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AS<br />

too crowded ;<br />

CHAPTER XXIV<br />

The Museums of Cairo<br />

might have been expected, Cairo has a first-rate<br />

museum of Egyptian antiquities. The exhibits are not<br />

the attendants have the most deh"ghtful manners<br />

I ever met in a museum. They rise and stand at attention<br />

when you come into a room ; they offer you their chairs ; they<br />

draw back curtains for you, if you want to look at a papyrus<br />

which cannot be left exposed to the sunlight ; to be brief,<br />

they do anything except understand you. It seems an odd<br />

thing in a country where there are thousands of Englishspeaking<br />

Arabs that the only attendant in the Museum who<br />

can speak anything but his native language is the man who<br />

takes the money at the door. I always meant to ask Professor<br />

Maspero, the director, if a knowledge of English is supposed<br />

to have the same effect upon an Egyptian as an acquaintance<br />

with Christianity has upon Chinese and Japanese servants.<br />

Untrustworthiness is surely the reason for not employing<br />

English-speaking attendants in a country, under English<br />

administration, for a museum where nine visitors out of ten<br />

do or can speak English. The only other shortcoming is the<br />

want of adequate labelling and cataloguing. There is a most<br />

interesting catalogue, but it has not been brought up to date,<br />

and has a woeful want of lucidity in its arrangement : it is<br />

only by the merest fluke that you could ever find your place<br />

in it ; it might have been easier to find your way about in the<br />

labyrinth of Crete, where the Mijiotatir was kept ; and why<br />

arc only the most important objects labelled? Everything is<br />

labelled at the British Museum and the Louvre.<br />

2C4

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