Katalog/Catalogue - deutsch/englisch
Katalog/Catalogue - deutsch/englisch
Katalog/Catalogue - deutsch/englisch
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Emiko Kasahara<br />
born 1963 in Tokyo/JPN<br />
lives in New York/USA<br />
Exhibitions (selection):<br />
On Reason and Emotion, The 14th<br />
Biennale of Sydney, Sydney, 2004;<br />
Public/Private, The 2nd Auckland<br />
Triennial, Auckland, 2004;<br />
Formed to Function, John Michael<br />
Kohler Arts Center, Sheboygan<br />
2003; Chat@MIMOCA, Marugame<br />
Genichiro-Inokuma Museum of<br />
Contemporary Art, Kagawa 2002;<br />
A Cabinet of Curiosities, The New<br />
York Public Library, New York 2002;<br />
Oral Fixation, Center for Cultural<br />
Studies Museum at Bard College,<br />
Annandale-on-Hudson, USA. 2002;<br />
Pink, White Box, New York 2001;<br />
Immaculate Fabrication, Deitch<br />
Projects, New York 1997; Emiko<br />
Kasahara, Gallery Kobayashi, Tokyo<br />
1992.<br />
La Charme, 2001<br />
Synthetic hair, plywood, Velcro, DVD,<br />
monitor; dimensions variable<br />
Courtesy of the artist and Yoshiko<br />
Isshiki Office, Tokyo<br />
Installation view of<br />
Yokohama Triennale, 2001<br />
see p. 112/113<br />
La Charme #3, 2004<br />
Installation and Performance<br />
of Biennale of Sydney, 2004<br />
see p. 113<br />
Tadashi Kawamata<br />
born 1953 in Hokkaido/JPN<br />
lives in Tokyo/JPN<br />
Exhibitions (selection):<br />
Kawamata Coal Mine Project,<br />
Tagawa, 2004, Project Reconsideration,<br />
Tagawa 2004; Work in Progress<br />
Project in Toyota City, Toyota 2004;<br />
Memory in Progress Saint Thelo,<br />
2004; Wooden Terrace Beach, Basel<br />
2004; Echigo-Tsumari Art Triennial,<br />
Tsumari 2003; Biennal de Valencia,<br />
Valencia 2003; Bridge and Archives,<br />
Moyland, Bedburg-Hau 2003;<br />
Demeter: Tokachi International<br />
Contemporary Art Exhibition, Tokachi<br />
2002; Shanghai Biennale, Shanghai<br />
2002; Temporary Existence,<br />
Ex-Teresa Arte Actual, Mexico City<br />
2002; Daily News, Art Tower Mito,<br />
Mito 2001.<br />
Field Work in Tokyo, 1989<br />
Mixed media; dimensions variable<br />
Courtesy of the artist and<br />
on the table, Tokyo<br />
see p. 115<br />
Field Work in Graz, 2005<br />
Mixed media; dimensions variable<br />
Courtesy of the artist and<br />
on the table, Tokyo<br />
see p. 116 –117<br />
Yayoi Kusama<br />
born 1929 in Matsumoto/JPN<br />
lives in Tokyo/JPN<br />
Exhibitions (selection):<br />
Yayoi Kusama: The Place for My Soul,<br />
Matsumoto City Museum of Art,<br />
Matsumoto 2005; Yayoi Kusama:<br />
Sailing the Sea of Infinity, Contemporary<br />
Art Museum, Kumamoto 2005;<br />
Yayoi Kusama: Eight Places for<br />
Burning Soul, Hiroshima City Museum<br />
of Contemporary Art, Hiroshima 2005;<br />
Yayoi Kusama: Eternity-Modernity,<br />
The National Museum of Modern Art,<br />
Tokyo and Kyoto 2004 – 2005;<br />
Eijanaika! Yes, Future! Post 20th<br />
Century Japan, Collection Lambert,<br />
Avignon 2004; Water Level of Image –<br />
Transformation and Reflection of<br />
Narcissus, Toyota Municipal Museum<br />
of Art, Toyota 2004; Mediarena<br />
Contemporary Art from Japan,<br />
The Govett-Brewster Art Gallery,<br />
Plymouth, 2004; Kusamatrix,<br />
Mori Art Museum, Tokyo 2004.<br />
Rose Garden, 1998<br />
Mixed media; 135 × 125 × 65 cm<br />
Courtesy of the artist,<br />
Fabian & Claude Walter Galerie,<br />
Basel-Zürich, and Robert Miller<br />
Gallery, New York<br />
see p. 121<br />
Walking on the Sea of Death, 1981<br />
Sewn stuffed fabric, wooden boat,<br />
paint; 58 × 256 × 158 cm<br />
Collection of Museum of<br />
Contemporary Art, Tokyo<br />
see p. 123<br />
Trinh T. Minh-ha 224 225<br />
born 1952 Hanoi/VN<br />
lives in Berkeley/USA<br />
Films, screenings, exhibitions<br />
and festivals (selection):<br />
Shanghai Biennale 2004 – Techniques<br />
of the Visible, Shanghai Biennale,<br />
Shanghai 2004; Busan Art Biennale<br />
2004, Busan 2004; MACBA (Museum<br />
of Contemporary Art) Barcelona 2003;<br />
documenta 11: Naked Spaces –<br />
Living is Round, 16-mm film, 1985;<br />
Poesie des Wohnens und Experimente<br />
mit gesteigerter akustischer Wahrnehmung,<br />
Musik, Umgebungsgeräuschen<br />
und Momenten der Stille, Kassel<br />
2002; Screening, Wiener Secession,<br />
Vienna 2001; Screening, Haus der<br />
Kulturen der Welt, Berlin 1999;<br />
Screening, Brooklyn Museum of Art,<br />
New York, The Museum of Modern<br />
Art, New York, und The Art Institute<br />
of Chicago, 1997; Feminale Women’s<br />
Film Festival, Cologne 1996 (Special<br />
Tribute); Screening: Shedhalle, Zurich<br />
and Kunstverein München 1995.<br />
The Fourth Dimension, 2001<br />
Digital video/VHS, color; 87:00 min<br />
Produced by Jean-Paul Bourdier<br />
and Trinh T. Minh-ha; Directed,<br />
photographed, written, narrated<br />
and edited by Trinh T. Minh-ha;<br />
Music by The Construction of Ruins,<br />
with Greg Goodman and by Shoko<br />
Hikage<br />
see p. 125 – 127