14.07.2013 Views

florida state university college of visual arts, theatre and dance ...

florida state university college of visual arts, theatre and dance ...

florida state university college of visual arts, theatre and dance ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

91 These were not the only examples <strong>of</strong> foundation stones with four medallic faces surrounding<br />

the dedicatory inscription. One example is from August 1628 for the reconstruction <strong>of</strong> the<br />

church at the Jesuit College at Clermont. One <strong>of</strong> the medals featured the portrait <strong>of</strong> the king with<br />

the arms <strong>of</strong> the city <strong>of</strong> Clermont on the reverse. The other medal is not known. For this<br />

example, see Blanchet <strong>and</strong> Dieudonné, Manuel, 3:120. Another example was made for Notre-<br />

Dame-des-Victoires, begun 1629, which will be addressed in the following chapter.<br />

One explanation for the rarity <strong>of</strong> these images is the print medium. It is possible that many more<br />

examples <strong>of</strong> this type <strong>of</strong> print existed than have been preserved. For a discussion <strong>of</strong> some <strong>of</strong> the<br />

challenges presented by this medium, see Henri Zerner, "Introduction," in The French<br />

Renaissance in Prints: from the Bibliothèque nationale de France, ed. Karen Jacobson (Los<br />

Angeles: Grunwald Center for the Graphic Arts, University <strong>of</strong> California Los Angeles, 1994),<br />

25.<br />

92 The propag<strong>and</strong>istic nature <strong>of</strong> seventeenth-century French prints is a common thread in the<br />

literature. Several works that discuss this aspect <strong>of</strong> the medium include: Cynthia Burlingham,<br />

"Portraiture as Propag<strong>and</strong>a: Printmaking during the Reign <strong>of</strong> Henri IV," in The French<br />

Renaissance in Prints: from the Bibliothèque nationale de France, ed. Karen Jacobson (Los<br />

Angeles: Grunwald Center for the Graphic Arts, University <strong>of</strong> California Los Angeles, 1994),<br />

139-51; Grivel, Commerce, 99.<br />

93 Traditional scholarship portrays the French government from 1624 to 1630 as a triumvirate<br />

ruled by Louis XIII, Richelieu, <strong>and</strong> Maria de’ Medici; see Carmona, Marie de Médicis, 421-31;<br />

Chevallier, Louis XIII. A different interpretation is <strong>of</strong>fered by A. Lloyd Moote, who suggests<br />

that the roles were far from equal. He argues that Maria de’ Medici was dissatisfied with her lack<br />

<strong>of</strong> influence for several years before she made Louis XIII choose between her <strong>and</strong> Richelieu; see<br />

Moote, Louis XIII, 168, 201-05.<br />

94 For Louis XIII’s treatment <strong>of</strong> La Rochelle, see Moote, Louis XIII, 194-98.<br />

95 For the views held by Maria de’ Medici <strong>and</strong> the dévots on the siege at La Rochelle, see<br />

Dubost, "Reine," 122; Moote, Louis XIII, 194.<br />

96 For Maria’s dissatisfaction with being regent, see Moote, Louis XIII, 168, 205.<br />

157

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!