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The Approach to the Native City 69<br />

cylinder which joins her veils. But the Arish woman is not<br />

content unless she has a silver head-band with a row of<br />

little chains falling down on each side, half-concealing her<br />

face, or a necklace of two or three strings of huge gold<br />

and coral beads, and another string tied round her fore-<br />

head. She is addicted to fine bracelets also, and her bare<br />

face is often very pretty.<br />

Alternating with the women are porters carrying anything<br />

from a piano downwards, lemonade-sellers, men with ladders,<br />

forage camels, sheikhs on donkeys, and friends walking<br />

two or three abreast, only concerned with their conversation.<br />

Not only the pavement but the whole street is full of them<br />

and looks as if it would congeal if it were not for the<br />

arabeah drivers, who charge them like snow-ploughs, crying,<br />

" Oivar riglak .'" In the midst of all the shoddy shops and<br />

stalls, here and there a noble Mameluke gateway, which once<br />

had a mansion behind it, rears its head. But the whole effect<br />

is one of cheap shops kept by Greeks, to which the European<br />

goes for certain odds and ends, and the native for cheap<br />

splendour in his apparel. Where a Mameluke house still<br />

survives it has generally been hopelessly transformed.<br />

Until he gets close down to the bazar there is nothing<br />

to make the tourist put his hand in his pocket. At first the<br />

shops have fairly good stocks. Mingled with jewellers' are<br />

shops where boots and hosiery, fly-whisks and footballs, dis-<br />

pute priority. The traffic of carriages, carts, porters, native<br />

women, lemonade-sellers, and sheep is inconceivable. You<br />

would never get through it unless your coachman with a yell<br />

of" Ozuar riglak" which means " mind your legs," charged the<br />

crowd with his game little Arab horses. The effect is much<br />

heightened if you get a shower of rain, which turns any street<br />

in Cairo into a lake of mud in a quarter of an hour. But rain<br />

is rare ; on twenty-nine days out of thirty you can reckon on<br />

enough sunshine to photograph any good subject like an<br />

Arish woman, that is, a woman from the Eastern Desert, in<br />

trousers and fine bracelets, and the odds are, with her face<br />

uncovered. Very pretty they are sometimes, with lithe,<br />

majestic figures.

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