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Annals of our ancestors; one hundred and fifty years of history in the ...

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i68 ANNALS OF OUR ANCESTORS<br />

ground; <strong>the</strong> lovely shade trees had disappeared, <strong>and</strong> we three,<br />

Bro<strong>the</strong>r Joe <strong>and</strong> Alvah <strong>and</strong> I, were walk<strong>in</strong>g over this place so<br />

alive to every memory <strong>of</strong> <strong>our</strong> earlier days. As we looked<br />

about us for familiar <strong>and</strong> remembered sights, a young cadet<br />

came forward <strong>and</strong> <strong>of</strong>fered to show us over <strong>the</strong> grounds. We<br />

told him someth<strong>in</strong>g <strong>of</strong> what <strong>the</strong> place had meant to us <strong>in</strong> <strong>our</strong><br />

youth <strong>and</strong> <strong>of</strong> <strong>the</strong> gr<strong>and</strong> work d<strong>one</strong> by Farmers' College <strong>in</strong><br />

antebellum days.<br />

Once aga<strong>in</strong> we walked up <strong>the</strong> st<strong>one</strong> steps — two pilgrims<br />

with snow-white hair <strong>and</strong> steps a little measured as <strong>the</strong> elastic-<br />

ity <strong>of</strong> youth had departed. We found <strong>the</strong> chapel dismantled,<br />

but still <strong>the</strong>re were <strong>the</strong> picture <strong>of</strong> Freeman Cary <strong>and</strong> <strong>the</strong> life-<br />

size portrait <strong>of</strong> Dr. Bishop. The rostrum was <strong>the</strong>re, but silent<br />

<strong>and</strong> deserted was <strong>the</strong> place where Madame Rive's music class<br />

had stood <strong>and</strong> filled <strong>the</strong> air with sweet sound. I seemed all<br />

at once to see <strong>the</strong> empt<strong>in</strong>ess <strong>the</strong>re peopled with those lovely<br />

girls as <strong>the</strong>y appeared on great occasions. They passed before<br />

<strong>our</strong> fancy arrayed <strong>in</strong> white, with garl<strong>and</strong>s <strong>of</strong> rose leaves fastened<br />

toge<strong>the</strong>r to imitate <strong>the</strong> Grecian Muses. What a picture <strong>of</strong><br />

classical beauty <strong>the</strong>y made <strong>in</strong> th<strong>in</strong> flow<strong>in</strong>g robes with those<br />

garl<strong>and</strong>s <strong>of</strong> green on <strong>the</strong>ir white brows, <strong>and</strong> now <strong>the</strong>y are but<br />

a dream, a memory! We stood a while longer <strong>in</strong> front <strong>of</strong> that<br />

stage <strong>and</strong> called up <strong>in</strong> gr<strong>and</strong> review <strong>the</strong> scenes <strong>the</strong> place brought<br />

so vividly to m<strong>in</strong>d — <strong>the</strong>y came <strong>and</strong> disappeared aga<strong>in</strong> from<br />

sight, phantoms <strong>of</strong> what had been so long ago engulfed <strong>in</strong> <strong>the</strong><br />

ever-roll<strong>in</strong>g tide <strong>of</strong> time.<br />

The Civil War seems to have had a part <strong>in</strong> <strong>the</strong> downfall<br />

<strong>of</strong> this work so prosperously begun. We walked over Freeman<br />

Cary's beautiful grounds <strong>and</strong> looked upon <strong>the</strong> palatial home he<br />

built; upon <strong>the</strong> l<strong>and</strong>scape garden once <strong>the</strong> admiration <strong>of</strong> my<br />

youth; <strong>and</strong> while yet beautiful, all showed that Time had<br />

touched <strong>the</strong>m <strong>and</strong> would eventually conquer, which is <strong>the</strong><br />

dest<strong>in</strong>y <strong>of</strong> <strong>the</strong> proudest monuments <strong>of</strong> earth.<br />

While w<strong>and</strong>er<strong>in</strong>g along <strong>the</strong> paths <strong>of</strong> <strong>our</strong> youth, I <strong>in</strong>quired<br />

<strong>of</strong> a guide for <strong>the</strong> Cary sisters' old home, for I remembered<br />

"<strong>the</strong> brown old homestead" as it used to rear its walls "from<br />

<strong>the</strong> village dust alo<strong>of</strong>." Its picture was impr<strong>in</strong>ted upon my<br />

childhood memory. As I recall it now, it stood on <strong>the</strong> maca-

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