Inclusive Scholarship: Developing Black Studies - Ford Foundation
Inclusive Scholarship: Developing Black Studies - Ford Foundation
Inclusive Scholarship: Developing Black Studies - Ford Foundation
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<strong>Inclusive</strong> <strong>Scholarship</strong>: <strong>Developing</strong> <strong>Black</strong> <strong>Studies</strong> in the United States 133<br />
At Cornell, one professor met this problem of intellectual isolation by<br />
rewriting his syllabus to encompass not just one or two “data points” but<br />
three or more. According to this strategy, his students were reading about<br />
<strong>Black</strong>s throughout the Diaspora. They also read about other groups with<br />
similar concerns relating to cultural expression and political position.<br />
At Cornell and elsewhere, this issue of intellectual isolation was structurally<br />
addressed by team-taught courses and jointly appointed faculty<br />
members. In both instances these collaborations sometimes involved work<br />
between Africana <strong>Studies</strong> and other academic units. In this same spirit of<br />
university-wide collaboration, certain Africana courses serve the needs of<br />
programs in agriculture and development, as well as in the liberal arts college<br />
as a whole. Such ventures at schools we visited have helped to make<br />
Multicultural <strong>Studies</strong> more than just a slogan.<br />
Clearly, the <strong>Ford</strong>-sponsored conferences also addressed this issue of<br />
isolation. Graduate students at Yale who said they sometimes feared that<br />
their highly specialized scholarly“discourse”was spoken only in New Haven<br />
were delighted to have visitors come to town speaking the same language.<br />
<strong>Ford</strong> money sent such students from Yale (and elsewhere) to conferences<br />
where they met their counterparts and future colleagues. Faculty benefited<br />
from monies to plan and run conferences or just to attend them. Indiana’s<br />
conferences on“Joe Louis and the American Press”and“<strong>Black</strong> Religious and<br />
Musical Expression in American Cinema” were models of interdisciplinary<br />
work under the aegis of African American <strong>Studies</strong>. Both represented collaborative<br />
work on a very high level. At Wisconsin and at other schools we visited<br />
we heard about joint projects, conferences, and other evidences of<br />
useful partnerships with departments and institutes studying issues of gender<br />
and sexuality.<br />
Just as significant a model for collaboration on the faculty level is Harvard<br />
University’s “working group.” Set up to involve faculty from a dozen or<br />
so institutions across the nation in quarterly conferences, Harvard working<br />
groups have explored such cross-disciplinary topics as “History and Memory<br />
in African American Culture” and “The Role of the <strong>Black</strong> Intellectual.”<br />
In many cases, these sessions permitted first hearings of works-in-progress,<br />
with responses from colleagues across a range of disciplines. Two such