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9 For a bibliography of Louis XIII, see chapters one and two. For Louis’s concern with loyalty to
the state, see A. Lloyd Moote, Louis XIII, the Just (Berkeley: University of California Press,
1989), 46.
10 Paul and Marie-Louise Biver, Abbayes, monastères et couvents de Paris des origines à la fin
du XVIIIe siècle (Paris: Éditions d'histoire et d'art, 1970); Reginald Theodore Blomfield, Three
Hundred Years of French Architecture, 1491-1794 (London: A. Maclehose, 1936); Anthony
Blunt, Art and Architecture in France, 1500 to 1700, 5 ed. (New Haven: Yale University Press,
1999); Amédée Boinet, Les églises parisiennes, XVIIe siècle (Paris: Les Editions de Minuit,
1962); Yvan Christ, Églises parisiennes actuelles et disparues (Paris: Éditions Tel, 1947);
Dumolin and Outardel, Églises de France; Hautecoeur, Architecture classique; Walter F.
Lonergan, Historic Churches of Paris (London: Downey, 1896); Pérouse de Montclos,
Architecture française.
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Deschamps-Bourgeon, "Le Grand Siècle et le siècle des Lumières," 41-58; Mignot, "New
Rome," 298-377; Violle, Paris.
12 Johnson, "Imagining Images," 134-35. Additional works that mention the queen’s support of
religious institutions include: Jean-François Dubost, "Reine, regente, reine mère," in Marie de
Médicis et le Palais Luxembourg, ed. Marie-Noëlle Baudouin-Matuszek (Paris: Délégation à
l'Action Artistique de la Ville de Paris, 1991), 143; Deborah Marrow, "The Art Patronage of
Maria de' Medici" (Ph.D. Dissertation, University of Pennsylvania, 1978), 24, 41-42; Claude
Mignot, "L'architecture française au temps de Marie de Médicis," in Marie de Médicis: un
gouvernement par les arts, ed. Paola Bassani Pacht, et al. (Paris: Somogy éditions d'art, 2003),
34; Nicolas Sainte-Fare Garnot, "L'action caritative," in Marie de Médicis et le Palais
Luxembourg, ed. Marie-Noëlle Baudouin-Matuszek (Paris: Délégation à l'Action Artistique de la
Ville de Paris, 1991), 162.
13 Anne Bertrand, "Art and Politics in Counter-Reformation Paris: The Case of Philippe de
Champaigne and his Patrons (1621-1674)" (Ph.D. Dissertation, University of Pittsburgh, 2000),
113-87.
14 Ibid., 118-27. In addition to the Filles du Calvaire the other religious institution is the parish
church of Saint-Germain-l’Auxerrois. Both churches are additional places for which the queen
may have commissioned Philippe de Champaigne to do work.
15 For two works that especially emphasize Maria de’ Medici’s search for legitimization between
1610 and 1617 and desire for power between 1621 and 1631, see Crawford, Perilous
Performances, 59-97; Johnson, "Imagining Images," 126-53. Additional works focusing on
Peter Paul Rubens’s Medici Cycle (1621-1625) at the Luxembourg Palace contribute to the
thesis that Maria de’ Medici worked to increase her authoritative role during the reign of Louis
XIII. These include: Fanny Cosandey, La reine de France: Symbole et pouvoir, XVe-XVIIIe
siècle (Paris: Gallimard, 2000), 333-60; Marrow, "Maria de' Medici;" Ronald Forsyth Millen and
Robert Erich Wolf, Heroic Deeds and Mystic Figures: A New Reading of Rubens' Life of Maria
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