COUV ACTES - Psychologie communautaire

Community Psychology: Common Values, Diverse Practicesof Ellis Island, where the author herself fit, as an immigrant, and who also had relatives who went there. Thenarrated object exposed by the photo and its projection on the walls, looking to play with this ambiguity and theambiguity of the situation of migrants.Borders can "delete, define and subdue the other as different, strange, keeping it a part," emphasize D'Ávila Netoand Baptista (2007). However, they add, the narratives, the narratives in any order is written, spoken, gestured orcounted, can dissolve these arbitrary limits.Final ThoughtsWe have a fertile field studies that include narrative analysis, where its breadth suggests its importance, inseemingly different contexts, but are crossed by a thin line that puts as an object for further reflections. In thestudies on female migration, the richness of this approach is even more present. The ability to articulate thestories of past and present, in a nonlinear way, favor a review of reports based on a temporal dynamic and fluidpassage, which enriches the understanding of mobility in the sense given by Braidotti (2000) as a nomad.Finally, the resources that may be added as complementary to narrative analysis, such as audiovisual resources,has brought rich and significant elements, pointing to another way of looking, which undoubtedly has contributedto understanding the social and cultural lines that crisscross.This paper is part of a wide research on Brazilian Women Migrants from the perspective of social recognition, inthe process of contemporary globalization, developed by the Laboratory of Images and Data Program EICOS-Interdisciplinary Studies in the Social Ecology, UFRJ - Institute of Psychology Federal University of Rio deJaneiro (UFRJ)ReferencesBAPTISTA, C.M.A. Das tramas do corpo ferido: percorrendo narrativas de mulheres. Tese de Doutorado.Universidade Federal do Rio de Janeiro. Programa EICOS – Psicossociologia de Comunidades e EcologiaSocial, Rio de Janeiro, 2006.BENJAMIN, W. Magia e técnica, arte e política: ensaios sobre literatura e história da cultura. São Paulo:Brasiliense, 1994. (Obras Escolhidas; v.1)BRAIDOTTI, R. Sujetos nómades. Buenos Aires: Paidós, 2000.BRUNER, J. Pourquoi nous racontons-nous dês histoires? Paris: Retz, 2002.FRANCIS, C.W. Énonciation, discours ET strategies identitaires: une phenomenology de l’altérité dans l’ouvre deLeila Sebbar. Publications internet, Canadá. Les presses de L’Universitè Laval, 2002. Disponível emhttp://www.er.uqam.ca/nobel/soietaut/documentation/publications_ouvrages/wiktorowiczsebbar.pdfFRASER, N. Mapeando a imaginação feminista: da redistribuição ao reconhecimento e à representação. RevistaEstudos Feministas 15(2):240, maio – agosto. Florianópolis, 2007.HALL, S. A identidade cultural na pós modernidade. Rio de Janeiro: DP&A, 8ª edição, 2003.HIRSCH, M & SMITH, V. Feminism and cultural memory: na introdution. Signs: Journal of Women in Culture andSociety, vol 28, n.1, 2002.HONNETH, A. A luta pelo reconhecimento: a gramática moral dos conflitos sociais. São Paulo. Ed. 34, 2003.D’ÁVILA NETO, I. & BAPTISTA, C.M.A. Phátos e o sujeito feminino: considerações sobre o processo deconstrução narrativa identitária de mulheres de grupos culturalmente minoritários. Pesquisas e PráticasPsicossociais 2 (1) São João Del Rey, Março/Agosto 2007.139