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also created financial irregularities in the government <strong>and</strong> supported a close relationship between<br />

France <strong>and</strong> the papacy.<br />

Driven by fears that Concini, aided by the queen mother’s favoritism, would soon attempt<br />

to usurp royal authority, Louis XIII <strong>and</strong> his advisors concocted a plan that on 24 April 1617 led<br />

to the murder <strong>of</strong> the royal advisor. The outcome <strong>of</strong> the assassination was the inauguration <strong>of</strong><br />

Louis XIII’s personal reign <strong>and</strong> the exile from court for the next four years <strong>of</strong> Maria de’ Medici.<br />

A few years after her return in 1621, the queen mother would once again become a patron <strong>of</strong><br />

Parisian ecclesiastical architecture but this time with different goals <strong>and</strong> outcomes.<br />

Maria de’ Medici’s Support <strong>of</strong> Churches after Her First Exile<br />

In stark contrast to the earlier religious works supported by Maria de’ Medici, the<br />

churches from the 1620s displayed a close association with the queen mother. Begun following<br />

Maria’s return to court <strong>and</strong> admittance to the royal council, the churches for the Filles du<br />

Calvaire <strong>and</strong> the Religious <strong>of</strong> St. Elizabeth included personal symbols <strong>and</strong> royal signs that in<br />

addition to providing <strong>visual</strong> testimony to the prestigious patron called attention to the queen<br />

mother’s agenda. While scholars have recognized Maria de’ Medici’s association with each<br />

church <strong>and</strong> the incorporation <strong>of</strong> her personal symbols on the church <strong>of</strong> the Filles du Calvaire, an<br />

examination <strong>of</strong> the queen’s intentions especially in comparison with the lack <strong>of</strong> royal symbols<br />

during the regency is missing from the literature. 50 I propose that the new approach to<br />

ecclesiastical architecture must be viewed as an attempt by Maria de’ Medici to regain the<br />

authority she formerly wielded as regent <strong>and</strong> a reaction to Louis XIII’s challenge to her search<br />

for power.<br />

Filles du Calvaire<br />

The first religious group supported by Maria de’ Medici following her return from exile<br />

was the Filles du Calvaire, which she established in 1622 on a piece <strong>of</strong> l<strong>and</strong> adjacent to the<br />

Luxembourg Palace (fig. 70). The Filles du Calvaire, a reformed order <strong>of</strong> Benedictines, was<br />

founded in 1617 in Poitiers by Father François Le Clerc du Tremblay <strong>and</strong> was brought to Paris in<br />

1620 by Elisabeth Damours, widow <strong>of</strong> Monsieur de Lauzon, councilor <strong>of</strong> the Paris Parlement. 51<br />

Maria de’ Medici had several reasons to want to support the religious group. In 1618 she helped<br />

found the second convent <strong>of</strong> the Filles du Calvaire, located in Angers, naming herself its<br />

135

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