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9 For a bibliography of Louis XIII, see chapters one and two. For Louis’s concern with loyalty to the state, see A. Lloyd Moote, Louis XIII, the Just (Berkeley: University of California Press, 1989), 46. 10 Paul and Marie-Louise Biver, Abbayes, monastères et couvents de Paris des origines à la fin du XVIIIe siècle (Paris: Éditions d'histoire et d'art, 1970); Reginald Theodore Blomfield, Three Hundred Years of French Architecture, 1491-1794 (London: A. Maclehose, 1936); Anthony Blunt, Art and Architecture in France, 1500 to 1700, 5 ed. (New Haven: Yale University Press, 1999); Amédée Boinet, Les églises parisiennes, XVIIe siècle (Paris: Les Editions de Minuit, 1962); Yvan Christ, Églises parisiennes actuelles et disparues (Paris: Éditions Tel, 1947); Dumolin and Outardel, Églises de France; Hautecoeur, Architecture classique; Walter F. Lonergan, Historic Churches of Paris (London: Downey, 1896); Pérouse de Montclos, Architecture française. 11 Deschamps-Bourgeon, "Le Grand Siècle et le siècle des Lumières," 41-58; Mignot, "New Rome," 298-377; Violle, Paris. 12 Johnson, "Imagining Images," 134-35. Additional works that mention the queen’s support of religious institutions include: Jean-François Dubost, "Reine, regente, reine mère," in Marie de Médicis et le Palais Luxembourg, ed. Marie-Noëlle Baudouin-Matuszek (Paris: Délégation à l'Action Artistique de la Ville de Paris, 1991), 143; Deborah Marrow, "The Art Patronage of Maria de' Medici" (Ph.D. Dissertation, University of Pennsylvania, 1978), 24, 41-42; Claude Mignot, "L'architecture française au temps de Marie de Médicis," in Marie de Médicis: un gouvernement par les arts, ed. Paola Bassani Pacht, et al. (Paris: Somogy éditions d'art, 2003), 34; Nicolas Sainte-Fare Garnot, "L'action caritative," in Marie de Médicis et le Palais Luxembourg, ed. Marie-Noëlle Baudouin-Matuszek (Paris: Délégation à l'Action Artistique de la Ville de Paris, 1991), 162. 13 Anne Bertrand, "Art and Politics in Counter-Reformation Paris: The Case of Philippe de Champaigne and his Patrons (1621-1674)" (Ph.D. Dissertation, University of Pittsburgh, 2000), 113-87. 14 Ibid., 118-27. In addition to the Filles du Calvaire the other religious institution is the parish church of Saint-Germain-l’Auxerrois. Both churches are additional places for which the queen may have commissioned Philippe de Champaigne to do work. 15 For two works that especially emphasize Maria de’ Medici’s search for legitimization between 1610 and 1617 and desire for power between 1621 and 1631, see Crawford, Perilous Performances, 59-97; Johnson, "Imagining Images," 126-53. Additional works focusing on Peter Paul Rubens’s Medici Cycle (1621-1625) at the Luxembourg Palace contribute to the thesis that Maria de’ Medici worked to increase her authoritative role during the reign of Louis XIII. These include: Fanny Cosandey, La reine de France: Symbole et pouvoir, XVe-XVIIIe siècle (Paris: Gallimard, 2000), 333-60; Marrow, "Maria de' Medici;" Ronald Forsyth Millen and Robert Erich Wolf, Heroic Deeds and Mystic Figures: A New Reading of Rubens' Life of Maria 13
de' Medici (Princeton, New Jersey: Princeton University Press, 1989). For several notable exhibition catalogs contributing to Maria de’ Medici’s role as a patron, see Marie-Noëlle Baudouin-Matuszek and Béatrice de Andia, Marie de Médicis et le Palais du Luxembourg (Paris: Délégation à l'Action Artistique de la Ville de Paris, 1991); Caterina Caneva and Francesco Solinas, eds., Maria de' Medici (1573-1642): una principessa fiorentina sul trono di Francia (Livorno: Sillabe, 2005); Sara Mamone, Paris et Florence: deux capitales du spectacle pour une reine Marie de Médicis, trans. Sophie Bajard (Paris: Seuil, 1990). 16 For two exceptions that consider Maria de’ Medici’s role in relation to architecture, see Marie- Noëlle Baudouin-Matuszek, "Un palais pour un reine mere," in Marie de Médicis et le Palais du Luxembourg, ed. M. N. Baudouin-Matuszek and Béatrice de Andia (Paris: Délégation à l'Action Artistique de la Ville de Paris, 1991), 170-223; Mignot, "Marie de Médicis," 29-41. Baudouin- Matuszek’s essay considers Maria de’ Medici’s Luxembourg Palace; Mignot’s essay is a survey of French architecture during the early seventeenth century. 17 Hilary Ballon, "The Architecture of Cardinal Richelieu," in Richelieu: Art and Power, ed. Hilliard Todd Goldfarb (Montreal: Montreal Museum of Fine Arts, 2002), 246-59; Paolo Berdini, "The Sorbonne and Richelieu: Theological Controversies and Urban Renewal in XVIIth Century Paris," Arte cristiana 79, no. 745 (1991): 251-76; Claude Mignot, "Richelieu et l'architecture," in Richelieu et le monde de l'esprit, ed. André Tuilier (Paris: Imprimerire nationale, 1985), 55-60. 18 Most recently Ballon, "The Architecture of Cardinal Richelieu," 258, stated that the king lacked an interest in architecture. 19 For the leading historian proposing that Louis XIII was a self-sufficient king, not dependent for every idea on Cardinal Richelieu, see Moote, Louis XIII. 20 Anne Le Pas de Sécheval, "La politique artistique de Louis XIII" (Thèse de doctorat, Université de Paris-Sorbonne, 1992). 21 Marc Fumaroli, "Cross, Crown, and Tiara: the Constantine Myth between Paris and Rome, 1590-1690," Studies in the History of Art 48 (1995): 88-102. 22 For works covering churches presented in this study, see Jean-Marie Barbiche, "Les Augustins déchaussés de Notre-Dame-des-Victoires (1629-1790)" (Thèse, Ecole nationale des chartes, 2007); Louis Blond, La maison professe des Jésuites de la rue Saint-Antoine à Paris, 1580-1762 (Paris: Éditions Franciscaines, 1956); Martine Constans, L'église Saint-Paul-Saint-Louis de Paris (Paris: Editions de la Tourelle, 1977); Alexandre Gady, Jacques Lemercier, architecte et ingénieur du roi (Paris: Editions de la Maison des sciences de l'homme, 2005); Auguste-Marie- Pierre Ingold, L'église de l'Oratoire Saint-Honoré (Paris: Poussielgue frères, 1887); Edouard Lambert, Notice historique sur l'église de Notre-Dame des Victoires (Paris: Curot, 1872); Le Pas de Sécheval, "Politique artistique;" Bernard de Montgolfier, ed., Saint-Paul-Saint-Louis: les Jésuites à Paris (Paris: Musée Carnavalet, 1985). 14
Page 1 and 2: FLORIDA STATE UNIVERSITY COLLEGE OF
Page 3 and 4: ACKNOWLEDGEMENTS The completion of
Page 5 and 6: Jacobins of the rue Saint-Honoré 1
Page 7 and 8: 14. Clément Métezeau and Jacques
Page 9 and 10: 45. Simon Vouet, Apotheosis of St.
Page 11 and 12: 79. After Claude Chastillon, Carose
Page 13 and 14: ABSTRACT This study examines early
Page 15 and 16: The Buildings Of the ten newly-buil
Page 17 and 18: The Patrons: Maria de’ Medici and
Page 19 and 20: has been the focus of a wealth of a
Page 21 and 22: Although studies employing contextu
Page 23 and 24: the Society. By dedicating royal fu
Page 25: 1 Marie-Laure Deschamps-Bourgeon, "
Page 29 and 30: CHAPTER 2 THE HISTORICAL CONTEXT: F
Page 31 and 32: in the last twenty years as a serio
Page 33 and 34: pattern that would be repeated in e
Page 35 and 36: The Reign of Henri IV The move from
Page 37 and 38: The king’s second major accomplis
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Page 41 and 42: universal Church, he was recognized
Page 43 and 44: houses in Italy and Spain, these re
Page 45 and 46: Although concerns over internationa
Page 47 and 48: Although Maria never claimed to bel
Page 49 and 50: suggestions but leave the decisions
Page 51 and 52: as a double feast. 100 The king’s
Page 53 and 54: 1 I use the terms Catholic Reform a
Page 55 and 56: 20 Henri III was the third of four
Page 57 and 58: 46 Beaune, Ideology, 176. 47 For th
Page 59 and 60: 70 Hayden, "Continuity," 12. 71 Lou
Page 61 and 62: Jean Héroard, ed. Edouard de Barth
Page 63 and 64: which uses the seventeenth-century
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Page 73 and 74: The emblem continued to be included
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courts, attended a similar ceremony
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of the society were planning regici
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Upon reentering the royal council i
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emind him that at present there was
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1 Fumaroli, "Cross," 88-102; Le Pas
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the church, including the interior
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31 Archives Nationales, MM 600, Vis
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51 For twin-towered facades associa
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Marilyn Aronberg Lavin (New York: I
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99 Archives Nationales MM 562 f. 3-
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125 Archives Nationales MM 623 f. 9
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By examining the precise manner of
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arcade, replacing it with a project
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a halo surrounding his head. The me
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place, the event was the first time
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Although David and Solomon had trad
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on the robe and crown and at the en
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king, who backed the Protestant Hen
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Catholic world, any objection it ma
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The current arrangement of the apse
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L surmounted by a royal crown and f
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figure first occurred in the west o
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the façade reiterates the place of
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1 Today it is the parish church of
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discussion of the plan and its popu
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43 For Philip II as Solomon and the
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67 The Jesuit foundations building
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88 Laurence Brockliss, "Richelieu,
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110 For the meaning of the central
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135 For a discussion of Richelieu
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had exercised by the end of the reg
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King Louis XI (1461-1483) and immed
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in the fifteenth century and most r
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The queen would have also welcomed
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Like Saint-Joseph-des-Carmes the re
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and pierced with windows. The faça
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protector and establishing a close
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and in the entablature of the choir
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The queen certainly believed that s
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the image the rectangular foundatio
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Medici’s patronage of the Religio
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use her support of the Religious of
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1 The dates represent the start of
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17 “MARIA MEDICAEA, PIENTISSIMA E
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Baptiste-Michel Renou de Chevigné
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du Roi des Rois pour la conservatri
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Zusammenhang, ed. Joachim Poeschke
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CHAPTER 6 FROM NOTRE-DAME-DES-VICTO
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eign of Louis XIII. By looking at i
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choir are two additional rooms. Tho
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Moreover not all foundation stones
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Additional Churches supported by Lo
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palace chapel at Versailles, design
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founding, was first supported by St
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its position within the kingdom. In
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Scholarship shows that the reasons
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with Cardinal Richelieu, who refuse
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his preoccupation with the war, Lou
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12 Barbiche, "Augustins déchaussé
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39 Jean-Pierre Camus, Premières ho
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Amos, Funerals, Politics, and Memor
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cardinal; see Paul de Musset, Puyla
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One of the key contributions of thi
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Figure 1. Philippe de Champaigne, L
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Figure 3. Frans Pourbus the Younger
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Figure 5. French School, Pierre de
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Figure 7. Jean Marot, Veue de l’
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Figure 9. Clément Métezeau and Ja
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Figure 11. Michel Etienne Turgot, P
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Figure 13. Reconstructed map of the
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Figure 15. Saint-Germer-de-Fly, vie
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Figure 17. Sainte-Chapelle, upper c
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Figure 19. Jacques Lemercier, Churc
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Figure 21. Écu d’or of Louis XII
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Figure 23. Jacques Androuet du Cerc
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Figure 25. Map of territories durin
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Figure 27. Peter Paul Rubens, Trium
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Figure 29. Philippe de Champaigne,
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Figure 31. Saint Louis, obverse (le
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Figure 33. Andrea Sacchi and Jan Mi
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Figure 35. Foundation Stone of Sain
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Figure 37. G. Bonsegni, Il Gesù, r
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Figure 39. Detail of Kings rose win
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Figure 41. Etienne Martellange and
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Figure 43. Edme Moreau, High Altar
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Figure 45. Simon Vouet, The Apotheo
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Figure 51. Michel Corneille, St. Lo
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Figure 53. Studio of Simon Vouet, L
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Figure 57. Plan of the Church of th
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Figure 59. Plan of Saint-Joseph-des
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Figure 61. Saint-Joseph-des-Carmes,
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Figure 63. After Jean Marot, Eglise
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Figure 65. Jean-Baptiste-Michel Jai
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Figure 67. Jean-Aimar Piganiol de l
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Figure 69. Michel Etienne Turgot, P
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Figure 71. Nicolas-Michel Troche, F
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Figure 73. Henri de Gisors, detail
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Figure 75. Jacques de Bie, Device f
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Figure 77. Plan of the church of No
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Figure 79. After Claude Chastillon,
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Figure 81. Notre-Dame-des-Victoires
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Figure 83. Current plan of Notre-Da
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Figure 85. Notre-Dame-des-Victoires
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Figure 87. Foundation Stone of Notr
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Figure 89. Detail of a window at th
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Figure 91. E. Viollet-le-Duc, Recon
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Figure 93. Israël Silvestre, Vue d
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Figure 95. Plan de l’eglise de No
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1589 Henri IV becomes king of Franc
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Bibliothèque nationale de France D
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BIBLIOGRAPHY Archival Sources Archi
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Théveneau, Adam. Les Précepts du
Page 307 and 308:
Billot, Claudine. "La fondation de
Page 309 and 310:
Brunel, Georges. Dictionnaire des
Page 311 and 312:
Currier, Charles Warren. History of
Page 313 and 314:
Freiberg, Jack. The Lateran in 1600
Page 315 and 316:
Johnson, Géraldine A. "Imagining I
Page 317 and 318:
Lonergan, Walter F. Historic Church
Page 319 and 320:
Montgolfier, Bernard de, ed. Saint-
Page 321 and 322:
Romier, Lucien. Les origines politi
Page 323 and 324:
Turchetti, Mario. "Middle Parties i
Page 325 and 326:
Education: Teaching Experience: Nat
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