27.06.2013 Views

Volume Two - Academic Conferences

Volume Two - Academic Conferences

Volume Two - Academic Conferences

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Why Recording Lectures Requires a new Approach<br />

Paul Newbury, Phil Watten, Patrick Holroyd and Clare Hardman<br />

University of Sussex, Brighton, UK<br />

P.Newbury@sussex.ac.uk<br />

P.L.Watten@sussex.ac.uk<br />

P.Holroyde@sussex.ac.uk<br />

C.L.M.Hardman@sussex.ac.uk<br />

Abstract: It is now commonplace for Universities to record lectures with video cameras. Indeed there are several<br />

off-the-shelf systems, which Universities can purchase to provide this type of functionality, e.g. Echo360, Panopto<br />

etc. There are also several distribution outlets available, such as iTunesU and YouTube EDU, which Universities<br />

can use to distribute this recorded media to students. However, the capture of standard lecture material with<br />

these systems can only provide partial support to learning. Material recorded in this way can be engaging for<br />

students who attended the original lecture, but has less efficacy for students who are seeing the material for the<br />

first time. To be truly effective learning mechanisms in their own right, these new recording systems need to<br />

address two key issues. Firstly, current lecture material is overwhelmingly designed for the live lecture theatre<br />

audience. Consideration is rarely given to how these materials will support learning when viewed as stand-alone<br />

learning resources. Secondly, as lecture theatres are rarely designed for video capture, the off-the-shelf<br />

recording systems are often severely limited by the environment, equipment and resources available. Lighting<br />

and camera position are key considerations that have a big impact on the quality of the captured material, but are<br />

generally restricted by the environment required for the live audience. This paper reviews these two key issues<br />

and presents both a framework for the production of teaching material targeted at video capture, and the bespoke<br />

recording system developed for online learning in the School of Informatics at the University of Sussex.<br />

Additionally the paper covers analysis of download rates, qualitative staff and student feedback and lecture<br />

attendance and shows that using this framework has a significant effect on the student interaction with recorded<br />

material. Other types of online support such as providing copies of lecture slides are also discussed and a<br />

tangible improvement in engagement over these techniques is shown.<br />

Keywords: digital video, video streaming, multimedia, podcast, eLearning<br />

1. Introduction<br />

The majority of Universities now use some form of digital capture to record at least part of their lecture<br />

provision and the recording of audio and slides (often referred to as podcasts, screencasts or<br />

enhanced podcasts) has been around for several years. However, the use of mainstream video is a<br />

fairly recent innovation (Copley 2007), with the vast majority of current higher education material<br />

being produced from a single camera placed at the back of the lecture theatre with the possible<br />

addition of a separate capture of the slides. There are several off-the-shelf systems that Universities<br />

can use for this type of capture such as Echo360 (Echo360 2011), Panopto (Panopto 2011) etc. As<br />

might be expected several studies have shown that this is generally advantageous to the students<br />

(Woo 2008, Bradley 2009), however this type of material is often best used for students revisiting the<br />

lecture (after attending) to refine their notes or for revision (Bongey 2006). There are several key<br />

issues with this type of media when using it as a learning resource in its own right, for example when<br />

the student has missed the original lecture or the material is being used in a distance learning context:<br />

The material is generally designed for the live lecture, with little consideration to the constraints of<br />

the recording or delivery mechanism used. For example the screen/board is often hard to read on<br />

the recording. Text and diagrams are often too small to see when reproduced on video<br />

The recorded material lacks focus, the presenter, audience and screen are all included in the<br />

capture<br />

Lighting is often an issue. It is hard to light both the presenter and the screen in a reasonable<br />

manner<br />

These problems (as can be seen in Figure 1) often combine to make the recorded lectures of limited<br />

use as a teaching medium, and can undermine the additional learning that might be considered<br />

implicit with this type of support material (Woo 2008, Bradley 2009).<br />

The issue of the presentation being difficult to read is often addressed by the use of a screen capture<br />

of the presentation slides provided along with the video recording (see figure 2), however this in itself<br />

does not completely address the issue and can cause two additional problems. Firstly, it can reduce<br />

the students’ view of the presenter’s interaction with the slides. The viewer has a choice of reading<br />

567

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!