Katalog/Catalogue - deutsch/englisch

Yoshihiro Suda
born 1969 in Yamanashi/JPN
lives in Tokyo/JPN
Exhibitions (selection):
VOLTAshow 01, Basle 2005; Blumenstück
– Künstlers Glück, Museum
Morsbroich, Leverkusen 2005;
Skulptur. Prekariouse Realism
between the Melancholy and Comical,
Kunsthalle Wien, Vienna 2005;
Yoshihiro Suda and Takehito
Koganezawa: ‚Ma‘, Douglas Hyde
Gallery, Dublin 2004; Petites
natures? – Installations de Koichi
Kurita et Yoshihiro Suda, Maison
de la culture du Japon, Paris, 2004;
Yoshihiro Suda, Palais de Tokyo,
Paris 2004; Yoshihiro Suda – New
Sculptures, D´Amelio Terras Gallery,
New York 2004; flower power, Lille
2004 – Cultural Capital of Europa
2004; Yoshihiro Suda, Galerie Wohnmaschine,
Berlin 2003; La Biennale
de Montréal 2000, Montreal 2000.
Rose, 2003
Painted wood
Courtesy of Gallery Koyanagi
Photo: Installationview Location of the
Spirit – Contemporary Japanese Art,
Budapest 2003
see p. 189
Hiroshi Sugimoto
born 1948 in Tokyo/JPN
lives in New York/USA
Exhibitions (selection):
Conceptual Forms, Gagosian Gallery
Britannia, London 2005; Conceptual
Forms, Sonnabend Gallery, New York
2005; Sophie Calle + Hiroshi Sugimoto,
Gallery Koyanagi, Tokyo 2005;
Photographs by Hiroshi Sugimoto:
The Sylvan Barret and William Burto
Collection, Museum of Fine Arts,
Boston 2005; Hiroshi Sugimoto, Étant
donné: Le Grand Verre, Fondation
Cartier pour l’art contemporain,
Paris 2004 – 2005; Hiroshi Sugimoto,
Galería Javier López, Madrid 2004;
Singular Forms (Sometimes
Repeated): Art from 1951 to the
Present, Solomon R. Guggenheim
Museum, New York 2004; Five Billion
Years, Swiss Institute, New York
2004; Hiroshi Sugimoto: Sea of
Buddha, David and Alfred Smart
Museum of Art, Chicago 2003 – 2004;
Supernova: Art of the 1990s from
the Logan Collection, San Francisco
Museum of Modern Art, San
Francisco 2003 – 2004.
Sea of Buddha, 1995
Gelatine silver prints (48 pieces);
42 × 54,5 cm each
Collection of Hara Museum
of Contemporary Art
(formerly titled: Hall of Thirty-three
Bays)
see p. 191 – 193
Mathematical Forms:
Surface 0009, Conic Surface
of revolution with constant
negative curvature, 2004
Gelatin silver print, Edition 4/5;
149,2 × 119,4 cm
Private Collection Chicago
see p. 194
Mathematical Forms:
Curves 0014, Two Hyperbola
Tangent to one Another, 2004
Gelatin silver print,
Edition 4/5; 149,2 × 119,4 cm
Courtesy of Gagosian Gallery
see p. 195
Mechanical Forms 0029,
Quick Return Motion Used in
Metal Cutting, 2004
Gelatin silver print, Edition 4/5;
149,2 × 119,4 cm
Courtesy of Gagosian Gallery
see p. 195
Makoto Sei Watanabe
born 1952 in Yokohama/JPN
lives in Tokyo/JPN
Exhibitions and projects (selection):
Shin Minamata MON, Minamatacity,
2005; Fiber Wave II, III, ICC
Tokyo, Biennale di Venezia, Venice
1999 – 2000; Fiber Wave: environmental
art, Gifu and Tokyo, Chicago,
1995, 1996, 1998; Subway station/
Iidabashi & Web frame, Tokyo 2000;
K-Museum, Tokyo 1996; Aoymama
technical college, Tokyo 1990.
Fiber Wave I, K-Museum, 1996
Carbon fiber, LED, solar battery etc.;
Height: 4 m, width variabel
Collection of the artist
see p. 196
Fiber Wave II, 1999
Plastics, fan, computer program etc.
Height: 4m, width variable
Collection of the artist
Installation view
Biennale di Venezia, 2000
see p. 197
Masaaki Yamada
born 1930 in Tokyo/JPN
lives in Tokyo/JPN
Exhibitions (selection):
Why Not Live For Art?, Tokyo Opera
City Art Gallery, Tokyo 2004;
Remaking Modernism in Japan 1900 –
2000, Sezon Museum of Modern Art,
Nagano 2004, Museum of Contemporary
Art, Tokyo & The University
Art Museum – Tokyo National University
of Fine Arts and Music, Tokyo
2004; Masaaki Yamada, M Art, Tokyo
2003; Hirano Museum Modern Art
Exhibition, Hirano Museum of Art,
Shizuoka 2003; Contemporary
Japanese Watercolor – Wet in wet,
Gradated Wash, Overpainting, Line,
The Shoto Museum of Art, Tokyo
2002; Masaaki Yamada, Gallery
Kasahara, Tokyo 2002; The unfinished
century: legacies of 20th century art,
National Museum of Modern Art,
Tokyo 2002; Invitation of Contemporary
Art, Tottori Prefectural Museum,
Tottori 2001.
Work D–87, 1972
Oil on canvas; 227 × 162 cm
Collection of The National Museum
of Art, Osaka
see p. 199
Work C–400, 1969
Oil on canvas; 162 × 112 cm
Collection of Metropolitan Museum
of Contemporary Art, Tokyo
see p. 201