14.07.2013 Views

florida state university college of visual arts, theatre and dance ...

florida state university college of visual arts, theatre and dance ...

florida state university college of visual arts, theatre and dance ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Baptiste-Michel Renou de Chevigné Jaillot, Recherches critiques, historiques et topographiques<br />

sur la ville de Paris, 5 vols. (Paris: Lottin, 1775), 2, Xe quartier:32-33; Piganiol de la Force,<br />

Description historique, 4:68-73.<br />

The building is extant, but it has not been used as a church since 1789 when it was seized during<br />

the Revolution <strong>and</strong> remade for use as barracks <strong>and</strong> then a spinning mill. In the nineteenth<br />

century the church <strong>and</strong> the convent were used as a hospice <strong>and</strong> then a military hospital. Today<br />

the complex houses the Centre International d’Accueil et d’Echanges des Récollets, a residency<br />

program for artists <strong>and</strong> writers, <strong>and</strong> the Ordre des Architectes d’Ile de France.<br />

41<br />

For the paintings by Brother Luc, see Brice, Description, 2:49; Piganiol de la Force,<br />

Description historique, 4:69.<br />

42 Piganiol de la Force, Description historique, 4:71.<br />

43 The guidebooks frequently include entries for the Jacobins <strong>of</strong> the rue Saint-Honoré, but they<br />

rarely discuss the architecture; see Brice, Description, 1:278-82; Antoine-Nicolas Dézailler<br />

d'Argenville, Vies des fameux architectes depuis la Renaissance des Arts, avec la description de<br />

leurs ouvrages, 2 vols. (Paris: Chez Debure l'aîné, 1787), 88-90; Félibien, Histoire, 2:1292;<br />

Jaillot, Recherches critiques, 1:39-41; Le Fèvre, Description des curiosités, 208-09; Piganiol de<br />

la Force, Description historique, 2:431-47.<br />

44<br />

Brice, Description, 1:278; Luc-Vincent Thiéry, Le voyageur à Paris, 2 vols. (Paris: Hardouin<br />

et Gattey, 1789-1790), 1:150.<br />

45 For instance, see Violle, Paris, 1:204-14. In this work the Jacobins <strong>of</strong> the rue Saint-Honoré<br />

are only discussed in the sections covering the eighteenth <strong>and</strong> nineteenth centuries, with the<br />

major focus being on the period <strong>of</strong> the Revolution. The only modern authors to discuss the<br />

seventeenth-century architecture are Biver, Abbayes, 365-73; Hautecoeur, Architecture<br />

classique, 1, pt. 3:222.<br />

46 For the chapel’s placement, see Biver, Abbayes, 368. For the painting <strong>and</strong> reliquary, see Brice,<br />

Description, 1:279; Piganiol de la Force, Description historique, 2:433.<br />

47<br />

For descriptions <strong>of</strong> this chapel, see Brice, Description, 1:279-80; Piganiol de la Force,<br />

Description historique, 2:433-34.<br />

48 The three most recent additions to the royal council were Claude Barbin, Cladue Mangot, <strong>and</strong><br />

Arm<strong>and</strong>-Jean du Plessis, bishop <strong>of</strong> Luçon. For the events leading up to the first exile <strong>of</strong> Maria<br />

de’ Medici, see Carmona, Marie de Médicis, 325-44; Chevallier, Louis XIII, 133-72; Moote,<br />

Louis XIII, 87-96.<br />

49 For actions pursued by Concini, see Hélène Duccini, Faire voir, faire croire. L'opinion<br />

publique sous Louis XIII (Seyssel: Champ Vallon, 2003), 270-89.<br />

152

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!