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place, the event was the first time that he or any other king also commemorated the ceremony<br />

with a foundation medal. The king’s exceptional interest in the ritual at Saint-Louis-des-Jésuites<br />

was in part to be expected: he directed royal funds to the project <strong>and</strong> bore the same name as the<br />

patron saint <strong>of</strong> the church. Yet the king’s attention to this particular event indicates that it carried<br />

a much greater meaning than simply continuing the tradition <strong>of</strong> royal participation in the<br />

ceremony. I suggest that Louis XIII used the ceremony to express his divine right to rule with<br />

absolute authority, a meaning he conveyed directly with the foundation medals, which<br />

established typological links between himself, St. Louis, <strong>and</strong> Old Testament kings.<br />

Located on the lower left corner <strong>of</strong> the foundation stone, the portrait medal <strong>of</strong> Louis XIII<br />

explicitly established this connection (fig. 36). Its most significant feature is the encircling Latin<br />

legend, which reads: “Triumphs as David, builds as Solomon.” 37 The specific reference to the<br />

biblical kings was quite appropriate because since the Middle Ages David <strong>and</strong> Solomon had been<br />

the primary models for Christian princes. 38 David <strong>and</strong> Solomon were seen to have benefited<br />

from the special blessing <strong>of</strong> God, having been appointed by God <strong>and</strong> each achieving victory over<br />

his enemies with divine aid,. David was especially esteemed as a model for those kings seeking<br />

both triumph <strong>and</strong> piety. A defender against tyranny with his victory over Goliath, David<br />

appealed to later kings, who viewed their contemporary struggles with political <strong>and</strong> military<br />

threats as analogous to the one the Philistine posed to the Israelites. 39 David’s religious devotion<br />

revealed itself through his harp playing in praise <strong>of</strong> God, his desire to build a temple for the Ark<br />

<strong>of</strong> the Covenant, <strong>and</strong> his atonement for his transgressions. 40<br />

Like his father, King Solomon served as a model for rulers. His proverbial wisdom <strong>and</strong><br />

justice certainly provided much inspiration, but it was Solomon’s role as the builder <strong>of</strong> the<br />

temple <strong>of</strong> Jerusalem that most exemplified his pious nature <strong>and</strong> his support <strong>of</strong> religion. 41 In some<br />

instances Christian rulers seeking similar renown constructed churches to emulate the Old<br />

Testament king, as Vasari intimated was the case when Gr<strong>and</strong> Duke Cosimo I de’ Medici<br />

remodeled the Florentine churches <strong>of</strong> S. Maria Novella <strong>and</strong> S. Croce. 42 Likewise King Philip II<br />

<strong>of</strong> Spain, who was said to be like Solomon, constructed the Escorial in part to evoke the Jewish<br />

temple. 43<br />

While European rulers were frequently compared to the Old Testament kings, this<br />

association with French monarchs had existed since the Carolingian period. 44 The Frankish<br />

King Pepin (751-768) established the tradition <strong>of</strong> rulers modeling themselves on David,<br />

92

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