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13^ Oriental Cairo<br />

even try to dance :<br />

the only thing I ever saw a snake try to do<br />

in these performances was to sneak back into his bag when his<br />

master wasn't looking. Only a mongoose can lend him any<br />

animation, and the mongoose has to be carefully watched<br />

lest he should eat the poor seven-foot cobra. The mongoose<br />

would make short work of these formidable-looking cobras<br />

without their poisoned fangs. The Egyptian snake-charmers<br />

generally use the cobra-naja, about six or seven feet long and<br />

as thick as your wrist.<br />

A European misses the best part of the snake-charmer's<br />

performance, which is his conversation. He talks incessantly,<br />

and almost as incessantly passes the tambourine round for<br />

piastres.<br />

It is only now and again that he remembers that he has any<br />

snakes, and picks them up from where they are lying trying<br />

to get to sleep in the sand. So convinced are the crowd that<br />

the snakes have had their fangs extracted and will not do<br />

any harm that the charmer often has considerable difficulty in<br />

preventing the crowd from encroaching. I wonder shall I<br />

ever see snakes swaying their bodies gracefully and manifesting<br />

signs of pleasure when the charm.er pipes to them. It may be<br />

that the music is at fault, and that the snakes would do more<br />

if the charmer had a piano-organ and played two-steps.<br />

The favourite gambling games they used to play at the<br />

Market of the Afternoon were a game which needed a board<br />

with squares marked on it— their roulette or fantan, I suppose<br />

—and a game played with sticks. There were four small flat<br />

sticks about eight inches long and not quite an inch broad,<br />

with one side white and the other side dark, and a board with<br />

four rows of squares on it ; the sticks were thrown against a<br />

wall or a tree or anything handy, and something happened<br />

according to the number of them which turned up white. The<br />

dark side didn't seem to count unless they turned up all dark,<br />

which was the best throw, like zero at roulette. According<br />

to the throw the players move their bits of brick and red tile,<br />

a sort of beggars' draughts. It is dreadfully dull to watch, but<br />

the Arabs find it absorbing to play.<br />

One sunny Tuesday morning I went to the cattle-market at

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