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The Museums of Cairo 271<br />

books rather like our missals, and some superlatively rich and<br />

very fine Persian Korans. The Turkish manuscripts here are<br />

remarkably interesting and gay ;<br />

the Turkish Korans are the<br />

most exquisite and delicate in the whole place. They look<br />

like gems of beaten gold. In a Persian manuscript of the<br />

fifteenth or sixteenth century there is a picture of polo<br />

being played with clubs just like ours, and goal-posts only<br />

differing in their tips. In case 47 is an interesting coloured<br />

picture of the mamelukes as they rode to their death. There<br />

are also collections of Plrmans, and autographs of the Sultans<br />

of Turkey in the style of our illuminated addresses, but on<br />

a bright scarlet ground ; and of early Arabic books printed<br />

in Europe and elsewhere. The Arab bookbindings of the<br />

fourteenth and fifteenth centuries are like our seventeenth-<br />

century bindings. In the Arab bindings from the sixteenth<br />

to the nineteenth century there are some very rich specimens<br />

of stamping in colour.<br />

I have not attempted to give anything like a comprehensive<br />

account of the Library, or either of the Museums, because it<br />

would be overloading the book with a quantity of difficult<br />

names, which to many of my readers would be quite un-<br />

intelligible. I could not discover any catalogue to the<br />

Arabic collections, but I supposed that most people who go<br />

to look at the exquisite objects which are exhibited in them,<br />

go to look at them as works of beauty ;<br />

and even if the name<br />

of the Caliph or Bey for whom they were executed were<br />

attached, would either not read it at all, or promptly forget it.<br />

It is exceedingly difficult to get the proper names and dates<br />

of anything in Cairo ; you have to be satisfied with<br />

impressions.

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