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Katalog/Catalogue - deutsch/englisch

Katalog/Catalogue - deutsch/englisch

Katalog/Catalogue - deutsch/englisch

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Emiko Kasahara<br />

born 1963 in Tokyo/JPN<br />

lives in New York/USA<br />

Exhibitions (selection):<br />

On Reason and Emotion, The 14th<br />

Biennale of Sydney, Sydney, 2004;<br />

Public/Private, The 2nd Auckland<br />

Triennial, Auckland, 2004;<br />

Formed to Function, John Michael<br />

Kohler Arts Center, Sheboygan<br />

2003; Chat@MIMOCA, Marugame<br />

Genichiro-Inokuma Museum of<br />

Contemporary Art, Kagawa 2002;<br />

A Cabinet of Curiosities, The New<br />

York Public Library, New York 2002;<br />

Oral Fixation, Center for Cultural<br />

Studies Museum at Bard College,<br />

Annandale-on-Hudson, USA. 2002;<br />

Pink, White Box, New York 2001;<br />

Immaculate Fabrication, Deitch<br />

Projects, New York 1997; Emiko<br />

Kasahara, Gallery Kobayashi, Tokyo<br />

1992.<br />

La Charme, 2001<br />

Synthetic hair, plywood, Velcro, DVD,<br />

monitor; dimensions variable<br />

Courtesy of the artist and Yoshiko<br />

Isshiki Office, Tokyo<br />

Installation view of<br />

Yokohama Triennale, 2001<br />

see p. 112/113<br />

La Charme #3, 2004<br />

Installation and Performance<br />

of Biennale of Sydney, 2004<br />

see p. 113<br />

Tadashi Kawamata<br />

born 1953 in Hokkaido/JPN<br />

lives in Tokyo/JPN<br />

Exhibitions (selection):<br />

Kawamata Coal Mine Project,<br />

Tagawa, 2004, Project Reconsideration,<br />

Tagawa 2004; Work in Progress<br />

Project in Toyota City, Toyota 2004;<br />

Memory in Progress Saint Thelo,<br />

2004; Wooden Terrace Beach, Basel<br />

2004; Echigo-Tsumari Art Triennial,<br />

Tsumari 2003; Biennal de Valencia,<br />

Valencia 2003; Bridge and Archives,<br />

Moyland, Bedburg-Hau 2003;<br />

Demeter: Tokachi International<br />

Contemporary Art Exhibition, Tokachi<br />

2002; Shanghai Biennale, Shanghai<br />

2002; Temporary Existence,<br />

Ex-Teresa Arte Actual, Mexico City<br />

2002; Daily News, Art Tower Mito,<br />

Mito 2001.<br />

Field Work in Tokyo, 1989<br />

Mixed media; dimensions variable<br />

Courtesy of the artist and<br />

on the table, Tokyo<br />

see p. 115<br />

Field Work in Graz, 2005<br />

Mixed media; dimensions variable<br />

Courtesy of the artist and<br />

on the table, Tokyo<br />

see p. 116 –117<br />

Yayoi Kusama<br />

born 1929 in Matsumoto/JPN<br />

lives in Tokyo/JPN<br />

Exhibitions (selection):<br />

Yayoi Kusama: The Place for My Soul,<br />

Matsumoto City Museum of Art,<br />

Matsumoto 2005; Yayoi Kusama:<br />

Sailing the Sea of Infinity, Contemporary<br />

Art Museum, Kumamoto 2005;<br />

Yayoi Kusama: Eight Places for<br />

Burning Soul, Hiroshima City Museum<br />

of Contemporary Art, Hiroshima 2005;<br />

Yayoi Kusama: Eternity-Modernity,<br />

The National Museum of Modern Art,<br />

Tokyo and Kyoto 2004 – 2005;<br />

Eijanaika! Yes, Future! Post 20th<br />

Century Japan, Collection Lambert,<br />

Avignon 2004; Water Level of Image –<br />

Transformation and Reflection of<br />

Narcissus, Toyota Municipal Museum<br />

of Art, Toyota 2004; Mediarena<br />

Contemporary Art from Japan,<br />

The Govett-Brewster Art Gallery,<br />

Plymouth, 2004; Kusamatrix,<br />

Mori Art Museum, Tokyo 2004.<br />

Rose Garden, 1998<br />

Mixed media; 135 × 125 × 65 cm<br />

Courtesy of the artist,<br />

Fabian & Claude Walter Galerie,<br />

Basel-Zürich, and Robert Miller<br />

Gallery, New York<br />

see p. 121<br />

Walking on the Sea of Death, 1981<br />

Sewn stuffed fabric, wooden boat,<br />

paint; 58 × 256 × 158 cm<br />

Collection of Museum of<br />

Contemporary Art, Tokyo<br />

see p. 123<br />

Trinh T. Minh-ha 224 225<br />

born 1952 Hanoi/VN<br />

lives in Berkeley/USA<br />

Films, screenings, exhibitions<br />

and festivals (selection):<br />

Shanghai Biennale 2004 – Techniques<br />

of the Visible, Shanghai Biennale,<br />

Shanghai 2004; Busan Art Biennale<br />

2004, Busan 2004; MACBA (Museum<br />

of Contemporary Art) Barcelona 2003;<br />

documenta 11: Naked Spaces –<br />

Living is Round, 16-mm film, 1985;<br />

Poesie des Wohnens und Experimente<br />

mit gesteigerter akustischer Wahrnehmung,<br />

Musik, Umgebungsgeräuschen<br />

und Momenten der Stille, Kassel<br />

2002; Screening, Wiener Secession,<br />

Vienna 2001; Screening, Haus der<br />

Kulturen der Welt, Berlin 1999;<br />

Screening, Brooklyn Museum of Art,<br />

New York, The Museum of Modern<br />

Art, New York, und The Art Institute<br />

of Chicago, 1997; Feminale Women’s<br />

Film Festival, Cologne 1996 (Special<br />

Tribute); Screening: Shedhalle, Zurich<br />

and Kunstverein München 1995.<br />

The Fourth Dimension, 2001<br />

Digital video/VHS, color; 87:00 min<br />

Produced by Jean-Paul Bourdier<br />

and Trinh T. Minh-ha; Directed,<br />

photographed, written, narrated<br />

and edited by Trinh T. Minh-ha;<br />

Music by The Construction of Ruins,<br />

with Greg Goodman and by Shoko<br />

Hikage<br />

see p. 125 – 127

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