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Untitled - eCommons@Cornell - Cornell University

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7777i COLLEGE OF ARCHITECTURE. 267<br />

work consists of lectures, recitations, general discussions, and<br />

drawing. In the lectures, recitations, etc.,<br />

the work of the various<br />

trades is taken up and materials, methods, and workmanship<br />

thoroughly discussed, ending with a careful and systematic study of<br />

specifications. Heating and ventilation are studied in a separate<br />

course under a specialist ; and plumbing and sanitary engineering of<br />

buildings, and the discussion of building<br />

contracts are subjects for<br />

special work in the seminaries. The drawing in connection with the<br />

above work is made to conform as closely as possible to the work done<br />

in the preparation of working drawings in an office, with the advan<br />

tage that it can be arranged in a consecutive and progressive order.<br />

In conjunction with the lectures on the planning of domestic build<br />

ings (part of this course), the student makes sketch plans and designs<br />

for a series of buildings ranging from the simple laborer's cottage to<br />

the more elaborate mansions built without the hamper of a cost limit.<br />

Following this special drill in planning and design, he is required to<br />

cost<br />

design a of moderate a building usually dwelling-house under<br />

such limiting conditions as might be imposed by a client, prepare the<br />

complete scale working drawings, and make typical full size details<br />

for its construction.<br />

Throughout all of his work the student is required to construct<br />

scientifically rather than thumb."<br />

by "rule of In the senior year he<br />

is prepared to take up the course in advanced construction which is<br />

devoted to the consideration of steel and fireproof construction, and<br />

consists of a series of fully illustrated lectures and the out of<br />

working<br />

steel framing plans, foundations for heavy buildings, and the details<br />

of steel columns, girders, and trusses.<br />

Expression.<br />

This includes free-hand drawing, drawing<br />

from the antique and<br />

from life, modeling, sketching from nature, elements of architecture,<br />

shades and shadows and perspective. The aim of this work is to<br />

train the eye to a sense of form and color, the hand to steadiness and<br />

delicacy of touch, and the judgment to a nice distinction between<br />

values. In all of this work the attitude of the architectural student<br />

is precisely that of the sincere art student. False, exaggerated effects<br />

for the sake of attention are<br />

attracting discountenanced, but vigorous,<br />

effective presentations of architectural ideas, in harmonious tones in<br />

spired from nature, are heartily encouraged.<br />

Composition.<br />

This subject is taught by means of a succession of problems through<br />

out the second, third and fourth years. Programs of competition are<br />

issued upon pre-arranged dates, and each student is required to hand

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