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Although David <strong>and</strong> Solomon had traditionally served as important models for French<br />

kings, Louis XIII was the first to allude to either <strong>of</strong> them on a medal. By referencing the Old<br />

Testament kings in a new medium <strong>and</strong> as part <strong>of</strong> a public ceremony, Louis XIII firmly<br />

established a connection to the model rulers <strong>and</strong> furthered the tradition begun by past French<br />

monarchs. The foundation medal proved to be a means through which he could testify to the<br />

virtues he possessed, that he too was pious, wise, <strong>and</strong> just <strong>and</strong> that <strong>of</strong> all the Christian rulers, the<br />

French king had the special blessing <strong>of</strong> God. The medal’s legend affirmed that just as David had<br />

triumphed over Goliath, Louis XIII would triumph over any threats to his rule. Moreover, as<br />

Solomon, who had built the temple, was the absolute sovereign in his l<strong>and</strong>, so too was Louis,<br />

who constructed Saint-Louis-des-Jésuites.<br />

Complementing the message conveyed by the image <strong>of</strong> Louis XIII were the other medals<br />

on the foundation stone (fig. 36). The medal in the upper right-h<strong>and</strong> corner depicted<br />

Martellange’s design for the façade <strong>of</strong> Saint-Louis-des-Jésuites, an image which functioned as a<br />

<strong>visual</strong> testament to the building. The other medal on the right side, the reverse <strong>of</strong> the king’s<br />

portrait medal, only bore an inscription, but it too was intended to add to the image <strong>of</strong> the<br />

monarch by drawing connections to St. Louis. Its inscription focuses on the seventeenth-century<br />

king’s many ties to the saint, stating that Louis IX was for Louis XIII “the founder <strong>of</strong> his race, <strong>of</strong><br />

his name, <strong>and</strong> <strong>of</strong> his kingdom.” Louis XIII’s reverence <strong>of</strong> his predecessor is further<br />

demonstrated in the medal depicting a pr<strong>of</strong>ile portrait <strong>of</strong> St. Louis (fig. 32).<br />

As the only sainted French king, Louis IX was the model <strong>of</strong> Christian piety. Shortly<br />

following his death in 1270, biographies began to appear that emphasized his virtue, faith, <strong>and</strong><br />

humility <strong>and</strong> praised his charity towards the poor <strong>and</strong> the sick. 54 His devout nature was further<br />

enhanced by the transfer <strong>of</strong> the relics <strong>of</strong> the Passion to France <strong>and</strong> the legends surrounding his<br />

fearless acts during the Crusades. It was, however, only in the seventeenth century that his role<br />

as a political model began to affect ideas <strong>of</strong> kingship. 55 The change was brought about in large<br />

part by Louis XIII’s revival <strong>of</strong> the cult <strong>of</strong> St. Louis. 56 Of all the saints, Louis XIII preferred his<br />

namesake <strong>and</strong> patron the best. 57 In addition to saying a daily prayer in his honor, in July 1618 he<br />

obtained from Pope Paul V a bull proclaiming that on 25 August all the kingdom <strong>of</strong> France<br />

would observe the day <strong>of</strong> St. Louis <strong>and</strong> celebrate the <strong>of</strong>fice as a double feast. 58 The Mercure<br />

françois recorded the Parisian celebration that took place the following month, noting that the<br />

streets were lined with tapestries <strong>and</strong> fireworks were displayed on the Seine. 59 As for the king,<br />

94

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