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The members of the Committee approve the Dissertation of Julianne Parse Sandlin defended on March 23, 2009. Approved: ________________________________________ Richard Emmerson, Chair, Department of Art History ___________________________________________________ Sally McRorie, Dean, College of Visual Arts, Theatre and Dance ________________________________ Robert N. Neuman Professor Directing Dissertation ________________________________ William Cloonan Outside Committee Member ________________________________ Jack Freiberg Committee Member ________________________________ Paula Gerson Committee Member The Graduate School has verified and approved the above named committee members. ii
ACKNOWLEDGEMENTS The completion of my dissertation only came about with the support and encouragement of numerous people. I would first like to thank my professors, beginning at the University of South Carolina with Dr. Beverly Heisner and Dr. Charles Mack, who introduced me to the field of architectural history and the potential meanings that could be conveyed with buildings. At Florida State University, I am extremely indebted to each of my professors but especially those serving on my committee. With much patience, encouragement, and critique, Dr. Robert Neuman, Dr. Jack Freiberg, and Dr. Paula Gerson, allowed me to develop my skills and to pursue my scholarly interests. Their expertise in their respective fields contributed to my work, shaping my approach to art history. A special thanks is reserved for my committee chair, Dr. Robert Neuman, whose own experience with French architectural history of the Ancien Régime fueled my search for a dissertation topic. I appreciate his guidance, his not-so-subtle prompts to start writing, and his willingness to stick with me over the years. I am also grateful for support from the Estate of Penelope Mason and the Samuel H. Kress Foundation, from which I received funding to pursue research in France. The second group I would like to thank is made up of my friends and family. Without their support and encouragement, my task would have been much more difficult. I am especially indebted to my parents, who instilled in me the belief that I could achieve anything, and my parents-in-law, who likewise reinforced my ability to complete this project. It is with much regret that Army and Dad are not here to see the end result. My greatest thanks go to my husband, Brian. Not only has he assisted me with library books, copying, editing, and computer issues, he has also supported me mentally, financially, physically, and spiritually. Although the process took a little bit longer than he bargained for and he had to listen to more art history discussions than any outsider should have to, I simply could not have achieved this without him. iii
Page 1: FLORIDA STATE UNIVERSITY COLLEGE OF
Page 5 and 6: Jacobins of the rue Saint-Honoré 1
Page 7 and 8: 14. Clément Métezeau and Jacques
Page 9 and 10: 45. Simon Vouet, Apotheosis of St.
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Page 13 and 14: ABSTRACT This study examines early
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Page 25 and 26: 1 Marie-Laure Deschamps-Bourgeon, "
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Page 35 and 36: The Reign of Henri IV The move from
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1 I use the terms Catholic Reform a
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20 Henri III was the third of four
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46 Beaune, Ideology, 176. 47 For th
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70 Hayden, "Continuity," 12. 71 Lou
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Jean Héroard, ed. Edouard de Barth
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which uses the seventeenth-century
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a more appropriate location. 11 In
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etween the Oratory’s founder and
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seventeenth century, prompting scho
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façade drew visual emphasis to the
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The emblem continued to be included
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esidence. Similar to its use in ant
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courts, attended a similar ceremony
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of the society were planning regici
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Upon reentering the royal council i
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emind him that at present there was
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1 Fumaroli, "Cross," 88-102; Le Pas
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the church, including the interior
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31 Archives Nationales, MM 600, Vis
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51 For twin-towered facades associa
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Marilyn Aronberg Lavin (New York: I
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99 Archives Nationales MM 562 f. 3-
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125 Archives Nationales MM 623 f. 9
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By examining the precise manner of
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arcade, replacing it with a project
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a halo surrounding his head. The me
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place, the event was the first time
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Although David and Solomon had trad
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on the robe and crown and at the en
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king, who backed the Protestant Hen
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Catholic world, any objection it ma
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The current arrangement of the apse
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L surmounted by a royal crown and f
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figure first occurred in the west o
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the façade reiterates the place of
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1 Today it is the parish church of
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discussion of the plan and its popu
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43 For Philip II as Solomon and the
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67 The Jesuit foundations building
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88 Laurence Brockliss, "Richelieu,
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110 For the meaning of the central
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135 For a discussion of Richelieu
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had exercised by the end of the reg
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King Louis XI (1461-1483) and immed
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in the fifteenth century and most r
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The queen would have also welcomed
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Like Saint-Joseph-des-Carmes the re
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and pierced with windows. The faça
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protector and establishing a close
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and in the entablature of the choir
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The queen certainly believed that s
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the image the rectangular foundatio
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Medici’s patronage of the Religio
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use her support of the Religious of
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1 The dates represent the start of
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17 “MARIA MEDICAEA, PIENTISSIMA E
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Baptiste-Michel Renou de Chevigné
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du Roi des Rois pour la conservatri
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Zusammenhang, ed. Joachim Poeschke
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CHAPTER 6 FROM NOTRE-DAME-DES-VICTO
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eign of Louis XIII. By looking at i
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choir are two additional rooms. Tho
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Moreover not all foundation stones
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Additional Churches supported by Lo
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palace chapel at Versailles, design
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founding, was first supported by St
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its position within the kingdom. In
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Scholarship shows that the reasons
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with Cardinal Richelieu, who refuse
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his preoccupation with the war, Lou
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12 Barbiche, "Augustins déchaussé
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39 Jean-Pierre Camus, Premières ho
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Amos, Funerals, Politics, and Memor
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cardinal; see Paul de Musset, Puyla
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One of the key contributions of thi
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Figure 1. Philippe de Champaigne, L
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Figure 3. Frans Pourbus the Younger
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Figure 5. French School, Pierre de
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Figure 7. Jean Marot, Veue de l’
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Figure 9. Clément Métezeau and Ja
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Figure 11. Michel Etienne Turgot, P
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Figure 13. Reconstructed map of the
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Figure 15. Saint-Germer-de-Fly, vie
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Figure 17. Sainte-Chapelle, upper c
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Figure 19. Jacques Lemercier, Churc
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Figure 21. Écu d’or of Louis XII
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Figure 23. Jacques Androuet du Cerc
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Figure 25. Map of territories durin
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Figure 27. Peter Paul Rubens, Trium
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Figure 29. Philippe de Champaigne,
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Figure 31. Saint Louis, obverse (le
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Figure 33. Andrea Sacchi and Jan Mi
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Figure 35. Foundation Stone of Sain
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Figure 37. G. Bonsegni, Il Gesù, r
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Figure 39. Detail of Kings rose win
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Figure 41. Etienne Martellange and
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Figure 43. Edme Moreau, High Altar
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Figure 45. Simon Vouet, The Apotheo
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Figure 51. Michel Corneille, St. Lo
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Figure 53. Studio of Simon Vouet, L
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Figure 57. Plan of the Church of th
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Figure 59. Plan of Saint-Joseph-des
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Figure 61. Saint-Joseph-des-Carmes,
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Figure 63. After Jean Marot, Eglise
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Figure 65. Jean-Baptiste-Michel Jai
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Figure 67. Jean-Aimar Piganiol de l
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Figure 69. Michel Etienne Turgot, P
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Figure 71. Nicolas-Michel Troche, F
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Figure 73. Henri de Gisors, detail
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Figure 75. Jacques de Bie, Device f
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Figure 77. Plan of the church of No
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Figure 79. After Claude Chastillon,
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Figure 81. Notre-Dame-des-Victoires
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Figure 83. Current plan of Notre-Da
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Figure 85. Notre-Dame-des-Victoires
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Figure 87. Foundation Stone of Notr
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Figure 89. Detail of a window at th
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Figure 91. E. Viollet-le-Duc, Recon
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Figure 93. Israël Silvestre, Vue d
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Figure 95. Plan de l’eglise de No
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1589 Henri IV becomes king of Franc
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Bibliothèque nationale de France D
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BIBLIOGRAPHY Archival Sources Archi
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Théveneau, Adam. Les Précepts du
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Billot, Claudine. "La fondation de
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Brunel, Georges. Dictionnaire des
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Currier, Charles Warren. History of
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Freiberg, Jack. The Lateran in 1600
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Johnson, Géraldine A. "Imagining I
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Lonergan, Walter F. Historic Church
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Montgolfier, Bernard de, ed. Saint-
Page 321 and 322:
Romier, Lucien. Les origines politi
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Turchetti, Mario. "Middle Parties i
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Education: Teaching Experience: Nat
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