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on the robe <strong>and</strong> crown <strong>and</strong> at the end <strong>of</strong> the scepter. Together these elements evoke the<br />

authoritative image <strong>of</strong> a sovereign king in full control <strong>of</strong> his government <strong>and</strong> people.<br />

Reinforcing the medal’s significance is the legend encircling the medal: “For his authority, the<br />

earth gave him altars <strong>and</strong> God gave him heaven.” 66 The text proclaims that in reward for his<br />

sovereign reign, Louis IX received the divine honor <strong>of</strong> sainthood.<br />

By placing this medal on the same foundation stone with his own pr<strong>of</strong>ile portrait, Louis<br />

XIII created a typological parallel between himself <strong>and</strong> the Capetian king, justifying his own<br />

ambitious drive towards an absolutist <strong>state</strong>. Together with the other medals, each <strong>of</strong> which was<br />

struck multiple times <strong>and</strong> circulated, the representation <strong>of</strong> St. Louis helped to spread Louis XIII’s<br />

desired image <strong>of</strong> the sovereign ruler <strong>of</strong> the <strong>state</strong>. When the medals were combined with the<br />

<strong>of</strong>ficial ceremony for the placing <strong>of</strong> the first stone, they became an undeniable message directed<br />

to those French subjects who sought to challenge the absolute authority <strong>of</strong> the king.<br />

Louis XIII <strong>and</strong> the Need for an Authoritative Image<br />

In the 1620s abundant opportunities existed for Louis XIII to demonstrate his authority<br />

with the ceremonial placing <strong>of</strong> the first stone. Apart from royal projects at the Louvre <strong>and</strong> the<br />

construction <strong>of</strong> a hunting lodge at Versailles, a number <strong>of</strong> religious organizations began building<br />

churches in Paris. In addition to two other Jesuit foundations constructing chapels, reformed<br />

orders <strong>of</strong> the Franciscans, Benedictines, <strong>and</strong> Augustinians as well as the Oratorians sought to add<br />

new places <strong>of</strong> worship to their institutions. 67 Yet, Louis XIII chose the church <strong>of</strong> the Society <strong>of</strong><br />

Jesus’s maison pr<strong>of</strong>esse, the order’s most prestigious place <strong>of</strong> worship in Paris, as the favored<br />

site at which to demonstrate his authority. I argue that the decision resulted from the king<br />

desiring to assert his divine right over French members <strong>of</strong> the Society <strong>of</strong> Jesus <strong>and</strong> other<br />

conservative religious groups that he suspected <strong>of</strong> doubting his absolute authority. Since the<br />

Jesuits’ <strong>of</strong>ficial arrival in the Gallic <strong>state</strong> in 1562, people had suspected that the order’s loyalties<br />

lay with Rome rather than France, a belief that exploded in 1626 with a publication by Antonio<br />

Santarelli.<br />

Among the primary reasons for French distrust <strong>of</strong> the Society was a fourth vow taken by<br />

certain members. In addition to the three oaths <strong>of</strong> poverty, chastity, <strong>and</strong> obedience taken by all<br />

Jesuits, those fathers having pr<strong>of</strong>essed their religious vows, known in France as coadjuteurs<br />

96

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