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Coerência sintática na Quarta sonatina para piano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Son. Ant. Tipo Relação Son. Post. Tipo Prog. Son. Ant. Tipo Relação Son. Post. Tipo Prog. 1 [037] A ⊄ [013] H / 50 [02469] E ⊃ [0247] B E 2 [013] H ⊄ [037] A E 51 [0247] B ⊄ [0258] D Ret 3 [037] A ⊄ [013] H / 52 [0258] D ⊃ [037] A E 4 [013] H ⊄ [037] A E 53 [037] A ⊂ [0258] D / 5 [037] A ⊄ [0158] K / 54 [0258] D ⊃ [037] A E 6 [0158] K ⊄ [0247] B E 55 [037] A ⊂ [0258] D / 7 [0247] B ⊃ [037] A N 56 [0258] D ⊂ [02469] E Ret 8 [037] A ⊄ [013] H / 57 [02469] E ⊃ [0258] D N 9 [013] H ⊄ [037] A E 58 [0258] D ⊄ [02479] I Ret 10 [037] A ⊄ [013] H / 59 [02479] I ⊃ [037] A E 11 [013] H ⊄ [0358] I Ret 60 [037] A ⊄ [0123] K / 12 [0358] I ⊄ [0247] B E 61 [0123] K [037] A E 13 [0247] B ⊂ [01358] C Ret 62 [037] A ⊄ [0135] I / 14 [01358] C ⊃ [0247] B N 63 [0135] I [037] A E 15 [0247] B ⊂ [01358] C Ret 64 [037] A ⊄ [0135] I / 16 [01358] C ⊃ [0257] F Ret 65 [0135] I [037] A E 17 [0257] F [037] A E 66 [037] A ⊄ [0135] I / 18 [037] A ⊂ [0247] B / 67 [0135] I [037] A E 19 [0247] B ⊂ [01358] C Ret 68 [037] A ⊂ [0247] B / 20 [01358] C ⊃ [0247] B N 69 [0247] B ⊄ [0257] F Ret 21 [0247] B ⊂ [01358] C Ret 70 [0257] F ⊄ [0247] B E 22 [01358] C ⊃ [0257] F Ret 71 [0247] B ⊄ [0237] G Ret 23 [0257] F [037] A E 72 [0237] G ⊃ [037] A E 24 [037] A ⊂ [01358] C / 73 [037] A ⊂ [02469] E / 25 [01358] C ⊃ [0247] B N 74 [02469] E ⊃ [0258] D N 26 [0247] B ⊂ [01358] C Ret 75 [0258] D ⊂ [02469] E Ret 27 [01358] C ⊃ [0247] B N 76 [02469] E ⊃ [0247] B E 28 [0247] B ⊂ [01358] C Ret 77 [0247] B ⊃ [037] A N 29 [01358] C ⊃ [0237] G Ret 78 [037] A ⊄ [0257] F / 30 [0237] G ⊄ [0257] F N 79 [0257] F ⊄ [02469] E N 31 [0257] F ⊄ [0247] B E 80 [02469] E [0237] G Ret 32 [0247] B ⊂ [01358] C Ret 81 [0237] G ⊄ [0258] D E 33 [01358] C ⊃ [0247] B N 82 [0258] D ⊃ [037] A E 34 [0247] B ⊂ [01358] C Ret 83 [037] A ⊂ [0258] D / 35 [01358] C ⊃ [0237] G Ret 84 [0258] D ⊃ [037] A E 36 [0237] G ⊄ [0257] F N 85 [037] A ⊂ [0258] D / 37 [0257] F ⊂ [02479] I Ret 86 [0258] D ⊂ [02469] E Ret 38 [02479] I ⊃ [037] A E 87 [02469] E ⊃ [0258] D N 39 [037] A ⊂ [0358] I / 88 [0258] D [024] K Ret 40 [0358] I ⊄ [0237] G E 89 [024] K ⊂ [01358] C E 41 [0237] G ⊄ [02479] I Ret 90 [01358] C ⊄ [023579] J Ret 42 [02479] I ⊄ [02469] E E 91 [023579] J [01358] C E 43 [02469] E [0358] I Ret 92 [01358] C ⊄ [023579] J Ret 44 [0358] I ⊄ [02469] E E 93 [023579] J ⊃ [015] K Ret 45 [02469] E [0237] G Ret 94 [015] K ⊄ [0258] D E 46 [0237] G ⊄ [02469] E E 95 [0258] D ⊃ [037] A E 47 [02469] E ⊃ [037] A E 96 [037] A ⊄ [036] K / 48 [037] A ⊄ [0257] F / 97 [036] K ⊄ [037] A E 49 [0257] F ⊄ [02469] E N 84 Tab. 19: Progressões / relações de pertinência. Siqueira, Quarta sonatina para piano, III. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . opus
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .SILVA; PITOMBEIRA Comp. Son. Anterior Parcimônia Son. Posterior Comp. Son. Anterior Parcimônia Son. Posterior 5 B26 [037] - 89B [013] 44 269 [037] p 8B24 [0258] 6 89B [013] - B26 [037] 8B24 [0258] - B26 [037] 7 B26 [037] - 89B [013] 45 B26 [037] - 8B24 [0258] 8 89B [013] - B26 [037] 45 8B24 [0258] - 2468B [02469] 9 B26 [037] - 67B2 [0158] 46 2468B [02469] - 8B24 [0258] 11 67B2 [0158] - B246 [0247] 51 8B24 [0258] - 79B24 [02479] 12 B246 [0247] - B26 [037] 56 79B24 [02479] p 2469B [02479] 13 B26 [037] - 89B [013] 57 2469B [02479] p 9B146 [02479] 14 89B [013] - B26 [037] 58 9B146 [02479] - 2469B [02479] 15 B26 [037] - 89B [013] 59 2469B [02479] - B26 [037] 16 89B [013] - 69B2 [0358] 60 B26 [037] - 89AB [0123] 17 69B2 [0358] - B246 [0247] 61 89AB [0123] - B26 [037] B246 [0247] - 79B2 [0247] 62 B26 [037] - 89B1 [0135] 18 79B2 [0247] - B2467 [01358] 63 89B1 [0135] - B26 [037] B2467 [01358] - 79B2 [0247] 64 B26 [037] - 89B1 [0135] 79B2 [0247] - B2467 [01358] 65 89B1 [0135] - B26 [037] 19 B2467 [01358] - 2479 [0257] 66 B26 [037] - 89B1 [0135] 2479 [0257] - 47B [037] 67 89B1 [0135] - B26 [037] 47B [037] - 79B2 [0247] 68 B26 [037] - 79B2 [0247] 20 79B2 [0247] - B2467 [01358] 70 79B2 [0247] - B146 [0257] B2467 [01358] - 79B2 [0247] B146 [0257] - 79B2 [0247] 79B2 [0247] - B2467 [01358] 79B2 [0247] - B246 [0247] 21 B2467 [01358] - 2479 [0257] 71 B246 [0247] - 2679 [0237] 2479 [0257] - 47B [037] 2679 [0237] - B26 [037] 47B [037] - 679B2 [01358] B26 [037] - 1357A [02469] 22 679B2 [01358] - B246 [0247] 73 1357A [02469] - 468A1 [02469] B246 [0247] - 679B2 [01358] 76 468A1 [02469] - 369B [0258] 23 679B2 [01358] - B246 [0247] 77 369B [0258] - 468A1 [02469] B246 [0247] - 679B2 [01358] 78 468A1 [02469] - 468B [0247] 24 679B2 [01358] - 467B [0237] 468B [0247] - 36A [037] 467B [0237] - 2479 [0257] 79 36A [037] - B146 [0257] 2479 [0257] - B246 [0247] 80 B146 [0257] - 468A1 [02469] 25 B246 [0247] - 679B2 [01358] 81 468A1 [02469] - 6AB1 [0237] 679B2 [01358] - B246 [0247] 86 6AB1 [0237] - A146 [0258] B246 [0247] - 679B2 [01358] 87 A146 [0258] p 48B [037] 26 679B2 [01358] - 467B [0237] 48B [037] - A146 [0258] 467B [0237] - 2479 [0257] A146 [0258] - 148 [037] 2479 [0257] - 2469B [02479] 88 148 [037] - A146 [0258] 27 2469B [02479] - 037 [037] A146 [0258] - 468A1 [02469] 28 037 [037] - 4790 [0358] 89 468A1 [02469] - 369B [0258] 29 4790 [0358] - 0457 [0237] 92 369B [0258] - 9B1 [024] 30 0457 [0237] - 468B1 [02479] 95 9B1 [024] - 3468B [01358] 31 468B1 [02479] - 2468B [02469] 96 3468B [01358] P 9B1346 [023579] 33 2468B [02469] - 4790 [0358] 9B1346 [023579] P 3468B [01358] 34 4790 [0358] - 2468B [02469] 97 3468B [01358] P 9B1346 [023579] 35 2468B [02469] - 489B [0237] 9B1346 [023579] - 348 [015] 489B [0237] - 2468B [02469] 98 348 [015] P A146 [0258] 36 2468B [02469] - 269 [037] A146 [0258] P 8B3 [037] 37 269 [037] - 9B24 [0257] 8B3 [037] P A14 [036] 9B24 [0257] p 2468B [02469] A14 [036] P B36 [037] 38 2468B [02469] p 9B14 [0247] 43 9B14 [0247] p 8B24 [0258] 8B24 [0258] p 269 [037] Tab. 20: Mapa de parcimônia. Siqueira, Quarta sonatina para piano, III. opus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
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OPUS 18∙2
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OPUS REVISTA DA ANPPOM ASSOCIAÇÃO
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sumário volume 18 • número 2
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instruções para autores Criada em
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Espaços convergentes: som e espaci
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Lagrime di San Pietro, de Orlando d
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A rabeca de Vilemão Trindade em Ma
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Nordestinidade gonzagueana na músi
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Acoplamento interpretativo e sincro
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A música nas aberturas das telenov
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