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INTRODUCTION<br />
A further peculiarity which needs to be considered in respect of methodology<br />
concerns the second type of information referred to above, the often<br />
somewhat dubious evidence of ancient writers. In philosophy, history and<br />
other works of literature (including novels), observations and opinions concerning<br />
brigands and their way of life fulfilled a specific function. I see this<br />
function in the wider context of the general opinion-forming intent of<br />
Roman writers. 29 It consists, I would say, in the wish to draw the attention<br />
of those who read their texts, i.e., members of the current social and political<br />
elite, to grievances for which they were responsible. These were largely<br />
grievances about the living conditions of the lower social classes. This is<br />
illustrated by an episode recorded in connection with the bandit Bulla Felix<br />
(dealt with in Chapter 6). Bulla’s 600 strong robber-band had for years<br />
terrorised Italy under Septimius Severus. Amongst other things, Bulla is<br />
supposed to have managed to capture one of the hit men (a centurion) sent<br />
to kill him. According to Cassius Dio:<br />
Later [Bulla] assumed the dress of a magistrate, ascended the tribunal,<br />
and having summoned the centurion, caused part of his head to<br />
be shaved, and then said: ‘Carry this message to your masters: “Feed<br />
your slaves, so that they might not return to brigandage!” 30<br />
Elaborately constructed narratives such as this raise the question of their<br />
historicity. We should, however, be prepared to accept that in such cases<br />
historical veracity was not uppermost in the writer’s mind. As stated earlier,<br />
this type of bandit story was intended as a sort of ‘photographic negative’ of<br />
what really happened in society. Bulla’s wearing of official clothing, his<br />
sitting on a tribunal, and his dealing with the centurion as a messenger from<br />
a hostile power made his robber band look something like an organised<br />
community and allowed his company to project itself as an alternative state.<br />
That the Bulla of legend warned the representative of the civil power to feed<br />
slaves sufficiently to prevent them from having to become bandits is the<br />
essence of the whole story: an hortatory exemplum serving as a wake-up call to<br />
the Roman ruling class. Texts like this were not, therefore, particularly<br />
concerned with banditry as such. Rather, they conveyed romantically transformed<br />
images of robber bands, carrying messages for their readers.<br />
4 State of research<br />
Older publications on <strong>latrones</strong>, down to the 1960s, were seldom more than<br />
antiquarian assemblages of material. However, they deserve credit for opening<br />
up the sources for later research, which has aimed at a more conceptual<br />
approach to the topic. The same may be said of analogous entries in encyclopaedias<br />
of Ancient History and summary reviews, such as those of Ludwig<br />
9