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de France. (Hautecoeur, 1, pt. 3:221, fig. 72) 251 63. After Jean Marot, Eglise des Carmes Deschausses, detail of entrance to forecourt. Engraving. Paris, Bibliothèque nationale de France. (Hautecoeur, 1, pt. 3:221, fig. 72) 64. Medal of Maria de’ Medici, c. 1628. Paris, Bibliothèque nationale de France. (Kohlers, 393) 65. Jean-Baptiste-Michel Jaillot, detail of Plan du Quartier Saint-Martin, 1775. (Jaillot, vol. 2, Xe quartier) 66. Michel Etienne Turgot, Plan de Turgot, 1739. Detail showing the Convent of the Récollets. Engraving. (Kyoto University Library, http://edb.kulib.kyotou.ac.jp/exhibit-e/f28/image/01/f28l0016/f28l0016_2_2.html.) 67. Jean-Aimar Piganiol de la Force, detail of Plan et Description du Quartier du Palais Royal, 1765. (Piganiol de la Force, vol. 2) 68. Jean-Baptiste-Michel Jaillot, detail of Plan du Quartier du Palais Royal, 1775. (Jaillot, vol. 1) 69. Michel Etienne Turgot, Plan de Turgot, 1739. Detail showing the Convent of the Filles du Calvaire. Engraving. (Hustin, vol. 2, after pg. 76) 70. Plan of the Convent of the Filles du Calvaire, drawn by Michel Peytonneau, 1789. Paris, Archives Nationales S. 4649. (Hustin, vol. 2, after pg. 40) 71. Nicolas-Michel Troche, Façade of Notre-Dame-du-Calvaire, c. 1800-1840. Drawing. (Troche, 527) 72. Henri Gisors, restored façade of Notre-Dame-du-Calvaire, Paris, c. 1845. (vacanceo.com) 73. Henri de Gisors, detail of restored façade of Notre-Dame-du-Calvaire, Paris, c. 1845. (http://www.flickr.com/photos/atp19/28709064/) 74. Henri de Gisors, detail of restored façade of Notre-Dame-du-Calvaire, Paris, c. 1845. (http://www.flickr.com/photos/atp19/61229805/) 75. Jacques de Bie, Device for Maria de’ Medici, 1611. Engraving. (Bie, plate 104) 264 76. Foundation Stone of Notre-Dame-de-Pitié, c. 1628. Engraving. Paris, Bibliothèque nationale de France. (Baudouin-Matuszek, 159, fig. 168) 77. Plan of the church of Notre-Dame-de-Pitié. (Ciprut, 188) 266 78. I. van Merlen, View of the church of Notre-Dame-de-Pitié (Sainte-Elisabeth). Engraving. Paris, Bibliothèque nationale de France. x 252 253 254 255 256 257 258 259 260 261 262 263 265 267
79. After Claude Chastillon, Carosel at the Place Royale, 1612. Engraving. Bibliothèque nationale de France. (Ballon, 58, fig. 41) 80. Anonymous, View of the church of Notre-Dame-de-Pitié (Sainte-Elisabeth), c. 1644. Engraving. Paris, Bibliothèque nationale de France. 81. Notre-Dame-des-Victoires, Paris, 1629-1740. View of façade. (http://www.flickr.com/photos/ndalls/430628280/sizes/o/) 82. Michel Etienne Turgot, Plan de Turgot, 1739. Detail showing Notre-Dame-des- Victoires in relation to the Place des Victoires. Engraving. (Schieder, fig. 172, 207) 83. Current plan of Notre-Dames-des-Victoires. Engraving. Paris, Bibliothèque nationale de France. (Hautecoeur, 1, pt. 3:415, fig. 155) 84. Notre-Dame-des-Victoires, Paris, 1629-1740. View of interior towards apse. (La Basilique Notre-Dame des Victoires, 27) 85. Notre-Dame-des-Victoires, Paris, 1629-1740. Flanking wall of transept showing walled-up gallery above side chapel. (Photo by J. Sandlin) 86. Saint-Louis-des-Jésuites, Paris, 1627-1641. Flanking wall of transept showing gallery above side chapel. (Photo by J. Sandlin) 87. Foundation Stone of Notre-Dame-des-Victoires, 1629. Engraving. (Schieder, fig. 164, 198) 88. Pierre Lepautre, Exterior view from the Southeast of the Versailles Chapel, 1714-1715. Engraving. (Edmunds, 21, fig. 8) 89. Detail of a window at the Sainte-Chapelle, St. Louis and Robert d’Artois bearing the Relics, thirteenth century. Stained Glass. (Bottineau, plate 73) 90. View of ceiling of Versailles chapel, depicting Antoine Coypel, God the Father in Glory (above nave), 1709-1710, and Charles de La Fosse, Resurrection (above apse), 1709-1710. (http://www.flickr.com/photos/feuilllu/186226653/sizes/l/) 91. Eugène Viollet-le-Duc, Reconstruction of the reliquary in the form of the Sainte- Chapelle, from Dictionnaire raisonné de l’architecture française, vol. 1, 1854. (Lenoir, fig. 1, 258) 92. Grégoire Huret, Christ Giving the Crown of Thorns to Louis XIII, seventeenth century. Engraving. (Edmunds, 200, fig. 154) 93. Israël Silvestre, Vue de la place de la Sorbonne, mid seventeenth century. Engraving. (Gady, 325) 94. Anonymous, View of Notre-Dame-de-Paris, seventeenth century. Engraving. xi 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282
Page 1 and 2: FLORIDA STATE UNIVERSITY COLLEGE OF
Page 3 and 4: ACKNOWLEDGEMENTS The completion of
Page 5 and 6: Jacobins of the rue Saint-Honoré 1
Page 7 and 8: 14. Clément Métezeau and Jacques
Page 9: 45. Simon Vouet, Apotheosis of St.
Page 13 and 14: ABSTRACT This study examines early
Page 15 and 16: The Buildings Of the ten newly-buil
Page 17 and 18: The Patrons: Maria de’ Medici and
Page 19 and 20: has been the focus of a wealth of a
Page 21 and 22: Although studies employing contextu
Page 23 and 24: the Society. By dedicating royal fu
Page 25 and 26: 1 Marie-Laure Deschamps-Bourgeon, "
Page 27 and 28: de' Medici (Princeton, New Jersey:
Page 29 and 30: CHAPTER 2 THE HISTORICAL CONTEXT: F
Page 31 and 32: in the last twenty years as a serio
Page 33 and 34: pattern that would be repeated in e
Page 35 and 36: The Reign of Henri IV The move from
Page 37 and 38: The king’s second major accomplis
Page 39 and 40: etween Philip IV (1285-1314) and Po
Page 41 and 42: universal Church, he was recognized
Page 43 and 44: houses in Italy and Spain, these re
Page 45 and 46: Although concerns over internationa
Page 47 and 48: Although Maria never claimed to bel
Page 49 and 50: suggestions but leave the decisions
Page 51 and 52: as a double feast. 100 The king’s
Page 53 and 54: 1 I use the terms Catholic Reform a
Page 55 and 56: 20 Henri III was the third of four
Page 57 and 58: 46 Beaune, Ideology, 176. 47 For th
Page 59 and 60: 70 Hayden, "Continuity," 12. 71 Lou
Page 61 and 62:
Jean Héroard, ed. Edouard de Barth
Page 63 and 64:
which uses the seventeenth-century
Page 65 and 66:
a more appropriate location. 11 In
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etween the Oratory’s founder and
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seventeenth century, prompting scho
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façade drew visual emphasis to the
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The emblem continued to be included
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esidence. Similar to its use in ant
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courts, attended a similar ceremony
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of the society were planning regici
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Upon reentering the royal council i
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emind him that at present there was
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1 Fumaroli, "Cross," 88-102; Le Pas
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the church, including the interior
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31 Archives Nationales, MM 600, Vis
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51 For twin-towered facades associa
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Marilyn Aronberg Lavin (New York: I
Page 95 and 96:
99 Archives Nationales MM 562 f. 3-
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125 Archives Nationales MM 623 f. 9
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By examining the precise manner of
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arcade, replacing it with a project
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a halo surrounding his head. The me
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place, the event was the first time
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Although David and Solomon had trad
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on the robe and crown and at the en
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king, who backed the Protestant Hen
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Catholic world, any objection it ma
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The current arrangement of the apse
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L surmounted by a royal crown and f
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figure first occurred in the west o
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the façade reiterates the place of
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1 Today it is the parish church of
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discussion of the plan and its popu
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43 For Philip II as Solomon and the
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67 The Jesuit foundations building
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88 Laurence Brockliss, "Richelieu,
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110 For the meaning of the central
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135 For a discussion of Richelieu
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had exercised by the end of the reg
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King Louis XI (1461-1483) and immed
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in the fifteenth century and most r
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The queen would have also welcomed
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Like Saint-Joseph-des-Carmes the re
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and pierced with windows. The faça
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protector and establishing a close
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and in the entablature of the choir
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The queen certainly believed that s
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the image the rectangular foundatio
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Medici’s patronage of the Religio
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use her support of the Religious of
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1 The dates represent the start of
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17 “MARIA MEDICAEA, PIENTISSIMA E
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Baptiste-Michel Renou de Chevigné
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du Roi des Rois pour la conservatri
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Zusammenhang, ed. Joachim Poeschke
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CHAPTER 6 FROM NOTRE-DAME-DES-VICTO
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eign of Louis XIII. By looking at i
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choir are two additional rooms. Tho
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Moreover not all foundation stones
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Additional Churches supported by Lo
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palace chapel at Versailles, design
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founding, was first supported by St
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its position within the kingdom. In
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Scholarship shows that the reasons
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with Cardinal Richelieu, who refuse
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his preoccupation with the war, Lou
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12 Barbiche, "Augustins déchaussé
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39 Jean-Pierre Camus, Premières ho
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Amos, Funerals, Politics, and Memor
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cardinal; see Paul de Musset, Puyla
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One of the key contributions of thi
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Figure 1. Philippe de Champaigne, L
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Figure 3. Frans Pourbus the Younger
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Figure 5. French School, Pierre de
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Figure 7. Jean Marot, Veue de l’
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Figure 9. Clément Métezeau and Ja
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Figure 11. Michel Etienne Turgot, P
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Figure 13. Reconstructed map of the
Page 217 and 218:
Figure 15. Saint-Germer-de-Fly, vie
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Figure 17. Sainte-Chapelle, upper c
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Figure 19. Jacques Lemercier, Churc
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Figure 21. Écu d’or of Louis XII
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Figure 23. Jacques Androuet du Cerc
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Figure 25. Map of territories durin
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Figure 27. Peter Paul Rubens, Trium
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Figure 29. Philippe de Champaigne,
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Figure 31. Saint Louis, obverse (le
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Figure 33. Andrea Sacchi and Jan Mi
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Figure 35. Foundation Stone of Sain
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Figure 37. G. Bonsegni, Il Gesù, r
Page 241 and 242:
Figure 39. Detail of Kings rose win
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Figure 41. Etienne Martellange and
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Figure 43. Edme Moreau, High Altar
Page 247 and 248:
Figure 45. Simon Vouet, The Apotheo
Page 249 and 250:
Page 251 and 252:
Page 253 and 254:
Figure 51. Michel Corneille, St. Lo
Page 255 and 256:
Figure 53. Studio of Simon Vouet, L
Page 257 and 258:
Page 259 and 260:
Figure 57. Plan of the Church of th
Page 261 and 262:
Figure 59. Plan of Saint-Joseph-des
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Figure 61. Saint-Joseph-des-Carmes,
Page 265 and 266:
Figure 63. After Jean Marot, Eglise
Page 267 and 268:
Figure 65. Jean-Baptiste-Michel Jai
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Figure 67. Jean-Aimar Piganiol de l
Page 271 and 272:
Figure 69. Michel Etienne Turgot, P
Page 273 and 274:
Figure 71. Nicolas-Michel Troche, F
Page 275 and 276:
Figure 73. Henri de Gisors, detail
Page 277 and 278:
Figure 75. Jacques de Bie, Device f
Page 279 and 280:
Figure 77. Plan of the church of No
Page 281 and 282:
Figure 79. After Claude Chastillon,
Page 283 and 284:
Figure 81. Notre-Dame-des-Victoires
Page 285 and 286:
Figure 83. Current plan of Notre-Da
Page 287 and 288:
Figure 85. Notre-Dame-des-Victoires
Page 289 and 290:
Figure 87. Foundation Stone of Notr
Page 291 and 292:
Figure 89. Detail of a window at th
Page 293 and 294:
Figure 91. E. Viollet-le-Duc, Recon
Page 295 and 296:
Figure 93. Israël Silvestre, Vue d
Page 297 and 298:
Figure 95. Plan de l’eglise de No
Page 299 and 300:
1589 Henri IV becomes king of Franc
Page 301 and 302:
Bibliothèque nationale de France D
Page 303 and 304:
BIBLIOGRAPHY Archival Sources Archi
Page 305 and 306:
Théveneau, Adam. Les Précepts du
Page 307 and 308:
Billot, Claudine. "La fondation de
Page 309 and 310:
Brunel, Georges. Dictionnaire des
Page 311 and 312:
Currier, Charles Warren. History of
Page 313 and 314:
Freiberg, Jack. The Lateran in 1600
Page 315 and 316:
Johnson, Géraldine A. "Imagining I
Page 317 and 318:
Lonergan, Walter F. Historic Church
Page 319 and 320:
Montgolfier, Bernard de, ed. Saint-
Page 321 and 322:
Romier, Lucien. Les origines politi
Page 323 and 324:
Turchetti, Mario. "Middle Parties i
Page 325 and 326:
Education: Teaching Experience: Nat
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