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florida state university college of visual arts, theatre and dance ...

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ABSTRACT<br />

This study examines early seventeenth-century Parisian churches supported by French<br />

monarchs, concentrating on the manner in which the buildings illuminate the political goals <strong>of</strong><br />

the patrons. Specifically it focuses on the reign <strong>of</strong> King Louis XIII (1610-1643), a period during<br />

which the king’s mother Queen Maria de’ Medici ruled as regent from 1610 to 1617. During the<br />

king’s reign twenty-one new places <strong>of</strong> worship were constructed in Paris, making it one <strong>of</strong> the<br />

most active phases <strong>of</strong> church building in the entire history <strong>of</strong> the French capital. Of the twenty-<br />

one churches built during this period, ten received support from the current monarch. Scholars<br />

traditionally attribute the volume <strong>of</strong> construction to the impact <strong>of</strong> the Catholic Reformation <strong>and</strong><br />

the subsequent establishment <strong>of</strong> numerous reformed religious groups in Paris. While the<br />

religious renewal that swept France in the early seventeenth century certainly fueled the<br />

construction <strong>of</strong> churches, the factors prompting Louis XIII <strong>and</strong> Maria de’ Medici to support such<br />

a high number <strong>of</strong> buildings remains unexplored in the literature. By investigating the<br />

architecture, painting, <strong>and</strong> sculpture <strong>of</strong> these churches in t<strong>and</strong>em with the historical <strong>and</strong> political<br />

context <strong>of</strong> the period, the buildings reveal how they took on additional meaning beyond<br />

reflecting the devout Catholic <strong>state</strong>. Instead <strong>of</strong> Maria de’ Medici <strong>and</strong> Louis XIII only using the<br />

churches as symbols <strong>of</strong> their religious beliefs, they supported them as a means <strong>of</strong> pursuing their<br />

political objectives, goals that varied depending upon who was in control <strong>of</strong> the throne.<br />

Specifically, Maria de’ Medici became a patron <strong>of</strong> ecclesiastical institutions to promote her<br />

authority while demonstrating her support <strong>of</strong> the Catholic faith, its institutions, <strong>and</strong> its allies. In<br />

contrast, Louis XIII advocated the sovereignty <strong>of</strong> the <strong>state</strong>, contributing to churches that honored<br />

French kingship <strong>and</strong> the monarch’s divine right to rule through their architecture, painting, <strong>and</strong><br />

sculpture.<br />

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