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declared Saint-Louis-des-Jésuites to be a royal foundation, granting it the highest honors warranted by that lofty designation and his own role as patron. 138 109
1 Today it is the parish church of Saint-Paul-Saint-Louis. In 1762 the Parlement of Paris suppressed the Society, forcing the closing of the church and its house for the religious. In 1767 the royal priory of the Couture was transferred to the property and the church was named Saint- Louis-de-la-Courture-Sainte-Catherine. The French Revolution forced the closing of the priory. In 1802 following the demolition of the nearby parish church of Saint-Paul, the one-time Jesuit church reopened as the parish church of Saint-Paul-Saint-Louis. 2 For the church, see Louis Blond, La maison professe des Jésuites de la rue Saint-Antoine à Paris, 1580-1762 (Paris: Éditions Franciscaines, 1956); Constans, Saint-Paul-Saint-Louis; E. de Ménorval, Les Jésuites de la rue Saint-Antoine. L'église Saint-Paul-Saint-Louis et le lycée Charlemagne (Paris: Aubry, 1872); Pierre Moisy, Les églises des Jésuites de l'ancienne assistance de France (Rome: Institutum Historicum Societatis Iesu, 1958), 248-51; Bernard de Montgolfier, ed., Saint-Paul-Saint-Louis: les Jésuites à Paris (Paris: Musée Carnavalet, 1985). Important surveys of seventeenth-century ecclesiastical architecture that discuss the church are Biver, Abbayes, 436-56; Boinet, Eglises parisiennes, 94-135; Dumolin and Outardel, Eglises de France, 136-40. 3 The practice of having a Jesuit as the royal confessor was instituted by King Henri IV in 1603 as part of the terms allowing the religious group to return to Paris after a period of banishment. For Louis XIII’s affection towards the Jesuits, see Robert Bireley, The Jesuits and the Thirty Years War: Kings, Courts, and Confessors (Cambridge: Cambridge University Press, 2003), 15; Blond, Maison professe, 57. The only other interpretation is given in Le Pas de Sécheval, "Politique artistique de Louis XIII," 431-68, who uses the church as an example of Louis XIII’s participation in the arts of the Catholic renewal. 4 For studies that mention the medals, see Babelon, "Architecture," 37; Mark Jones, A Catalogue of the French Medals in the British Museum. Volume Two, 1600-1672 (London: British Museum Publications, 1988), 296; Fernand Mazerolle, Les Médailleurs français du XVe siècle au milieu du XVIIe, 3 vols. (Paris: Imprimerie nationale, 1902-1904), nos. 699 and 819. 5 Blond, Maison professe, 77. 6 For the history of the Parisian maison professe, see ibid; Ménorval, Les Jésuites, 23-136. Pierre Delattre, ed., Les établissements des Jésuites en France depuis quatre siècles: répertoire topobibliographique publié à l'occasion du quatrième centenaire de la fondation de la Compagnie de Jésus (1540-1940), 5 vols. (Enghien, Belguim: Institut Supérieur de Théologie, 1955), 3:1259- 1307. The Society of Jesus, officially recognized as a new religious order in 1540 by Pope Paul III, only received limited legal recognition in France in 1562. The following year the Society established its first Paris foundation, the Collège de Clermont. In 1764 the order was banned from France. For the standard work on the Society of Jesus in France, see Henri Fouqueray, 110
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FLORIDA STATE UNIVERSITY COLLEGE OF
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ACKNOWLEDGEMENTS The completion of
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Jacobins of the rue Saint-Honoré 1
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14. Clément Métezeau and Jacques
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45. Simon Vouet, Apotheosis of St.
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79. After Claude Chastillon, Carose
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ABSTRACT This study examines early
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The Buildings Of the ten newly-buil
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The Patrons: Maria de’ Medici and
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has been the focus of a wealth of a
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Although studies employing contextu
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the Society. By dedicating royal fu
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1 Marie-Laure Deschamps-Bourgeon, "
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de' Medici (Princeton, New Jersey:
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CHAPTER 2 THE HISTORICAL CONTEXT: F
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in the last twenty years as a serio
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pattern that would be repeated in e
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The Reign of Henri IV The move from
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The king’s second major accomplis
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etween Philip IV (1285-1314) and Po
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universal Church, he was recognized
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houses in Italy and Spain, these re
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Although concerns over internationa
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Although Maria never claimed to bel
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suggestions but leave the decisions
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as a double feast. 100 The king’s
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1 I use the terms Catholic Reform a
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20 Henri III was the third of four
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46 Beaune, Ideology, 176. 47 For th
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70 Hayden, "Continuity," 12. 71 Lou
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Jean Héroard, ed. Edouard de Barth
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which uses the seventeenth-century
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a more appropriate location. 11 In
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etween the Oratory’s founder and
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seventeenth century, prompting scho
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Page 95 and 96: 99 Archives Nationales MM 562 f. 3-
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Page 99 and 100: By examining the precise manner of
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Page 125 and 126: discussion of the plan and its popu
Page 127 and 128: 43 For Philip II as Solomon and the
Page 129 and 130: 67 The Jesuit foundations building
Page 131 and 132: 88 Laurence Brockliss, "Richelieu,
Page 133 and 134: 110 For the meaning of the central
Page 135 and 136: 135 For a discussion of Richelieu
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Page 139 and 140: King Louis XI (1461-1483) and immed
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Page 143 and 144: The queen would have also welcomed
Page 145 and 146: Like Saint-Joseph-des-Carmes the re
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eign of Louis XIII. By looking at i
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choir are two additional rooms. Tho
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Moreover not all foundation stones
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Additional Churches supported by Lo
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palace chapel at Versailles, design
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founding, was first supported by St
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its position within the kingdom. In
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Scholarship shows that the reasons
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with Cardinal Richelieu, who refuse
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his preoccupation with the war, Lou
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12 Barbiche, "Augustins déchaussé
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39 Jean-Pierre Camus, Premières ho
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Amos, Funerals, Politics, and Memor
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cardinal; see Paul de Musset, Puyla
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One of the key contributions of thi
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Figure 1. Philippe de Champaigne, L
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Figure 3. Frans Pourbus the Younger
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Figure 5. French School, Pierre de
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Figure 7. Jean Marot, Veue de l’
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Figure 9. Clément Métezeau and Ja
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Figure 11. Michel Etienne Turgot, P
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Figure 13. Reconstructed map of the
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Figure 15. Saint-Germer-de-Fly, vie
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Figure 17. Sainte-Chapelle, upper c
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Figure 19. Jacques Lemercier, Churc
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Figure 21. Écu d’or of Louis XII
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Figure 23. Jacques Androuet du Cerc
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Figure 25. Map of territories durin
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Figure 27. Peter Paul Rubens, Trium
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Figure 29. Philippe de Champaigne,
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Figure 31. Saint Louis, obverse (le
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Figure 33. Andrea Sacchi and Jan Mi
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Figure 35. Foundation Stone of Sain
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Figure 37. G. Bonsegni, Il Gesù, r
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Figure 39. Detail of Kings rose win
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Figure 41. Etienne Martellange and
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Figure 43. Edme Moreau, High Altar
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Figure 45. Simon Vouet, The Apotheo
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Figure 51. Michel Corneille, St. Lo
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Figure 53. Studio of Simon Vouet, L
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Figure 57. Plan of the Church of th
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Figure 59. Plan of Saint-Joseph-des
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Figure 61. Saint-Joseph-des-Carmes,
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Figure 63. After Jean Marot, Eglise
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Figure 65. Jean-Baptiste-Michel Jai
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Figure 67. Jean-Aimar Piganiol de l
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Figure 69. Michel Etienne Turgot, P
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Figure 71. Nicolas-Michel Troche, F
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Figure 73. Henri de Gisors, detail
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Figure 75. Jacques de Bie, Device f
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Figure 77. Plan of the church of No
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Figure 79. After Claude Chastillon,
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Figure 81. Notre-Dame-des-Victoires
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Figure 83. Current plan of Notre-Da
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Figure 85. Notre-Dame-des-Victoires
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Figure 87. Foundation Stone of Notr
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Figure 89. Detail of a window at th
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Figure 91. E. Viollet-le-Duc, Recon
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Figure 93. Israël Silvestre, Vue d
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Figure 95. Plan de l’eglise de No
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1589 Henri IV becomes king of Franc
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Bibliothèque nationale de France D
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BIBLIOGRAPHY Archival Sources Archi
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Théveneau, Adam. Les Précepts du
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Billot, Claudine. "La fondation de
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Brunel, Georges. Dictionnaire des
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Currier, Charles Warren. History of
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Freiberg, Jack. The Lateran in 1600
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Johnson, Géraldine A. "Imagining I
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Lonergan, Walter F. Historic Church
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Montgolfier, Bernard de, ed. Saint-
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Romier, Lucien. Les origines politi
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Turchetti, Mario. "Middle Parties i
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Education: Teaching Experience: Nat
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