with a negative<br />
connotation. 41<br />
The boundaries between historical fact and literary convention again mix<br />
and merge, making it almost impossible to decide which details are real and<br />
which the products of fiction or literary tradition. Otherwise, returning to<br />
Athenion, the slave leader was characterised by his ‘venting his rage upon<br />
the masters, but still more violently on the slaves, whom he treated as<br />
renegades’. 42 What Florus says here corresponds well with Diodorus’ information<br />
that Athenion imposed absolute discipline upon his underlings. He<br />
recruited only the best of these into his army and forced the rest to stay<br />
where they were and perform their usual tasks with diligence. It was this,<br />
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