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Appendix II 357<br />

country has more to offer to the wearied Londoner ;<br />

nowhere<br />

is Hfe more restful than on the bosom of the Nile, among the<br />

palms and temples of Luxor, or in Philcc's enchanted isle.<br />

The whole atmosphere breathes tranquil contentment. It is<br />

not merely the quest of the sun that takes us to Egypt ;<br />

total change of scene, of ideas, of manners, attracts us.<br />

the<br />

We<br />

are glad to shake off our stereotyped habits and conventions<br />

or at least to see how others can do without them ; and this<br />

it is, as much as its picturesque confusion and its romantic<br />

associations, which lends Cairo its imperishable charm.<br />

" For Cairo is still to a great degree the city of the Arabian<br />

Nights. Wc can still shut our eyes to the hotels and<br />

restaurants, the dusty grass-plots and villas of the European<br />

quarter, and turn away to wander in the labyrinth of narrow<br />

lanes which intersect the old parts of the city, just as they<br />

did in the days of the Mamluk Sultans. And as we thread<br />

the winding alleys, where this streak of sky marks the narrow<br />

space between the lattice-w indows of the overhanging stories,<br />

and dive under a camel here, or retreat into a narrow recess<br />

there, to escape destruction under the feet of the apparently<br />

impassable crowd of beasts of burden, we may fancy ourselves<br />

in the gateway of Aly of Cairo, and in that stall round the<br />

corner we may perhaps find the immortal Barber Brothers<br />

within the grated lattice over the way, the three Royal<br />

Mendicants may at this moment be entertaining the Portress<br />

and her fair sisters with the history of their calamities ; and<br />

if we wait till night we may see the good Harun Er-Rashid<br />

(newly arrived from Baghd&d) stealthily pursuing his midnight<br />

rambles, with Ja'far at his heels, and black Mesurzx<br />

clearing the way. That old man sitting in his cupboard of a<br />

shop may be able to exchange ' new lamps for old,' in the<br />

manner of Aladdin's Moorish sorcerer. A few streets away<br />

from the European quarter, it is easy to dream that we are<br />

acting a part in the veracious histories of the Thousand and<br />

One Nights— which do, in fact, describe Cairo and its people<br />

as they were in the fourteenth century. In its very dilapidation<br />

the city helps the illusion. Its ruined houses, which no<br />

one thinks of repairing, are full of the superstitious sentiment<br />

;

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