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298 Oriental Cairo<br />

polite and cordial. But the convent had nothing to dignify<br />

it. It was simply a poor living-place for women united by<br />

a rule of the loosest order.<br />

We made one other incursion into a Coptic church, and<br />

there we felt some of the exultation which filled us the day<br />

we went over the glorious Hanging Church of Babylon for<br />

the first time. For that was the Cathedral which we attended<br />

at the great Easter Eve service. The Copts seemed to make<br />

more of the eve than of the day itself.<br />

The Cathedral was filled with an immense crowd. If it<br />

were not for the screen, it would have looked like a very<br />

Evangelical English church. But behind the rich screen,<br />

hung with flashing ikons we saw glimpses of all manner of<br />

splendid mysteries. As we took our seats, two men in white,<br />

wearing crimson-and-gold crosses, were reading something<br />

at the lectern together. The voice in which they read was<br />

almost a scream. The lower part of the church was packed<br />

with tarbilskes. Most, but not all, of the women were<br />

behind grills in the gallery. It is possible that those who<br />

were below belonged to other religions, like the ladies of<br />

our party. The Greeks and Copts attend each other's Easter<br />

services, which do not clash, the great Easter service in<br />

the Greek cathedral taking place at the conclusion of the<br />

service in the Coptic cathedral. The great church was<br />

brilliantly lit with vast crystal chandeliers, and from the<br />

gaily lighted recess behind the screen came an incessant<br />

tinkling of cymbals and cloud after cloud of incense. In<br />

front of the screen sat personages with crowned heads, and<br />

after a long period of tinkling and intoning and the reading<br />

of a sort of lesson, two most important-looking personages in<br />

coifs like Venetian doges and doges' gowns, one of cloth-ofgold<br />

and one of crimson velvet, made their appearance, which<br />

was the signal for indescribable enthusiasm and shouting<br />

and crooning, until a procession of acolytes, also wearing<br />

crowns and carrying lighted tapers, drew up in a line outside<br />

the screen.<br />

Round the entrance to the screen, which was half filled<br />

up by a picture of the Resurrection, was a band of beautiful

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