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1 Marie-Laure Deschamps-Bourgeon, "Le Gr<strong>and</strong> Siècle et le siècle des Lumières," in<br />

Dictionnaire des églises de Paris, ed. Georges Brunel (Paris: Editions Hervas, 1995), 41-46;<br />

Maurice Dumolin <strong>and</strong> George Outardel, Les églises de France: Paris et la Seine (Paris: Librairie<br />

Letouzey et Ané, 1936), ix, 126-96 <strong>and</strong> passim; Louis Hautecoeur, Histoire de l'architecture<br />

classique en France, 7 vols. (Paris: Picard, 1966), 1:216-24; Claude Mignot, "The New Rome,<br />

1527-1700: The Century <strong>of</strong> Louis XIII (1594-1660)," in The Art <strong>and</strong> Spirit <strong>of</strong> Paris, ed. Michel<br />

Laclotte (New York: Abbeville Press, 2004), 1:311; Jean-Marie Pérouse de Montclos, Histoire<br />

de l'architecture française (Paris: Caisse nationale des monuments historiques et des sites, 1989),<br />

167-69; Bernard Violle, Paris, son Eglise et ses églises: histoire, art, foi, 2 vols. (Paris: Cerf,<br />

2004), 2:66-72.<br />

2 Louis XIII also contributed support to the Abbey church <strong>of</strong> Saint-Denis. This topic needs<br />

further study <strong>and</strong> has yet to be incorporated into my study.<br />

3 For this characterization <strong>of</strong> the conservative Catholics, see Barbara B. Diefendorf, From<br />

Penitence to Charity: Pious Women <strong>and</strong> the Catholic Reformation in Paris (Oxford: Oxford<br />

University Press, 2004), 11-13, 78-82. More bibliographic sources for this topic are provided in<br />

chapters one <strong>and</strong> two <strong>of</strong> the present study.<br />

4 For the term dévot, see ibid., 11-13, 78-82, 89-91.<br />

5 For an introduction to the moderates, see Mario Turchetti, "Middle Parties in France during the<br />

Wars <strong>of</strong> Religion," in Reformation, Revolt <strong>and</strong> Civil War in France <strong>and</strong> the Netherl<strong>and</strong>s, 1555-<br />

1585, ed. Philip Benedict, et al. (Amsterdam: Royal Netherl<strong>and</strong>s Academy <strong>of</strong> Arts <strong>and</strong> Sciences,<br />

1999), 165-83. Further bibliography is provided in chapters one <strong>and</strong> two, below.<br />

6 For the history <strong>and</strong> meaning <strong>of</strong> this epithet, see Colette Beaune, The Birth <strong>of</strong> an Ideology:<br />

Myths <strong>and</strong> Symbols <strong>of</strong> Nation in Late-Medieval France, trans. Susan Ross Huston (Berkeley:<br />

University <strong>of</strong> California Press, 1991), 172-93.<br />

7 For this characterization <strong>of</strong> the marriage, see Bernard Barbiche, "Marie de Médicis, reine<br />

régnante, et le Saint-Siège: agent ou otage de la Réforme catholique?" in Le "siècle" de Marie<br />

de Médicis: Actes du Séminaire de la Chaire Rhétorique et Société en Europe (XVIe-XVIIe<br />

siècles) du Collège de France sous la direction de Marc Fumaroli de l'Académie française, ed.<br />

Françoise Graziani <strong>and</strong> Francesco Solinas (Aless<strong>and</strong>ria: Edizioni dell'Orso, 2003), 41-42; Michel<br />

Carmona, Marie de Médicis (Paris: Fayard, 1981), 16-20.<br />

8 For a bibliography <strong>of</strong> Maria de’ Medici, see chapter four. For two works that especially<br />

emphasize the queen’s goals, see Katherine Crawford, Perilous Performances: Gender <strong>and</strong><br />

Regency in Early Modern France (Cambridge, MA: Harvard University Press, 2004), 59-97;<br />

Géraldine A. Johnson, "Imagining Images <strong>of</strong> Powerful Women: Maria de' Medici's Patronage <strong>of</strong><br />

Art <strong>and</strong> Architecture," in Women <strong>and</strong> Art in Early Modern Europe: Patrons, Collectors, <strong>and</strong><br />

Connoisseurs, ed. Cynthia Lawrence (University Park, PA: The Pennsylvania State University<br />

Press, 1997), 126-53.<br />

12

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