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4 Oriental Cairo<br />

that Cairo was inhabited entirely by the unlovely effendi in<br />

his cheap, ill-fitting parodies of European clothes tempered<br />

by the use of a tarbiish.<br />

But beyond the excursion with a dragoman to the Turkish<br />

Bazar they never think of going into the native city, which is<br />

as Oriental as Granada was in the days of the Moors, and not<br />

totally different to the Baghdad of the Arabian Nights.<br />

It was as a city which still maintains the atmosphere of<br />

the Arabian Nights that Cairo appealed most to me ; and<br />

while I was there I converted here a gay officer, there a<br />

society butterfly into an ardent mosque-hunter or an en-<br />

thusiastic observer of the mediaeval life in the Arab city.<br />

The kodak certainly played no small part in the con-<br />

version of most of them, for there are few well-off people<br />

who go to Eg}'pt without a camera, and they were fascinated<br />

with the photographs I took for the production of the<br />

illustrations of this book. When my converts were once<br />

bitten with the mania for photographing in the Arab city^<br />

they generally went there every day, regardless of the<br />

bargaining in the bazars and the fleas of the Market of the<br />

Afternoon.<br />

I often had to go alone when I had exhausted the<br />

enthusiasms or the muscles of all my friends. But I never<br />

felt lonely, even if I was in the wrong part of the city for<br />

AH my faithful guide to find me and accompany me.<br />

Nothing could induce Ali to come to the hotel for me<br />

when I wanted him in some other direction than the Babes-Zuweyla.<br />

Two or three times he made appointments<br />

to come when I pressed him. But as he never kept them<br />

I understood that he had some reason, which he would<br />

not disclose, for objecting, such as Ramidge's servant had<br />

against taking him to a native theatre.<br />

But I never, if I could help it, went inside a mosque<br />

alone. It was so difficult to get any atmosphere without<br />

the sympathetic society of others interested in its art and<br />

its romance. The attendants and the worshippers in the<br />

mosques never seem to think about these aspects. To them,<br />

even a mosque like Kl-Mcrdani is nothing but a place of

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