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On the Pyramids 323<br />

being which has seen all the history that is history from the<br />

very beginning. It seems as old as the beginning of the<br />

world. Dr. Budge says that Egypt had a certain civilisation<br />

fifteen thousand years ago ; the depraved Egyptian made<br />

sham glass jewels six thousand years ago. What city, I<br />

wonder, was the Egyptian Brummagem ?<br />

At last everything has gone except two sand-carts, two<br />

squatting Arabs and a loving couple ; so the blessed quiet,<br />

the peace of God is returning. This is the most marvellous<br />

night we have ever spent under the gemmed Egyptian sky.<br />

I like to hear the eternal barking of the dogs at the villages<br />

of the Pyramid Arabs by the still waters of the inundation :<br />

it fits in. It is wise to wander to the little hill above the<br />

Sphinx also, to see its long white figure and the white bones<br />

of its back, while the head looks as dark as a Nubians in the<br />

clear, keen desert air. From this point you get all three<br />

pyramids in a line and the Sphinx crouching at their feet.<br />

Where the paws of the Sphinx were showing but a few months<br />

ago are two gaily caparisoned camels with their drivers, like<br />

black nine-pins, sitting beside them. The temple below the<br />

Sphinx looks curiously ghastly with its low walls staring up<br />

at the sky. It reminds me for some subtle reason of the<br />

exhumed, lava-crusted corpses in the museum of Pompeii.<br />

We shall not linger. long looking at it. Out at the Pyramids<br />

he who hesitates is not lost, but is found by an Arab looking<br />

for bakshish. From above, the black figures on the sand in<br />

front of the Sphinx look very weird. It is by moonlight that<br />

the Sphinx gets over its sunken position best ; it is even an<br />

improvement.<br />

The monster, the Ancient of Days, crouches like a lion in<br />

its sand-cup ; it is always listening with its great ears—mar-<br />

vellously listening ears ; but its wise lips are always sealed.<br />

To stand under the Sphinx at moonlight extinguishes even<br />

Abu Simbel ; the Arabs, in their ghostly garments, are just<br />

the right touch. But by all the canons of poetical justice, the<br />

piastres, which you give them to hold their peace, ought to<br />

have turned into the little round flat stones, which are called<br />

the Sphinx's money, when they take them from their bosoms

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