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BANDITS IN THE ROMAN EMPIRE<br />
general on the Roman side was, in 207, the governor L. Alfenus Senecio: see Birley,<br />
African Emperor (n. 2), 170ff. (= Septimius Severus 244ff.). The arrival of the emperor<br />
is dated to late 207 or early 208: see Halfmann, Itinera principum (n. 1), 219. The<br />
period of two years which Dio gives for the duration of the activity of Bulla’s band<br />
therefore probably comprised the years 205 to 207.<br />
57 Cf. Shaw, ‘Bandits’ 47: ‘the Bulla Felix legend is set within the context of a<br />
challenge to the formal authority of the emperor who is said to manage the hunting<br />
down of the bandit personally.’<br />
58 HA Sept. Sev. 18.5. Zos. 1.8. CIL VI 234 = ILS 2011 (Genio / exercitus qui /<br />
exstinquendis sae- / vissimis latronib(us) / fideli devotione / Romanae / e[x]pectationi / et<br />
votis / omnium / satis fecit) may be associated with events to do with Bulla Felix, as<br />
already proposed by Dessau in his commentary on ILS 2011; contra, Sünskes<br />
Thompson, Aufstände 30.<br />
59 M.P. Speidel, Riding for Caesar. The Roman Emperors’ Horse Guards, London 1994,<br />
63, considers that this officer who, as we shall see, managed to arrest Bulla, was a<br />
tribune of the equites singulares Augusti, remarking: ‘Again the emperor was served<br />
well by his horse guard.’ But this presupposes the historicity of the information<br />
which, given the high degree of stylisation of the whole account, I consider to be<br />
unproved and unprovable.<br />
60 H.G. Gundel, s.v. Viriatus, RE IX A, 1961, 223. Cf. above, pp. 45–7.<br />
61 Kunkel, Herkunft (n. 45), 224ff.<br />
62 Dio 76.10.7.<br />
63 Thus, persuasively, G. Alföldy, The Social History of Rome, London/Sydney 1985,<br />
177. Similarly, albeit less definitely, Shaw, ‘Der Bandit’ 378: both men owed their<br />
position to one and the same power basis.<br />
64 Alföldy, Social History (n. 63), 177. Concerning Theocritus, an imperial freedman<br />
and former dancing master of Caracalla, Dio 77.21.2 remarks drily: ‘Thus, from a<br />
slave and a dancer, he rose to be commander of an army and prefect.’ (Trans. Cary,<br />
Loeb) At 80.7.1f. Dio criticises the rise of a centurion and of the son of a doctor to<br />
key military positions and to senatorial rank.<br />
65 Tac. Ann. 2.40: Percunctanti Tiberio, quo modo Agrippa factus esset, respondisse fertur ‘quo<br />
modo tu Caesar’. Cf. below, pp. 141–2.<br />
66 Dio 57.16.3–4. Cf. below, p. 140.<br />
67 Dio 57.16.4.<br />
68 Dio 76.10.7.<br />
69 It has to be conceded that there is not full agreement since, in the case of Clemens,<br />
question and counter-question are pitched rather differently from that of Bulla<br />
Felix. ‘How did you become Agrippa?’concerns the means, and is not the same as<br />
‘Why did you become a bandit?’, which concerns the cause. However, no one<br />
would anyway wish to accuse Dio of the limp adoption of the tacitean model. The<br />
change from modal to causal would have been suggested to him by the different<br />
circumstances. Tiberius had no grounds for asking the slave why he had become<br />
Agrippa: no one knew this better than the emperor, who had conspired or was<br />
complicit in events (see above, p. 142). On the other hand, he had a very close<br />
interest in how Clemens had managed to pass himself off as Agrippa. Papinianus’<br />
concerns lay in the opposite direction: not how a person became a bandit, but why.<br />
70 This is not the place to go into the crux as to whether Dio drew on Tacitus directly<br />
or indirectly; on this see most recently M. Hose, Erneuerung der Vergangenheit. Die<br />
Historiker im Imperium Romanum von Florus bis Cassius Dio, Stuttgart/Leipzig 1994,<br />
411ff. (with bibliography). Both passages discussed here support the assumption of<br />
direct use of the Annales by Dio, not only because of the high degree of agreement<br />
as to concrete details but also, and predominantly, because of the identical conception<br />
of the bandit image.<br />
208