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LIST OF FIGURES 1. Philippe de Champaigne, Louis XIII, c. 1655. Oil on Canvas. Prado Museum. 108 x 86 cm. (Artstor) 2. Peter Paul Rubens, Maria de’ Medici, 1622. Oil on canvas. 130 x 108 cm. Madrid, Prado. (Artstor) 3. Frans Pourbus the Younger, Henri IV, King of France, c. 1610. Oil on wood. 39 x 25 cm. Musée du Louvre. (Artstor) 4. Clément Métezeau and Jacques Lemercier, Church of the French Oratory, Paris, begun 1621. View of the apse. (Photo by J. Sandlin) 5. French School, Pierre de Bérulle, seventeenth century. Oil on canvas. (Baudouin- Matuszek, 137, fig. 135) 6. Anonymous, Plan of the Church of the Oratoire (with parts remaining to be built in a lighter tone), c. mid-eighteenth century. Drawing. Paris, Bibliothèque nationale de France. (Gady, 231, fig. 155) 7. Jean Marot, Veue de l’église de l’Oratoire et de le maison, c. 1660. Engraving. Paris, Bibliothèque nationale de France. (Biver, fig. 69) 8. Clément Métezeau and Jacques Lemercier. Church of the Oratory, Paris, begun 1621. View of interior towards apse. (Photo by J. Sandlin) 9. Clément Métezeau and Jacques Lemercier. Church of the Oratory, Paris, begun 1621. View of interior towards apse. (Dumolin and Outardel, 132) 10. Saint-Nicolas-des-Champs, Paris, begun 1397. General view of the interior. (Bos, 243, fig. 124) 11. Michel Etienne Turgot, Plan de Turgot, 1739. Detail showing the Church of the Oratory. Engraving. (Kyoto University Library, http://edb.kulib.kyoto-u.ac.jp/exhibite/f28/image/01/f28l0018/ f28l0018_1_1.html.) 12. Michel Etienne Turgot, Plan de Turgot, 1739. Detail showing the Louvre and its quarter with the Church of the Oratory to the left. Engraving. (Pérouse de Montclos, 66) 13. Reconstructed map of the Louvre and its quarter around 1650. (Le Louvre et son quartier, 1984, 34, fig. 46) vi 190 191 192 193 194 195 196 197 198 199 200 201 202
14. Clément Métezeau and Jacques Lemercier, Church of the French Oratory, Paris, begun 1621. View of the apse. (Photo by J. Sandlin) 15. Saint-Germer-de-Fly, view of Lady Chapel, thirteenth century. (Branner, Court Style) 204 16. Sainte-Chapelle, Paris, begun 1242. Exterior view. (Weiss, 13, fig. 1) 205 17. Sainte-Chapelle, upper chapel, Paris. Stained glass, coronation scenes from the book of Numbers. (Weiss, plate IV) 18. Aubin-Louis Millin, Chartreux Convent. Entrance Portico, 1790. Engraving. (Bos, 302, fig. 172) 19. Jacques Lemercier, Church of the Oratory, Paris, 1625. Vault at crossing. (Photo by J. Sandlin) 20. Michel Félibien, Saint-Denis Treasury, detail of plate I, from Histoire de l’abbaye royale de Saint-Denis en France, 1709. Etching. (Frolow, 198, fig. 72) 21. Écu d’or of Louis XIII, 1642. Paris, Bibliothèque nationale de France. 210 22. Diocletian’s Palace, Split, c. 300-306 AD. Peristyle courtyard. (Photo courtesy of Leigh Ann Delp) 23. Jacques Androuet du Cerceau, Tribunal of the Ballroom of the Louvre, in Les Plus Excellents Bastiments de France, 1576. Engraving. (Zerner, 191, fig. 197) 24. Jacques Lemercier (?), Élévation du transept et d’une partie du choeur de l’église de l’Oratoire de Paris, c. 1622. Drawing. Quimper, Bibliothèque Municipale. (Gady, 34, fig. 23) 25. Map of territories during the Thirty Years’ War, 1618-1643. (Moote, map 4) 214 26. Project of the Enlargement and Junction of the Louvre and the Tuileries, c. 1600. Fresco from the Galerie des Cerfs de Fontainebleau (reconstructed). (Le Louvre et son quartier, 67, fig. 44) 27. Peter Paul Rubens, Triumph of Rome, 1622. Oil sketch. The Hague, Mauritshuis. (Fumaroli, 90, fig. 1) 28. Jean Marot, Le Portail de l’Eglise de la Maison Professe des R. P. Jésuites de Paris, dans la rue St. Antoine, c. 1660. Engraving. Paris, Bibliothèque nationale de France. (Biver, fig. 60) 29. Philippe de Champaigne, Richelieu, 1633-1640. Oil on canvas. 260 x 179 cm. London, National Gallery. (Mérot, 186, fig. 203) 30. Etienne Martellange and François Derand, Plan of Saint-Louis-des-Jésuites, after 1641. vii 203 206 207 208 209 211 212 213 215 216 217 218
Page 1 and 2: FLORIDA STATE UNIVERSITY COLLEGE OF
Page 3 and 4: ACKNOWLEDGEMENTS The completion of
Page 5: Jacobins of the rue Saint-Honoré 1
Page 9 and 10: 45. Simon Vouet, Apotheosis of St.
Page 11 and 12: 79. After Claude Chastillon, Carose
Page 13 and 14: ABSTRACT This study examines early
Page 15 and 16: The Buildings Of the ten newly-buil
Page 17 and 18: The Patrons: Maria de’ Medici and
Page 19 and 20: has been the focus of a wealth of a
Page 21 and 22: Although studies employing contextu
Page 23 and 24: the Society. By dedicating royal fu
Page 25 and 26: 1 Marie-Laure Deschamps-Bourgeon, "
Page 27 and 28: de' Medici (Princeton, New Jersey:
Page 29 and 30: CHAPTER 2 THE HISTORICAL CONTEXT: F
Page 31 and 32: in the last twenty years as a serio
Page 33 and 34: pattern that would be repeated in e
Page 35 and 36: The Reign of Henri IV The move from
Page 37 and 38: The king’s second major accomplis
Page 39 and 40: etween Philip IV (1285-1314) and Po
Page 41 and 42: universal Church, he was recognized
Page 43 and 44: houses in Italy and Spain, these re
Page 45 and 46: Although concerns over internationa
Page 47 and 48: Although Maria never claimed to bel
Page 49 and 50: suggestions but leave the decisions
Page 51 and 52: as a double feast. 100 The king’s
Page 53 and 54: 1 I use the terms Catholic Reform a
Page 55 and 56: 20 Henri III was the third of four
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46 Beaune, Ideology, 176. 47 For th
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70 Hayden, "Continuity," 12. 71 Lou
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Jean Héroard, ed. Edouard de Barth
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which uses the seventeenth-century
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a more appropriate location. 11 In
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etween the Oratory’s founder and
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seventeenth century, prompting scho
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façade drew visual emphasis to the
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The emblem continued to be included
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esidence. Similar to its use in ant
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courts, attended a similar ceremony
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of the society were planning regici
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Upon reentering the royal council i
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emind him that at present there was
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1 Fumaroli, "Cross," 88-102; Le Pas
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the church, including the interior
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31 Archives Nationales, MM 600, Vis
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51 For twin-towered facades associa
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Marilyn Aronberg Lavin (New York: I
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99 Archives Nationales MM 562 f. 3-
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125 Archives Nationales MM 623 f. 9
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By examining the precise manner of
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arcade, replacing it with a project
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a halo surrounding his head. The me
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place, the event was the first time
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Although David and Solomon had trad
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on the robe and crown and at the en
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king, who backed the Protestant Hen
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Catholic world, any objection it ma
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The current arrangement of the apse
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L surmounted by a royal crown and f
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figure first occurred in the west o
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the façade reiterates the place of
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1 Today it is the parish church of
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discussion of the plan and its popu
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43 For Philip II as Solomon and the
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67 The Jesuit foundations building
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88 Laurence Brockliss, "Richelieu,
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110 For the meaning of the central
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135 For a discussion of Richelieu
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had exercised by the end of the reg
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King Louis XI (1461-1483) and immed
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in the fifteenth century and most r
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The queen would have also welcomed
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Like Saint-Joseph-des-Carmes the re
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and pierced with windows. The faça
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protector and establishing a close
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and in the entablature of the choir
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The queen certainly believed that s
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the image the rectangular foundatio
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Medici’s patronage of the Religio
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use her support of the Religious of
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1 The dates represent the start of
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17 “MARIA MEDICAEA, PIENTISSIMA E
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Baptiste-Michel Renou de Chevigné
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du Roi des Rois pour la conservatri
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Zusammenhang, ed. Joachim Poeschke
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CHAPTER 6 FROM NOTRE-DAME-DES-VICTO
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eign of Louis XIII. By looking at i
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choir are two additional rooms. Tho
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Moreover not all foundation stones
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Additional Churches supported by Lo
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palace chapel at Versailles, design
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founding, was first supported by St
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its position within the kingdom. In
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Scholarship shows that the reasons
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with Cardinal Richelieu, who refuse
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his preoccupation with the war, Lou
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12 Barbiche, "Augustins déchaussé
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39 Jean-Pierre Camus, Premières ho
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Amos, Funerals, Politics, and Memor
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cardinal; see Paul de Musset, Puyla
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One of the key contributions of thi
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Figure 1. Philippe de Champaigne, L
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Figure 3. Frans Pourbus the Younger
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Figure 5. French School, Pierre de
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Figure 7. Jean Marot, Veue de l’
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Figure 9. Clément Métezeau and Ja
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Figure 11. Michel Etienne Turgot, P
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Figure 13. Reconstructed map of the
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Figure 15. Saint-Germer-de-Fly, vie
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Figure 17. Sainte-Chapelle, upper c
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Figure 19. Jacques Lemercier, Churc
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Figure 21. Écu d’or of Louis XII
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Figure 23. Jacques Androuet du Cerc
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Figure 25. Map of territories durin
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Figure 27. Peter Paul Rubens, Trium
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Figure 29. Philippe de Champaigne,
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Figure 31. Saint Louis, obverse (le
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Figure 33. Andrea Sacchi and Jan Mi
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Figure 35. Foundation Stone of Sain
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Figure 37. G. Bonsegni, Il Gesù, r
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Figure 39. Detail of Kings rose win
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Figure 41. Etienne Martellange and
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Figure 43. Edme Moreau, High Altar
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Figure 45. Simon Vouet, The Apotheo
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Figure 51. Michel Corneille, St. Lo
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Figure 53. Studio of Simon Vouet, L
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Figure 57. Plan of the Church of th
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Figure 59. Plan of Saint-Joseph-des
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Figure 61. Saint-Joseph-des-Carmes,
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Figure 63. After Jean Marot, Eglise
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Figure 65. Jean-Baptiste-Michel Jai
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Figure 67. Jean-Aimar Piganiol de l
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Figure 69. Michel Etienne Turgot, P
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Figure 71. Nicolas-Michel Troche, F
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Figure 73. Henri de Gisors, detail
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Figure 75. Jacques de Bie, Device f
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Figure 77. Plan of the church of No
Page 281 and 282:
Figure 79. After Claude Chastillon,
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Figure 81. Notre-Dame-des-Victoires
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Figure 83. Current plan of Notre-Da
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Figure 85. Notre-Dame-des-Victoires
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Figure 87. Foundation Stone of Notr
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Figure 89. Detail of a window at th
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Figure 91. E. Viollet-le-Duc, Recon
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Figure 93. Israël Silvestre, Vue d
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Figure 95. Plan de l’eglise de No
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1589 Henri IV becomes king of Franc
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Bibliothèque nationale de France D
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BIBLIOGRAPHY Archival Sources Archi
Page 305 and 306:
Théveneau, Adam. Les Précepts du
Page 307 and 308:
Billot, Claudine. "La fondation de
Page 309 and 310:
Brunel, Georges. Dictionnaire des
Page 311 and 312:
Currier, Charles Warren. History of
Page 313 and 314:
Freiberg, Jack. The Lateran in 1600
Page 315 and 316:
Johnson, Géraldine A. "Imagining I
Page 317 and 318:
Lonergan, Walter F. Historic Church
Page 319 and 320:
Montgolfier, Bernard de, ed. Saint-
Page 321 and 322:
Romier, Lucien. Les origines politi
Page 323 and 324:
Turchetti, Mario. "Middle Parties i
Page 325 and 326:
Education: Teaching Experience: Nat
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