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its position within the kingdom. In 1622 he convinced Pope Gregory XV (1621-1623) to name<br />

the church the seat <strong>of</strong> the archbishop, an honor which had been sought by French kings since at<br />

least the early fifteenth century. 64 Finally the capital <strong>of</strong> the kingdom, the city in which French<br />

bishops traditionally held their assemblies, attained the privilege <strong>of</strong> being the principal see for<br />

the region.<br />

The king’s interest in the edifice began in the 1630s, at which time Louis directed his<br />

attention to the chapel <strong>of</strong> the Virgin, an area located adjacent to the rood screen <strong>and</strong> to the right<br />

<strong>of</strong> the choir’s entrance (fig. 96). Located near the liturgical center <strong>of</strong> the church, this space was<br />

first created in 1627 when Anne <strong>of</strong> Austria erected an altar. 65 According to Claude Malingre, the<br />

altarpiece consisted <strong>of</strong> a centrally-placed domed niche adorned with the arms <strong>of</strong> France <strong>and</strong><br />

Spain <strong>and</strong> containing a miraculous image <strong>of</strong> the Virgin. 66 Although the chapel is no longer in<br />

existence, contemporary documents indicate that Louis XIII gave two gifts to this chapel, the<br />

first <strong>of</strong> which was a silver lamp, donated in 1636 in thanks for the prosperity bestowed on the<br />

kingdom <strong>of</strong> France by the Virgin Mary. 67 Intended to be lit in perpetuity, it was adorned with<br />

six c<strong>and</strong>elabras <strong>and</strong> decorated with angels, the royal arms, <strong>and</strong> fleurs-de-lis. Two years later the<br />

king again demonstrated his devotion to the chapel by <strong>of</strong>fering a large cross. 68<br />

Louis XIII’s most significant gesture to Notre-Dame-de-Paris occurred in December<br />

1637 with the drafting <strong>of</strong> a vow dedicating his person, the <strong>state</strong>, the crown, <strong>and</strong> the French<br />

subjects to the Virgin Mary. 69 Louis made the oath in thanks for military victories achieved<br />

against the Huguenots <strong>and</strong> more recently Habsburg forces, especially the taking <strong>of</strong> Corbie in<br />

1636 on the border <strong>of</strong> the Spanish Netherl<strong>and</strong>s. 70 The vow was especially important to the<br />

cathedral because it not only venerated the church’s patron saint, but it also contained a promise<br />

to build a new high altar, which would consist <strong>of</strong> a sculpture <strong>of</strong> the Virgin Mary holding the dead<br />

Christ with Louis XIII kneeling at their feet. Although construction <strong>of</strong> the altar would only occur<br />

in 1699, the vow along with the gifts <strong>of</strong> the lamp <strong>and</strong> cross marked the importance <strong>of</strong> Notre-<br />

Dame-de-Paris to Louis XIII. 71<br />

The publication <strong>of</strong> the vow in 1638 is <strong>of</strong>ten interpreted as an example <strong>of</strong> the king’s<br />

devotion to the Virgin Mary, whose status was further enhanced by the establishment that same<br />

year <strong>of</strong> a procession in Paris celebrating the Feast <strong>of</strong> the Assumption. 72 Two additional events<br />

occurring close in time to the declaration <strong>of</strong> the vow are also viewed as being connected to the<br />

oath. The first incident was the birth in September 1638 <strong>of</strong> the dauphin after twenty-two years <strong>of</strong><br />

172

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