florida state university college of visual arts, theatre and dance ...

23 For these types of studies on churches not covered in this work, see Martha Mel Edmunds,
Piety and Politics: Imaging Divine Kingship in Louis XIV's Chapel at Versailles (Newark:
University of Delaware Press, 2002); Jennifer G. Germann, "The Val-de-Grâce as a Portrait of
Anne of Austria: Queen, Queen Regent, Queen Mother," in Architecture and the Politics of
Gender in Early Modern Europe, ed. Helen Hills (Burlington, VT: Ashgate, 2003), 47-61.
24 John Alexander, "Shaping Sacred Space in the Sixteenth Century: Design Criteria for the
Collegio Borromeo's Chapel," Journal of the Society of Architectural Historians 63 (2004): 164-
79; Gauvin Alexander Bailey, "'Le style jésuite n'existe pas': Jesuit Corporate Culture and the
Visual Arts," in The Jesuits: Cultures, Sciences, and the Arts 1540-1773, ed. John W. O'Malley
et al. (Toronto: University of Toronto Press, 1999), 38-89; Jeffrey Chipps Smith, Sensuous
Worship: Jesuits and the Art of the Early Catholic Reformation in Germany (Princeton:
Princeton University Press, 2002).
25
Charles E. Williams, The French Oratorians and Absolutism, 1611-1641 (New York: Peter
Lang, 1989).
26 Eric Nelson, The Jesuits and the Monarchy: Catholic Reform and Political Authority in
France (1590-1615) (Aldershot: Ashgate, 2005).
27 For representative works of each of these others, see Diefendorf, Penitence; Mack P. Holt, The
French Wars of Religion, 1562-1629 (Cambridge: Cambridge University Press, 1995); Sharon
Kettering, French Society, 1589-1715 (Essex: Pearson Education Limited, 2001); Michael
Wolfe, The Conversion of Henri IV: Politics, Power, and Religious Belief in Early Modern
France (Cambridge, MA: Harvard University Press, 1993).
28
Sharon Kettering, "Gift-Giving and Patronage in Early Modern France," French History 2, no.
2 (1988): 131-51.
15