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Rancher, master of the Eaux-et-Forêts, and the arms of Madelieine Colbert de Villacerf, Brûlart’s wife, suggesting that this couple paid for the painting. 121 For the function of donor-model paintings, see Elizabeth Lipsmeyer, "The Donor and His Church Model in Medieval Art from Early Christian Times to the Late Romanesque Period" (Ph.D. Dissertation, Rutgers University, 1981), 30-110, 12. 122 This type of image derives from the Eastern Imperial tradition; see ibid., 52-54. 123 For a discussion of this type of image, see ibid., 52-78. 124 For Richelieu’s contributions to the façade, see Blond, Maison professe, 63. 125 The only works to analyze Richelieu’s role in the façade are Le Pas de Sécheval, "Politique artistique," 436-39; Moisy, Les églises, 68-69. Le Pas de Sécheval argues that Richelieu’s goal was to contribute to the king’s support, making the church part of a larger policy to turn France into the premier center for the arts. Moisy claims that Richelieu’s support was inspired by aesthetics, arguing that the Cardinal’s financial gifts were the catalyst behind the switch to Derand’s façade. 126 Germain Brice and Piganiol de la Force both privilege the gifts of Richelieu; see Brice, Description, 2:173-74; Piganiol de la Force, Description historique, 5:4. 127 The present day structure is from the seventeenth century, but nearly all of the decoration is post-French Revolution. 128 “SANCTO LUDOVICO REGI, LUDOVICUS XIII, REX BASILICUM: ARMANDUS CARDINALIS, DUX DE RICHELIEU, BASILICAE FRONTEM POSUIT MDCXXXIV” 129 The clock was first installed in 1627 at the parish church of Saint-Paul. It was moved to its present location in 1806. 130 Today the niches hold statues of St. Catherine on the left and St. Anne on the right. 131 The current sculpture and reliefs in this section are nineteenth-century reproductions of the originals. 132 The châteaux are Richelieu and Rueil. For an overview of Richelieu’s interest in architecture, see Ballon, "Cardinal Richelieu," 246-59. 133 Ibid., 258. 134 For these events, see Knecht, Richelieu, 34-41. 121
135 For a discussion of Richelieu’s beliefs prior to becoming principal minister, see Fumaroli, "Richelieu," 24. 136 For Richelieu’s religious views, see Jean de Viguerie, "Richelieu théologien," in Richelieu et la Culture: Actes du Colloque international en Sorbonne, ed. Roland Mousnier (Paris: Centre National de la Recherche Scientifique, 1987), 37-39. 137 Fumaroli, "Richelieu," 124-25. 138 The letters patent were registered by the Parlement of Paris on 12 March 1642, see Blond, Maison professe, 67. 122
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FLORIDA STATE UNIVERSITY COLLEGE OF
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ACKNOWLEDGEMENTS The completion of
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Jacobins of the rue Saint-Honoré 1
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14. Clément Métezeau and Jacques
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45. Simon Vouet, Apotheosis of St.
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79. After Claude Chastillon, Carose
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ABSTRACT This study examines early
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The Buildings Of the ten newly-buil
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The Patrons: Maria de’ Medici and
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has been the focus of a wealth of a
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Although studies employing contextu
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the Society. By dedicating royal fu
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1 Marie-Laure Deschamps-Bourgeon, "
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de' Medici (Princeton, New Jersey:
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CHAPTER 2 THE HISTORICAL CONTEXT: F
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in the last twenty years as a serio
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pattern that would be repeated in e
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The Reign of Henri IV The move from
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The king’s second major accomplis
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etween Philip IV (1285-1314) and Po
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universal Church, he was recognized
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houses in Italy and Spain, these re
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Although concerns over internationa
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Although Maria never claimed to bel
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suggestions but leave the decisions
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as a double feast. 100 The king’s
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1 I use the terms Catholic Reform a
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20 Henri III was the third of four
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46 Beaune, Ideology, 176. 47 For th
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70 Hayden, "Continuity," 12. 71 Lou
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Jean Héroard, ed. Edouard de Barth
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which uses the seventeenth-century
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a more appropriate location. 11 In
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etween the Oratory’s founder and
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seventeenth century, prompting scho
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façade drew visual emphasis to the
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The emblem continued to be included
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esidence. Similar to its use in ant
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courts, attended a similar ceremony
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of the society were planning regici
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Upon reentering the royal council i
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Page 85 and 86: 1 Fumaroli, "Cross," 88-102; Le Pas
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Page 95 and 96: 99 Archives Nationales MM 562 f. 3-
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Page 123 and 124: 1 Today it is the parish church of
Page 125 and 126: discussion of the plan and its popu
Page 127 and 128: 43 For Philip II as Solomon and the
Page 129 and 130: 67 The Jesuit foundations building
Page 131 and 132: 88 Laurence Brockliss, "Richelieu,
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Page 173 and 174: eign of Louis XIII. By looking at i
Page 175 and 176: choir are two additional rooms. Tho
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its position within the kingdom. In
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Scholarship shows that the reasons
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with Cardinal Richelieu, who refuse
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his preoccupation with the war, Lou
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12 Barbiche, "Augustins déchaussé
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39 Jean-Pierre Camus, Premières ho
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Amos, Funerals, Politics, and Memor
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cardinal; see Paul de Musset, Puyla
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One of the key contributions of thi
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Figure 1. Philippe de Champaigne, L
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Figure 3. Frans Pourbus the Younger
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Figure 5. French School, Pierre de
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Figure 7. Jean Marot, Veue de l’
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Figure 9. Clément Métezeau and Ja
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Figure 11. Michel Etienne Turgot, P
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Figure 13. Reconstructed map of the
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Figure 15. Saint-Germer-de-Fly, vie
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Figure 17. Sainte-Chapelle, upper c
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Figure 19. Jacques Lemercier, Churc
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Figure 21. Écu d’or of Louis XII
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Figure 23. Jacques Androuet du Cerc
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Figure 25. Map of territories durin
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Figure 27. Peter Paul Rubens, Trium
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Figure 29. Philippe de Champaigne,
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Figure 31. Saint Louis, obverse (le
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Figure 33. Andrea Sacchi and Jan Mi
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Figure 35. Foundation Stone of Sain
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Figure 37. G. Bonsegni, Il Gesù, r
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Figure 39. Detail of Kings rose win
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Figure 41. Etienne Martellange and
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Figure 43. Edme Moreau, High Altar
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Figure 45. Simon Vouet, The Apotheo
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Figure 51. Michel Corneille, St. Lo
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Figure 53. Studio of Simon Vouet, L
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Figure 57. Plan of the Church of th
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Figure 59. Plan of Saint-Joseph-des
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Figure 61. Saint-Joseph-des-Carmes,
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Figure 63. After Jean Marot, Eglise
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Figure 65. Jean-Baptiste-Michel Jai
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Figure 67. Jean-Aimar Piganiol de l
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Figure 69. Michel Etienne Turgot, P
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Figure 71. Nicolas-Michel Troche, F
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Figure 73. Henri de Gisors, detail
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Figure 75. Jacques de Bie, Device f
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Figure 77. Plan of the church of No
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Figure 79. After Claude Chastillon,
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Figure 81. Notre-Dame-des-Victoires
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Figure 83. Current plan of Notre-Da
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Figure 85. Notre-Dame-des-Victoires
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Figure 87. Foundation Stone of Notr
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Figure 89. Detail of a window at th
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Figure 91. E. Viollet-le-Duc, Recon
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Figure 93. Israël Silvestre, Vue d
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Figure 95. Plan de l’eglise de No
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1589 Henri IV becomes king of Franc
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Bibliothèque nationale de France D
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BIBLIOGRAPHY Archival Sources Archi
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Théveneau, Adam. Les Précepts du
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Billot, Claudine. "La fondation de
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Brunel, Georges. Dictionnaire des
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Currier, Charles Warren. History of
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Freiberg, Jack. The Lateran in 1600
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Johnson, Géraldine A. "Imagining I
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Lonergan, Walter F. Historic Church
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Montgolfier, Bernard de, ed. Saint-
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Romier, Lucien. Les origines politi
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Turchetti, Mario. "Middle Parties i
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Education: Teaching Experience: Nat
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