florida state university college of visual arts, theatre and dance ...

More documents

Recommendations

Info

(Dumolin and Outardel, 136) 219 31. Saint Louis, obverse (left), Façade of Saint-Louis-des-Jésuites, reverse (right), 1627. Cast brass. 5.99 cm. diameter. London, British Museum. (Jones, 296, fig. 342) 32. Edme Moreau, Façade of Saint-Louis-des-Jésuites, 1643. Engraving. Paris, Bibliothèque nationale de France. (Montgolfier, 28, cat. 16) 33. Andrea Sacchi and Jan Miel, Urban VIII Visiting Il Gesù, Rome, 1639-1641. Oil on Canvas. 336 x 247 cm. Rome, Galleria Nazionale di Arte Antica. (Harris, Seventeenth-Century Art and Architecture [Prentice Hall, 2005], xiii, fig. 0.1) 34. Etienne Martellange and François Derand. Saint-Louis-des-Jésuites, Paris, 1627-1641. View of interior towards the apse. (Dumolin and Outardel, 137) 35. Foundation Stone of Saint-Louis-des-Jésuites, c. 1627. Engraving. Paris, Bibliothèque nationale de France. 36. After Matteo de' Pasti, Sigismondo Pandolfo Malatesta, obverse (top), San Francesco at Rimini, reverse (bottom), 1450. Bronze. 4 cm. diameter. Washington, D.C., National Gallery of Art. (Laurie Schneider Adams, Italian Renaissance Art [Westview Press, 2001], 173, fig. 8.13 [reverse], 175, fig. 8.17 [obverse]) 37. G. Bonsegni, Il Gesù, reverse (top), Cardinal Alessandro Farnese, obverse (bottom), 1568. Bronze. 4. 92 cm diameter. Rome, Il Gesù, sacristy. (Lucas, 37, cat. No. 85) 38. Pierre Regnier, Louis XIII, obverse (left), Part of façade of the Louvre, reverse (right), 1624. Silver. 3.4 cm. diameter. London, British Museum. (Jones, 136, fig. 95). 39. Detail of Kings rose windows (top). Detail of History of Relics rose window (bottom). Paris, Sainte-Chapelle. (Weiss, 1992, 33, figs. 23 and 24) 40. Etienne Martellange and François Derand. Saint-Louis-des-Jésuites, Paris, 1627-1641. View of left transept, showing St. Louis Receiving the Crown of Thorns (c. 1641) above entrance to side chapel. (Photo by J. Sandlin) 41. Etienne Martellange and François Derand. Saint-Louis-des-Jésuites, Paris, 1627-1641. Interior view of apse. (Photo by J. Sandlin) 42. Edme Moreau, Section of the Choir and Cupola of Saint-Louis-des-Jésuites, c. 1643. Engraving. Paris, Bibliothèque nationale de France. (Montgolfier, 23, cat. 12) 43. Edme Moreau, High Altar of Saint-Louis-des-Jésuites, 1643. Engraving. Paris, Bibliothèque nationale de France. (Montgolfier, 35, cat. 28) 44. Simon Vouet, Presentation in the Temple, 1640-1641. Oil on canvas. 383 x 250 cm. Paris, Louvre. (Thuillier, 313, fig. 51) viii 220 221 222 223 224 225 226 227 228 229 230 231 232 233
45. Simon Vouet, Apotheosis of St. Louis, 1640-1641. Oil on canvas. 275 x 175 cm. Rouen, Musée des Beaux-Arts. (Thuillier, 314, fig. 52) 46. Etienne Martellange and François Derand. Saint-Louis-des-Jésuites, Paris, 1627-1641. Detail of vault over high altar. (Photo by J. Sandlin) 47. Etienne Martellange and François Derand. Saint-Louis-des-Jésuites, Paris, 1627-1641. Interior view of dome and vault of left transept. (Photo by J. Sandlin) 48. Detail of Edme Moreau, Right side of Nave and Choir, 1643. Engraving. Paris, Bibliothèque nationale de France. (Montgolfier, 24, cat. 13) 49. Etienne Martellange and François Derand. Saint-Louis-des-Jésuites, Paris, 1627-1641. Detail of a cartouche on the vault in the apse. (Photo by J. Sandlin) 50. Chronicle of France: ms. Douce 217, fol. 265: Scenes from the Life of St. Louis, end of fourteenth century. Bodleian Library. (Artstor) 51. Michel Corneille, Saint Louis Receiving the Crown of Thorns, c. 1639-1642. Oil on canvas. 282 x 356 cm. (Picart, fig. 2) 52. Jacques de Lestin, The Death of Saint Louis, c. 1639-1642. Oil on canvas. 282 x 356 cm. (Châtelet, p. 202) 53. Studio of Simon Vouet, Louis XIII Presenting a Model of the Church to Saint Louis, c. 1639-1642. Oil on canvas. 288 x 359 cm. (Constans) 54. The Emperor Otto I (912-73) Presenting a Model of His Church at Magdeburg, 962- 968. Ivory. 13 x 11.3 x 0.8 cm (Artstor) 55. Etienne Martellange and François Derand, Saint-Louis-des-Jésuites, Paris, 1627-1641. View of façade. (Photo by J. Sandlin) 56. Israël Silvestre, Church of the Hôpital St. Louis, c. 1650-55. Engraving. Paris, Bibliothèque nationale de France. (Ballon, 187, fig. 131) 57. Plan of the Church of the Minims. (Ciprut, 1954, 154, fig. 2) 246 58. Jean Marot, Le couvent des Minimes de la Place Royale, before 1657. Engraving. Paris, Bibliothèque nationale de France. (Biver, fig. 58) 59. Plan of Saint-Joseph-des-Carmes. (Dumolin and Outardel, 129) 248 60. Saint-Joseph-des-Carmes, Paris, 1613-1620. View of interior towards high altar. (Photo by J. Sandlin) 61. Saint-Joseph-des-Carmes, Paris, 1613-1620. Exterior view of façade. (Dupuy, 1) 250 62. Jean Marot, Eglise des Carmes Deschausses. Engraving. Paris, Bibliothèque nationale ix 234 235 236 237 238 239 240 241 242 243 244 245 247 249
Page 1 and 2: FLORIDA STATE UNIVERSITY COLLEGE OF
Page 3 and 4: ACKNOWLEDGEMENTS The completion of
Page 5 and 6: Jacobins of the rue Saint-Honoré 1
Page 7: 14. Clément Métezeau and Jacques
Page 11 and 12: 79. After Claude Chastillon, Carose
Page 13 and 14: ABSTRACT This study examines early
Page 15 and 16: The Buildings Of the ten newly-buil
Page 17 and 18: The Patrons: Maria de’ Medici and
Page 19 and 20: has been the focus of a wealth of a
Page 21 and 22: Although studies employing contextu
Page 23 and 24: the Society. By dedicating royal fu
Page 25 and 26: 1 Marie-Laure Deschamps-Bourgeon, "
Page 27 and 28: de' Medici (Princeton, New Jersey:
Page 29 and 30: CHAPTER 2 THE HISTORICAL CONTEXT: F
Page 31 and 32: in the last twenty years as a serio
Page 33 and 34: pattern that would be repeated in e
Page 35 and 36: The Reign of Henri IV The move from
Page 37 and 38: The king’s second major accomplis
Page 39 and 40: etween Philip IV (1285-1314) and Po
Page 41 and 42: universal Church, he was recognized
Page 43 and 44: houses in Italy and Spain, these re
Page 45 and 46: Although concerns over internationa
Page 47 and 48: Although Maria never claimed to bel
Page 49 and 50: suggestions but leave the decisions
Page 51 and 52: as a double feast. 100 The king’s
Page 53 and 54: 1 I use the terms Catholic Reform a
Page 55 and 56: 20 Henri III was the third of four
Page 57 and 58: 46 Beaune, Ideology, 176. 47 For th
Page 59 and 60:
70 Hayden, "Continuity," 12. 71 Lou
Page 61 and 62:
Jean Héroard, ed. Edouard de Barth
Page 63 and 64:
which uses the seventeenth-century
Page 65 and 66:
a more appropriate location. 11 In
Page 67 and 68:
etween the Oratory’s founder and
Page 69 and 70:
seventeenth century, prompting scho
Page 71 and 72:
façade drew visual emphasis to the
Page 73 and 74:
The emblem continued to be included
Page 75 and 76:
esidence. Similar to its use in ant
Page 77 and 78:
courts, attended a similar ceremony
Page 79 and 80:
of the society were planning regici
Page 81 and 82:
Upon reentering the royal council i
Page 83 and 84:
emind him that at present there was
Page 85 and 86:
1 Fumaroli, "Cross," 88-102; Le Pas
Page 87 and 88:
the church, including the interior
Page 89 and 90:
31 Archives Nationales, MM 600, Vis
Page 91 and 92:
51 For twin-towered facades associa
Page 93 and 94:
Marilyn Aronberg Lavin (New York: I
Page 95 and 96:
99 Archives Nationales MM 562 f. 3-
Page 97 and 98:
125 Archives Nationales MM 623 f. 9
Page 99 and 100:
By examining the precise manner of
Page 101 and 102:
arcade, replacing it with a project
Page 103 and 104:
a halo surrounding his head. The me
Page 105 and 106:
place, the event was the first time
Page 107 and 108:
Although David and Solomon had trad
Page 109 and 110:
on the robe and crown and at the en
Page 111 and 112:
king, who backed the Protestant Hen
Page 113 and 114:
Catholic world, any objection it ma
Page 115 and 116:
The current arrangement of the apse
Page 117 and 118:
L surmounted by a royal crown and f
Page 119 and 120:
figure first occurred in the west o
Page 121 and 122:
the façade reiterates the place of
Page 123 and 124:
1 Today it is the parish church of
Page 125 and 126:
discussion of the plan and its popu
Page 127 and 128:
43 For Philip II as Solomon and the
Page 129 and 130:
67 The Jesuit foundations building
Page 131 and 132:
88 Laurence Brockliss, "Richelieu,
Page 133 and 134:
110 For the meaning of the central
Page 135 and 136:
135 For a discussion of Richelieu
Page 137 and 138:
had exercised by the end of the reg
Page 139 and 140:
King Louis XI (1461-1483) and immed
Page 141 and 142:
in the fifteenth century and most r
Page 143 and 144:
The queen would have also welcomed
Page 145 and 146:
Like Saint-Joseph-des-Carmes the re
Page 147 and 148:
and pierced with windows. The faça
Page 149 and 150:
protector and establishing a close
Page 151 and 152:
and in the entablature of the choir
Page 153 and 154:
The queen certainly believed that s
Page 155 and 156:
the image the rectangular foundatio
Page 157 and 158:
Medici’s patronage of the Religio
Page 159 and 160:
use her support of the Religious of
Page 161 and 162:
1 The dates represent the start of
Page 163 and 164:
17 “MARIA MEDICAEA, PIENTISSIMA E
Page 165 and 166:
Baptiste-Michel Renou de Chevigné
Page 167 and 168:
du Roi des Rois pour la conservatri
Page 169 and 170:
Zusammenhang, ed. Joachim Poeschke
Page 171 and 172:
CHAPTER 6 FROM NOTRE-DAME-DES-VICTO
Page 173 and 174:
eign of Louis XIII. By looking at i
Page 175 and 176:
choir are two additional rooms. Tho
Page 177 and 178:
Moreover not all foundation stones
Page 179 and 180:
Additional Churches supported by Lo
Page 181 and 182:
palace chapel at Versailles, design
Page 183 and 184:
founding, was first supported by St
Page 185 and 186:
its position within the kingdom. In
Page 187 and 188:
Scholarship shows that the reasons
Page 189 and 190:
with Cardinal Richelieu, who refuse
Page 191 and 192:
his preoccupation with the war, Lou
Page 193 and 194:
12 Barbiche, "Augustins déchaussé
Page 195 and 196:
39 Jean-Pierre Camus, Premières ho
Page 197 and 198:
Amos, Funerals, Politics, and Memor
Page 199 and 200:
cardinal; see Paul de Musset, Puyla
Page 201 and 202:
One of the key contributions of thi
Page 203 and 204:
Figure 1. Philippe de Champaigne, L
Page 205 and 206:
Figure 3. Frans Pourbus the Younger
Page 207 and 208:
Figure 5. French School, Pierre de
Page 209 and 210:
Figure 7. Jean Marot, Veue de l’
Page 211 and 212:
Figure 9. Clément Métezeau and Ja
Page 213 and 214:
Figure 11. Michel Etienne Turgot, P
Page 215 and 216:
Figure 13. Reconstructed map of the
Page 217 and 218:
Figure 15. Saint-Germer-de-Fly, vie
Page 219 and 220:
Figure 17. Sainte-Chapelle, upper c
Page 221 and 222:
Figure 19. Jacques Lemercier, Churc
Page 223 and 224:
Figure 21. Écu d’or of Louis XII
Page 225 and 226:
Figure 23. Jacques Androuet du Cerc
Page 227 and 228:
Figure 25. Map of territories durin
Page 229 and 230:
Figure 27. Peter Paul Rubens, Trium
Page 231 and 232:
Figure 29. Philippe de Champaigne,
Page 233 and 234:
Figure 31. Saint Louis, obverse (le
Page 235 and 236:
Figure 33. Andrea Sacchi and Jan Mi
Page 237 and 238:
Figure 35. Foundation Stone of Sain
Page 239 and 240:
Figure 37. G. Bonsegni, Il Gesù, r
Page 241 and 242:
Figure 39. Detail of Kings rose win
Page 243 and 244:
Figure 41. Etienne Martellange and
Page 245 and 246:
Figure 43. Edme Moreau, High Altar
Page 247 and 248:
Figure 45. Simon Vouet, The Apotheo
Page 249 and 250:
Page 251 and 252:
Page 253 and 254:
Figure 51. Michel Corneille, St. Lo
Page 255 and 256:
Figure 53. Studio of Simon Vouet, L
Page 257 and 258:
Page 259 and 260:
Figure 57. Plan of the Church of th
Page 261 and 262:
Figure 59. Plan of Saint-Joseph-des
Page 263 and 264:
Figure 61. Saint-Joseph-des-Carmes,
Page 265 and 266:
Figure 63. After Jean Marot, Eglise
Page 267 and 268:
Figure 65. Jean-Baptiste-Michel Jai
Page 269 and 270:
Figure 67. Jean-Aimar Piganiol de l
Page 271 and 272:
Figure 69. Michel Etienne Turgot, P
Page 273 and 274:
Figure 71. Nicolas-Michel Troche, F
Page 275 and 276:
Figure 73. Henri de Gisors, detail
Page 277 and 278:
Figure 75. Jacques de Bie, Device f
Page 279 and 280:
Figure 77. Plan of the church of No
Page 281 and 282:
Figure 79. After Claude Chastillon,
Page 283 and 284:
Figure 81. Notre-Dame-des-Victoires
Page 285 and 286:
Figure 83. Current plan of Notre-Da
Page 287 and 288:
Figure 85. Notre-Dame-des-Victoires
Page 289 and 290:
Figure 87. Foundation Stone of Notr
Page 291 and 292:
Figure 89. Detail of a window at th
Page 293 and 294:
Figure 91. E. Viollet-le-Duc, Recon
Page 295 and 296:
Figure 93. Israël Silvestre, Vue d
Page 297 and 298:
Figure 95. Plan de l’eglise de No
Page 299 and 300:
1589 Henri IV becomes king of Franc
Page 301 and 302:
Bibliothèque nationale de France D
Page 303 and 304:
BIBLIOGRAPHY Archival Sources Archi
Page 305 and 306:
Théveneau, Adam. Les Précepts du
Page 307 and 308:
Billot, Claudine. "La fondation de
Page 309 and 310:
Brunel, Georges. Dictionnaire des
Page 311 and 312:
Currier, Charles Warren. History of
Page 313 and 314:
Freiberg, Jack. The Lateran in 1600
Page 315 and 316:
Johnson, Géraldine A. "Imagining I
Page 317 and 318:
Lonergan, Walter F. Historic Church
Page 319 and 320:
Montgolfier, Bernard de, ed. Saint-
Page 321 and 322:
Romier, Lucien. Les origines politi
Page 323 and 324:
Turchetti, Mario. "Middle Parties i
Page 325 and 326:
Education: Teaching Experience: Nat
show all

florida state university college of visual arts, theatre and dance ...

Create successful ePaper yourself

Delete template?

Save as template?