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Oriental Cairo<br />

one other human being in sight—or at the most two or<br />

three figures from the " Arabian Nights " stealing silently<br />

away in the shadows, has a simply magical effect. Never<br />

do the hoary windows and minarets of the ancient Kalaun<br />

Mosque look so like lace-work, threaded out of marble by<br />

the hands of a Genie. Never does that procession, long<br />

drawn-out, of mosque and palace and fountain, present to<br />

the sky such a playful fancy of dome and minaret, balcony,<br />

arch, and /neshrebiyad oriel. I felt as if they had fallen<br />

asleep five hundred years ago, when Sultan Barkiik was<br />

carried to his long rest here, and as if I were the magic<br />

prince, privileged to look upon them for the last time before<br />

they awoke to all the world. There is nothing more<br />

romantic than a street purely mediaeval by the light of an<br />

Egyptian moon.<br />

From the Sharia el-Nahassin I used to drive up past the<br />

fine soaring arches of the Beit-el-Kadi, once the palace<br />

of the Fatimide Caliphs and under a mysterious archway to<br />

the Gamaliya. There is no street in Cairo like the Gamaliya<br />

at night. As you drive slowly down it to the old El-Nasr<br />

Gate, you pass here a street full of overhanging harem<br />

windows shuttered with mesJirebiya centuries old ; there a<br />

media-val fountain with an arched Koran school above it,<br />

and a little farther on a mosque of the great period of<br />

Saracen building. Here you still find a gate to close the<br />

end of the street, which leads down to the Palace of Sultan<br />

Beibars ; the tall khans of merchants, and the okelle of<br />

the poor are black and silent in the night. But the charm<br />

of the Gamaliya lies in this, that instead of being deserted<br />

it is apt, where the bright lights are streaming from a<br />

basement, to have a popular restaurant. On the night of<br />

the Ashura it is to the Gamaliya that the actors in that<br />

grim tragedy repair for supper, while the blood of their self-<br />

inflicted wounds is still pouring from their scalps. Even the<br />

Sharia cl-Xahassin is hardly richer in old, forgotten buildings<br />

of the fantastic Middle Ages.<br />

The Mo/id-cn-Nebhi is the celebration of the birthday<br />

of the Prophet. V\'e drove back to Abbasiya to a splendid

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