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Appendix III 363<br />

picturesque on account of its narrowness and its overhangings<br />

and its windings ; but when you get down to the Bab-el-<br />

Sharia Police Station, you come across a glorious old Arab<br />

house with a superb courtyard and rows of ineshrebiya oriels<br />

outside. A little lower down there is a lovely fifteenth-<br />

century mosque with ancient Roman cippolino columns.<br />

It is called the mosque El-Ahmah, and has a sort of<br />

Pompeian peristyle. The gaily coloured door at No. 31<br />

Sharia Emir-el-Giyuchi-el-Guani—for that is the full name<br />

of that now quite humble street— is a native hotel affected<br />

by the Arish people, which signifies the Bedawins of the<br />

Eastern Desert. At No. 17 is one of the two havwiams<br />

which I have described as being the best I know in Cairo.<br />

It too has very gay colours and ines/irebtya-\vor^ outside.<br />

My notice was first attracted to it by them. No. 20 is a<br />

mosque with rather a taking, ancient-looking exterior, but<br />

though it has some antique columns inside it is not worth<br />

taking trouble to get into it, and is generally closed. No. 12,<br />

Sharia el-Shana—a name which seems to designate another<br />

portion of that street, though it is not marked on the map<br />

has some of the finest vieshrebiya oriels in Cairo. They are<br />

very large and very lovely. No. 33 has a very rich Moresco<br />

doorway. No. 19 is rich and fantastic and ancient outside,<br />

but not so good inside.<br />

There is an eating-shop here with tiles of just the Sicilian<br />

patterns, and a Mohammedan prayer and a picture of the<br />

Virgin Mary next to each other so as to suit all classes<br />

of customers.<br />

I fear that before this is printed the fine old Mameluke<br />

mansion which stood in the angle between the Sharia Emir-<br />

el-Giyuchi and the Sharia el-Barrani on the left-hand side,<br />

just at the bottom of the former, will have been completely<br />

torn down. For months and months it stood with the<br />

beautiful facade of its courtyard nearly all torn away, showing<br />

the most glorious woodwork inside. There was a sort of<br />

hall on the ground floor, a little back from the porch, which<br />

had a coffered wooden ceiling richer than anything to<br />

compare with it in Cairo, and beautifully panelled walls.<br />

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